We watched the sky turn peach
Summer’s light like, summer’s night
We watched the sky turn peach
Summer’s light like, summer’s night
If I can stay in her hair forever, that’d be fine by me
I don’t have no concept of time
Even with a rose gold Concept on me
BTS FROM G/H/O\S\T (3/3)
I wanted to edit this film and am thankful to @entropicofilm for setting up an edit suite at my house. It was a unbelievably valuable experience to learn how to use the software but even more importantly to learn about the structure of a narrative and the million directions it can go in the edit.
Additionally thankful to @phoenixcentralpark for lending me their piano so I could create the score in such an incredible theatre!
Thanks to @loisvega for the amazing stills.
Always grateful to @mattaudino for his poster work – such an incredible creative and graphic designer.
BTS FROM G/H/O\S\T (3/3)
I wanted to edit this film and am thankful to @entropicofilm for setting up an edit suite at my house. It was a unbelievably valuable experience to learn how to use the software but even more importantly to learn about the structure of a narrative and the million directions it can go in the edit.
Additionally thankful to @phoenixcentralpark for lending me their piano so I could create the score in such an incredible theatre!
Thanks to @loisvega for the amazing stills.
Always grateful to @mattaudino for his poster work – such an incredible creative and graphic designer.
BTS FROM G/H/O\S\T (3/3)
I wanted to edit this film and am thankful to @entropicofilm for setting up an edit suite at my house. It was a unbelievably valuable experience to learn how to use the software but even more importantly to learn about the structure of a narrative and the million directions it can go in the edit.
Additionally thankful to @phoenixcentralpark for lending me their piano so I could create the score in such an incredible theatre!
Thanks to @loisvega for the amazing stills.
Always grateful to @mattaudino for his poster work – such an incredible creative and graphic designer.
BTS FROM G/H/O\S\T (1/3)
Such an honour to shape the look of this film.
I spent a few weeks workshopping the furniture and props: assembling a list of fabrics and materials that would absorb and reflect light.
I wanted the minimalism to feel futuristic without forcing it on the audience.
The walls within the dome are pillowed, which we accentuated using light tubes in the trough below the floor.
@darkcinema is the genius behind the projections and helped me to craft the content in Iris’s world: presenting pictures both provocative and palliative.
BTS FROM G/H/O\S\T (1/3)
Such an honour to shape the look of this film.
I spent a few weeks workshopping the furniture and props: assembling a list of fabrics and materials that would absorb and reflect light.
I wanted the minimalism to feel futuristic without forcing it on the audience.
The walls within the dome are pillowed, which we accentuated using light tubes in the trough below the floor.
@darkcinema is the genius behind the projections and helped me to craft the content in Iris’s world: presenting pictures both provocative and palliative.
BTS FROM G/H/O\S\T (1/3)
Such an honour to shape the look of this film.
I spent a few weeks workshopping the furniture and props: assembling a list of fabrics and materials that would absorb and reflect light.
I wanted the minimalism to feel futuristic without forcing it on the audience.
The walls within the dome are pillowed, which we accentuated using light tubes in the trough below the floor.
@darkcinema is the genius behind the projections and helped me to craft the content in Iris’s world: presenting pictures both provocative and palliative.
BTS FROM G/H/O\S\T (1/3)
Such an honour to shape the look of this film.
I spent a few weeks workshopping the furniture and props: assembling a list of fabrics and materials that would absorb and reflect light.
I wanted the minimalism to feel futuristic without forcing it on the audience.
The walls within the dome are pillowed, which we accentuated using light tubes in the trough below the floor.
@darkcinema is the genius behind the projections and helped me to craft the content in Iris’s world: presenting pictures both provocative and palliative.
BTS FROM G/H/O\S\T (1/3)
Such an honour to shape the look of this film.
I spent a few weeks workshopping the furniture and props: assembling a list of fabrics and materials that would absorb and reflect light.
I wanted the minimalism to feel futuristic without forcing it on the audience.
The walls within the dome are pillowed, which we accentuated using light tubes in the trough below the floor.
@darkcinema is the genius behind the projections and helped me to craft the content in Iris’s world: presenting pictures both provocative and palliative.
BTS FROM G/H/O\S\T (1/3)
Such an honour to shape the look of this film.
I spent a few weeks workshopping the furniture and props: assembling a list of fabrics and materials that would absorb and reflect light.
I wanted the minimalism to feel futuristic without forcing it on the audience.
The walls within the dome are pillowed, which we accentuated using light tubes in the trough below the floor.
@darkcinema is the genius behind the projections and helped me to craft the content in Iris’s world: presenting pictures both provocative and palliative.
BTS FROM G/H/O\S\T (1/3)
Such an honour to shape the look of this film.
I spent a few weeks workshopping the furniture and props: assembling a list of fabrics and materials that would absorb and reflect light.
I wanted the minimalism to feel futuristic without forcing it on the audience.
The walls within the dome are pillowed, which we accentuated using light tubes in the trough below the floor.
@darkcinema is the genius behind the projections and helped me to craft the content in Iris’s world: presenting pictures both provocative and palliative.
BTS FROM G/H/O\S\T (2/3)
Light was crucial to creating the energy changes inside the pod.
We spent a long time testing how the luminosity would change the atmosphere and what elements of the space we wanted to highlight.
The ceiling of the capsule has a mirrored skylight to the courtyard above. We tested how the natural light (manipulated by the mirrors) would differ from artificial source light within the capsule.
@tomblackdp is the legend who helped me design each lighting state and transfer this visual identity onto film using an array of added textures within the lens to aid us in search for the ideal shot. None of this would have been possible without our 1st AC/focus @lexcello and key grip @jimmylucini – absolute legends.
BTS FROM G/H/O\S\T (2/3)
Light was crucial to creating the energy changes inside the pod.
We spent a long time testing how the luminosity would change the atmosphere and what elements of the space we wanted to highlight.
The ceiling of the capsule has a mirrored skylight to the courtyard above. We tested how the natural light (manipulated by the mirrors) would differ from artificial source light within the capsule.
@tomblackdp is the legend who helped me design each lighting state and transfer this visual identity onto film using an array of added textures within the lens to aid us in search for the ideal shot. None of this would have been possible without our 1st AC/focus @lexcello and key grip @jimmylucini – absolute legends.
BTS FROM G/H/O\S\T (2/3)
Light was crucial to creating the energy changes inside the pod.
We spent a long time testing how the luminosity would change the atmosphere and what elements of the space we wanted to highlight.
The ceiling of the capsule has a mirrored skylight to the courtyard above. We tested how the natural light (manipulated by the mirrors) would differ from artificial source light within the capsule.
@tomblackdp is the legend who helped me design each lighting state and transfer this visual identity onto film using an array of added textures within the lens to aid us in search for the ideal shot. None of this would have been possible without our 1st AC/focus @lexcello and key grip @jimmylucini – absolute legends.
BTS FROM G/H/O\S\T (2/3)
Light was crucial to creating the energy changes inside the pod.
We spent a long time testing how the luminosity would change the atmosphere and what elements of the space we wanted to highlight.
The ceiling of the capsule has a mirrored skylight to the courtyard above. We tested how the natural light (manipulated by the mirrors) would differ from artificial source light within the capsule.
@tomblackdp is the legend who helped me design each lighting state and transfer this visual identity onto film using an array of added textures within the lens to aid us in search for the ideal shot. None of this would have been possible without our 1st AC/focus @lexcello and key grip @jimmylucini – absolute legends.
BTS FROM G/H/O\S\T (2/3)
Light was crucial to creating the energy changes inside the pod.
We spent a long time testing how the luminosity would change the atmosphere and what elements of the space we wanted to highlight.
The ceiling of the capsule has a mirrored skylight to the courtyard above. We tested how the natural light (manipulated by the mirrors) would differ from artificial source light within the capsule.
@tomblackdp is the legend who helped me design each lighting state and transfer this visual identity onto film using an array of added textures within the lens to aid us in search for the ideal shot. None of this would have been possible without our 1st AC/focus @lexcello and key grip @jimmylucini – absolute legends.
BTS FROM G/H/O\S\T (2/3)
Light was crucial to creating the energy changes inside the pod.
We spent a long time testing how the luminosity would change the atmosphere and what elements of the space we wanted to highlight.
The ceiling of the capsule has a mirrored skylight to the courtyard above. We tested how the natural light (manipulated by the mirrors) would differ from artificial source light within the capsule.
@tomblackdp is the legend who helped me design each lighting state and transfer this visual identity onto film using an array of added textures within the lens to aid us in search for the ideal shot. None of this would have been possible without our 1st AC/focus @lexcello and key grip @jimmylucini – absolute legends.
BTS FROM G/H/O\S\T (2/3)
Light was crucial to creating the energy changes inside the pod.
We spent a long time testing how the luminosity would change the atmosphere and what elements of the space we wanted to highlight.
The ceiling of the capsule has a mirrored skylight to the courtyard above. We tested how the natural light (manipulated by the mirrors) would differ from artificial source light within the capsule.
@tomblackdp is the legend who helped me design each lighting state and transfer this visual identity onto film using an array of added textures within the lens to aid us in search for the ideal shot. None of this would have been possible without our 1st AC/focus @lexcello and key grip @jimmylucini – absolute legends.
BTS FROM G/H/O\S\T (2/3)
Light was crucial to creating the energy changes inside the pod.
We spent a long time testing how the luminosity would change the atmosphere and what elements of the space we wanted to highlight.
The ceiling of the capsule has a mirrored skylight to the courtyard above. We tested how the natural light (manipulated by the mirrors) would differ from artificial source light within the capsule.
@tomblackdp is the legend who helped me design each lighting state and transfer this visual identity onto film using an array of added textures within the lens to aid us in search for the ideal shot. None of this would have been possible without our 1st AC/focus @lexcello and key grip @jimmylucini – absolute legends.
___G/H/O\S\T___
___”the exhaustion of boredom?”___
___”yes, of simply doing nothing”__
___G/H/O\S\T___
__”You’re spineless.”________
__”You’re just sugar and veins.”__
‘In the year 2067 humankind has all but departed earth. A woman isolates on the new colony for the duration of her pregnancy.’
Creating my second narrative short film I was determined to set new goals:
To learn to edit.
To compose a score.
To production design.
I am forever grateful to,
Judith Neilson – for giving me the freedom to play.
@phoenixcentralpark – for the incredible space.
@entropicofilm – for trusting me with the goals I set.
@marlokelly – for playing such an incredible Iris.
@darkcinema – for the projection
@tomblackdp – for the incredible cinematography
@arriaustralia – for the lenses
@thefront118 – for the camera
And to the entire cast and crew for helping me bring GHOST to life.
