Home Actor Kamal Haasan HD Photos and Wallpapers July 2021 Kamal Haasan Instagram - Reposted from @rkfioffl Moving to the interior of the cabins here occurred a big blooper and we couldn’t go back to correct it and it still stays with the film.you have 2 people standing on the left of the frame then there is a doorway and then there is a window.Towards the climax there is this man moves cuts across the doorway and comes to the window and another character the same man enters across the window and comes to the door.In the meanwhile he moves to a middle position and then moves again .This man moves in to the middle position.So it’s a mask crossing mask .I had received great appreciation from Mr.K.Balachander when I had done it earlier .This half way through a running mask while you are shooting the other side you just remove the mask so that somebody who crosses goes out and comes back and it’s astounding.You Mask both sides do one exposure finish with it and then make him exit and just do the whole exposure and you still have footage left here you rip the mask on the left and he walks across the frame he’s crossed the cardinal line that defines a double exposure and we wanted to do this twice. It so happened that one of the Asst Directors forgot to pin the curtain down so it jumped and you can still see it. #KHspeaks #InHone #KaHa #30yearsofMMKR

Kamal Haasan Instagram – Reposted from @rkfioffl Moving to the interior of the cabins here occurred a big blooper and we couldn’t go back to correct it and it still stays with the film.you have 2 people standing on the left of the frame then there is a doorway and then there is a window.Towards the climax there is this man moves cuts across the doorway and comes to the window and another character the same man enters across the window and comes to the door.In the meanwhile he moves to a middle position and then moves again .This man moves in to the middle position.So it’s a mask crossing mask .I had received great appreciation from Mr.K.Balachander when I had done it earlier .This half way through a running mask while you are shooting the other side you just remove the mask so that somebody who crosses goes out and comes back and it’s astounding.You Mask both sides do one exposure finish with it and then make him exit and just do the whole exposure and you still have footage left here you rip the mask on the left and he walks across the frame he’s crossed the cardinal line that defines a double exposure and we wanted to do this twice. It so happened that one of the Asst Directors forgot to pin the curtain down so it jumped and you can still see it. #KHspeaks #InHone #KaHa #30yearsofMMKR

Kamal Haasan Instagram - Reposted from @rkfioffl Moving to the interior of the cabins here occurred a big blooper and we couldn’t go back to correct it and it still stays with the film.you have 2 people standing on the left of the frame then there is a doorway and then there is a window.Towards the climax there is this man moves cuts across the doorway and comes to the window and another character the same man enters across the window and comes to the door.In the meanwhile he moves to a middle position and then moves again .This man moves in to the middle position.So it’s a mask crossing mask .I had received great appreciation from Mr.K.Balachander when I had done it earlier .This half way through a running mask while you are shooting the other side you just remove the mask so that somebody who crosses goes out and comes back and it’s astounding.You Mask both sides do one exposure finish with it and then make him exit and just do the whole exposure and you still have footage left here you rip the mask on the left and he walks across the frame he’s crossed the cardinal line that defines a double exposure and we wanted to do this twice. It so happened that one of the Asst Directors forgot to pin the curtain down so it jumped and you can still see it. #KHspeaks #InHone #KaHa #30yearsofMMKR

Kamal Haasan Instagram – Reposted from @rkfioffl Moving to the interior of the cabins here occurred a big blooper and we couldn’t go back to correct it and it still stays with the film.you have 2 people standing on the left of the frame then there is a doorway and then there is a window.Towards the climax there is this man moves cuts across the doorway and comes to the window and another character the same man enters across the window and comes to the door.In the meanwhile he moves to a middle position and then moves again .This man moves in to the middle position.So it’s a mask crossing mask .I had received great appreciation from Mr.K.Balachander when I had done it earlier .This half way through a running mask while you are shooting the other side you just remove the mask so that somebody who crosses goes out and comes back and it’s astounding.You Mask both sides do one exposure finish with it and then make him exit and just do the whole exposure and you still have footage left here you rip the mask on the left and he walks across the frame he’s crossed the cardinal line that defines a double exposure and we wanted to do this twice. It so happened that one of the Asst Directors forgot to pin the curtain down so it jumped and you can still see it.
#KHspeaks #InHone #KaHa #30yearsofMMKR | Posted on 04/Jul/2021 19:55:08

Kamal Haasan Instagram – Reposted from @rkfioffl These tricks Can be emulated by the next generation film makers by just calling Google to their assistance and this could be outwitted by collective conscience and collective wisdom. But what you cannot get and what am too proud ,call it bragging, about is getting these great talents together . What it takes bringing them together is not power, just humility. I will beg , borrow , but not steal and I will talk to each and everyone in the unit to pull it off and there lies my biggest strength. Mr.Singeetham and I have fought together and made films together as comrades and that staying together is the magic a film maker needs to learn to work and that does not come with a phd degree, it comes with humans who love art and share the same thoughts. We missed MR.P.C.Sreeram but our cameraman Mr.B.C.Gowrishankar was fantastic and we had worked with him earlier in Pushpak too . Hence we understood each other’s line of thought and there was no panic and he was cool and composed . We brought Mr.Lal for masking. Very few cameramen know the art of masking and our cameraman willingly accepted that he was not good with it. I had worked with Mr.Lals father and he was a daring man who would rip masks as we were shooting .

Our editors had a big job to pull off in a short time .Mr.Vikram Dharma was very careful that I don’t get into any accidents as I had suffered many before and hence he did not let me do the glass breaking shot in the toilet. But irony had something else in store for me , as when the dupe finished that shot I had a piece of glass on my face just by watching it and I looked at him cheekily with a mind voice he understood that said “You should’ve just let me do it “.The toilet fight is mention worthy as it was so well choreographed and all artists had to stand by till it got done with and because of the training we had in Aboorva Sahodharargal we pulled it off without any stress
#KHspeaks #InHone #KaHa #30yearsofMMKR
Kamal Haasan Instagram – Reposted from @rkfioffl Here’s the interesting part ,most of the shots in the film don’t rely on masking as most of them are in pans and that also adds speed. I was very good at it from my experience of being a dance assistant and shifting to different locations without losing continuity, which can also be seen in “Manmadhan Ambu” where you stop block pans and Mr.B.S.Loganath, who’s also my guru, was a master of slow pans without panic .You could use the pan at the speed you require as long as you know the continuity.We used speed pans and if you look at it closely all the shots are “cut shots”but will look like one single shot like the mother coming to help the son and father teetering on the edge we changed from K to Madhan to Raju using once the mother as a frame wipe and Michaels walking towards the camera as a second wipe during that wipe we replaced Madhan the dupe to Madhan the real KH. There was no blue matte then and hence the Ooty background had to be real so once again we built the set on a real location and the my most trusted lieutenant Mr.Vikram Dharma had the stunts taken to the length as I kept narrating .

The climax rocking hilltop set was built in 3 locations.The first was inside the studio to capture the “rocking “ effect ,second in the the actual location at Conoor and then we created a 30 feet model after a lot of mathematical calculation at “campa -cola grounds” where Kameshwaran and other characters were made as little puppets. Some of the puppets were being handled between the art director and me and we shot it in slow motion from down and it was a controlled situation .There were 2 people who really enjoyed working with the miniature building and they were none other than Mr.Singeetham and me , as we Iove the feeling and effect of “make believe”. I did bend over backwards to make it extra realistic .
#KHspeaks #InHone #KaHa #30yearsofMMKR

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