Victor Polster just won best interpretation in Un Certain Regard at Cannes!!! The jury deliberately decided not to talk about actors or actresses but to give Victor the well deserved prize of best performance!! 💙#uncertainregard #cannesfilmfestival
Camera d’Or // Queer Palm // Prix d’Interpretation // Int. Critics Prize // Overwhelmed with all the 💙💙💙💙 #uncertainregard #cannesfilmfestival
Keeping it lowkey at Cannes this year…#girl #uncertainregard
My boys ready for the red carpet!! #girl #cannesfilmfestival
Hey! #portugal #lissabon #postfilmshoot
Beautiful Boy is heartbreaking and gutwrenching at the same time. The people we love the most are also those who can hurt us the most. The impossibilty of a father (❤️ Steve Carell) to protect his son (the danger and emotion of Chalamets performance is 😱 ) and the hope for things to go better every time again are brought to the screen with care by Felix, Ruben, Nico and the whole team around them. Felix proves (again) to be one of our countries biggest filmmakers. I am so proud of him and this film. Go Felix! ❤️
Nora Lara (together in Cannes 🍸)
Victor is very ready for LA!
🐠🦐🦀🦑🐡🦂🐙
As a kid I witnessed the effect films could have on people by hearing my mom talk about Titanic. Ever since I’ve wanted to be a filmmaker. Many times the Oscars were the decor of my childhood dreams. Girl being the Belgian submission for the 2019 Best Foreign Language category is one of the biggest gifts I’ve received so far! 🔥🕺🏻🔥🕺🏻🔥🕺🏻🔥🕺🏻🔥🕺🏻🔥
the beach met Leooo #leonardodicaprio #thebeach #kohchang #thailand
“Since I’ve watched ‘Girl’ yesterday night I cannot stop thinking about Lara as a contemporary Jeanne Dielman. As much as Akerman was obsessively showing Jeanne’s routines as a way to reveal the invisible cages of the life of a widowed woman in the early 70s, Dhont uncovers the tensions that surround the everyday life and spaces of whom, as a transgender person, doesn’t have a given role to play, and context to inhabit, in their everyday life. The beautiful sequences of the ballet training leave you exhausted through the empathy one may feel for a body that strives to find its shape. A form that can disappear, disguised in the repetition of the other bodies, rather than standing out as the exception. It’s perhaps the first time that I visually encounter such feelings expressed with such beauty and clarity. The use of scissors towards the end got me thinking that the parallelism with Jeanne is voluntarily there.” @lucchettimatteo 🙏🏻 Chantal Akerman 🙏🏻
