fanfic of something i’ll never see #emilyinparis #emilyinparisedit Brooklyn, New York
fanfic of something i’ll never see #emilyinparis #emilyinparisedit Brooklyn, New York
fanfic of something i’ll never see #emilyinparis #emilyinparisedit Brooklyn, New York
fanfic of something i’ll never see #emilyinparis #emilyinparisedit Brooklyn, New York
fanfic of something i’ll never see #emilyinparis #emilyinparisedit Brooklyn, New York
mural for @notionhq at lafayette and howard in soho, an earlier version, some of the 368842481 icons i draw for it, and my incredibly shitty text mock-up for one of the sketches. Soho, N.Y.C
mural for @notionhq at lafayette and howard in soho, an earlier version, some of the 368842481 icons i draw for it, and my incredibly shitty text mock-up for one of the sketches. Soho, N.Y.C
mural for @notionhq at lafayette and howard in soho, an earlier version, some of the 368842481 icons i draw for it, and my incredibly shitty text mock-up for one of the sketches. Soho, N.Y.C
mural for @notionhq at lafayette and howard in soho, an earlier version, some of the 368842481 icons i draw for it, and my incredibly shitty text mock-up for one of the sketches. Soho, N.Y.C
Casca, the real hero of Berserk. I’ve always thought of a drawing as a collection of abstractions, with anything depictive as a byproduct of these abstractions—swipe for deets (ig fucked up the screentones in the first one). This above is probably the most detailed thing I’ve done in a while—decided to see how far I can take or without losing the lightness, and reading Miura’s work has been a humbling masterclass on all these matters. Berserk may seem like fairly straightforward realistic manga, but on pretty much every page there’s something new in the way he handles lines, shapes and screentones, and even the most brutal stuff has a certain dignity to it (that scene at the culmination of the eclipse excluded). Get the deluxe editions of you can (the Brooklyn library has all of those), they are pretty wild. I’m waiting for volume 6 rn. Anyway, you can get this print from @roomfifty, small or large or even very large. #casca #berserk Brooklyn, New York
Casca, the real hero of Berserk. I’ve always thought of a drawing as a collection of abstractions, with anything depictive as a byproduct of these abstractions—swipe for deets (ig fucked up the screentones in the first one). This above is probably the most detailed thing I’ve done in a while—decided to see how far I can take or without losing the lightness, and reading Miura’s work has been a humbling masterclass on all these matters. Berserk may seem like fairly straightforward realistic manga, but on pretty much every page there’s something new in the way he handles lines, shapes and screentones, and even the most brutal stuff has a certain dignity to it (that scene at the culmination of the eclipse excluded). Get the deluxe editions of you can (the Brooklyn library has all of those), they are pretty wild. I’m waiting for volume 6 rn. Anyway, you can get this print from @roomfifty, small or large or even very large. #casca #berserk Brooklyn, New York
Casca, the real hero of Berserk. I’ve always thought of a drawing as a collection of abstractions, with anything depictive as a byproduct of these abstractions—swipe for deets (ig fucked up the screentones in the first one). This above is probably the most detailed thing I’ve done in a while—decided to see how far I can take or without losing the lightness, and reading Miura’s work has been a humbling masterclass on all these matters. Berserk may seem like fairly straightforward realistic manga, but on pretty much every page there’s something new in the way he handles lines, shapes and screentones, and even the most brutal stuff has a certain dignity to it (that scene at the culmination of the eclipse excluded). Get the deluxe editions of you can (the Brooklyn library has all of those), they are pretty wild. I’m waiting for volume 6 rn. Anyway, you can get this print from @roomfifty, small or large or even very large. #casca #berserk Brooklyn, New York
Casca, the real hero of Berserk. I’ve always thought of a drawing as a collection of abstractions, with anything depictive as a byproduct of these abstractions—swipe for deets (ig fucked up the screentones in the first one). This above is probably the most detailed thing I’ve done in a while—decided to see how far I can take or without losing the lightness, and reading Miura’s work has been a humbling masterclass on all these matters. Berserk may seem like fairly straightforward realistic manga, but on pretty much every page there’s something new in the way he handles lines, shapes and screentones, and even the most brutal stuff has a certain dignity to it (that scene at the culmination of the eclipse excluded). Get the deluxe editions of you can (the Brooklyn library has all of those), they are pretty wild. I’m waiting for volume 6 rn. Anyway, you can get this print from @roomfifty, small or large or even very large. #casca #berserk Brooklyn, New York
Casca, the real hero of Berserk. I’ve always thought of a drawing as a collection of abstractions, with anything depictive as a byproduct of these abstractions—swipe for deets (ig fucked up the screentones in the first one). This above is probably the most detailed thing I’ve done in a while—decided to see how far I can take or without losing the lightness, and reading Miura’s work has been a humbling masterclass on all these matters. Berserk may seem like fairly straightforward realistic manga, but on pretty much every page there’s something new in the way he handles lines, shapes and screentones, and even the most brutal stuff has a certain dignity to it (that scene at the culmination of the eclipse excluded). Get the deluxe editions of you can (the Brooklyn library has all of those), they are pretty wild. I’m waiting for volume 6 rn. Anyway, you can get this print from @roomfifty, small or large or even very large. #casca #berserk Brooklyn, New York
Casca, the real hero of Berserk. I’ve always thought of a drawing as a collection of abstractions, with anything depictive as a byproduct of these abstractions—swipe for deets (ig fucked up the screentones in the first one). This above is probably the most detailed thing I’ve done in a while—decided to see how far I can take or without losing the lightness, and reading Miura’s work has been a humbling masterclass on all these matters. Berserk may seem like fairly straightforward realistic manga, but on pretty much every page there’s something new in the way he handles lines, shapes and screentones, and even the most brutal stuff has a certain dignity to it (that scene at the culmination of the eclipse excluded). Get the deluxe editions of you can (the Brooklyn library has all of those), they are pretty wild. I’m waiting for volume 6 rn. Anyway, you can get this print from @roomfifty, small or large or even very large. #casca #berserk Brooklyn, New York
xmas miracle, everyone: i finally finished the 6th part of my ongoing graphic novel, “the living,” and posted it on patreon (/bluebed). it is now officially more than halfway through, and it’s xmas in the pages i am now working on! 🎄 coming out in book form probably in a year or more, expanded and revised, so far only in french again. next year i want to start a new thing that’s funny and trashy, rather than quiet and melancholy. with animal people and awful deep social discomfort comedy. i’ve been very inspired by the sadism in the last succession season, and i’d like to bring that pain to comics. Brooklyn, New York
sounds by @fullcolorsoundrecords
back in the day in san francisco Brooklyn, New York
back in the day in san francisco Brooklyn, New York
back in the day in san francisco Brooklyn, New York
back in the day in san francisco Brooklyn, New York
back in the day in san francisco Brooklyn, New York
back in the day in san francisco Brooklyn, New York
back in the day in san francisco Brooklyn, New York
