Home Actress Rukmini Vijayakumar HD Instagram Photos and Wallpapers March 2023 Rukmini Vijayakumar Instagram - I wrote a book, “Finding Shiva” about the performative experience, and what it has helped me realise about life. Subsequently, I made this film, commissioned by @tatacliq based on the book. I don’t have any proper dance clips from last night, so I’m sharing this. Last night, I danced Mata Kalika, a bhajan, fully improvised. I’m familiar with the music, because I’ve choreographed the piece on ensemble, but I don’t think that it made a difference. It might have been easier for me if it was never choreographed. A few things that become very important in an improvised performance. - being present and completely available to the moment. No anticipating or planning. - saying “yes” to everything that the musical artists offer at that very moment, without hoping for specific outcomes or trying to guide their decisions. This is very important because it allows each performer to listen, instead of trying to be heard - skill, practise and command over their respective performance languages is of prime importance in an improvisational performance. The more you know about your area of expertise the more options you have in a millisecond. This was really beautiful last night with @raghuramvocals @shyam_rhythmgam Mahesha swamy and @khanjiraboy . - lastly it becomes very important for me to immerse in the character and believe in what I’m dancing. There can be no judgement and no conscious crafting to suit a viewer. The skill of covering the stage, finding an emotional trajectory, building a story, creating pause, resolution, etc must all be second nature so that nothing is at the forefront of one’s thoughts. I must either be completely rehearsed to a point of exactness or have an open improvisation for a fulfilling performance. It’s strange - but I can never have anything inbetween. It’s also important to have artists with me who converse and listen to one another through their art - for it to work. Then it becomes about the art and not about an individual. So thankful for @raghuramvocals @shyam_rhythmgam Mahesh anna @khanjiraboy Film credits @vivianambrose @saishravanam @tatacliq #bharatanatyam #findingshiva #shivaratri #shiva #innerjourney #improvisation

Rukmini Vijayakumar Instagram – I wrote a book, “Finding Shiva” about the performative experience, and what it has helped me realise about life. Subsequently, I made this film, commissioned by @tatacliq based on the book. I don’t have any proper dance clips from last night, so I’m sharing this. Last night, I danced Mata Kalika, a bhajan, fully improvised. I’m familiar with the music, because I’ve choreographed the piece on ensemble, but I don’t think that it made a difference. It might have been easier for me if it was never choreographed. A few things that become very important in an improvised performance. – being present and completely available to the moment. No anticipating or planning. – saying “yes” to everything that the musical artists offer at that very moment, without hoping for specific outcomes or trying to guide their decisions. This is very important because it allows each performer to listen, instead of trying to be heard – skill, practise and command over their respective performance languages is of prime importance in an improvisational performance. The more you know about your area of expertise the more options you have in a millisecond. This was really beautiful last night with @raghuramvocals @shyam_rhythmgam Mahesha swamy and @khanjiraboy . – lastly it becomes very important for me to immerse in the character and believe in what I’m dancing. There can be no judgement and no conscious crafting to suit a viewer. The skill of covering the stage, finding an emotional trajectory, building a story, creating pause, resolution, etc must all be second nature so that nothing is at the forefront of one’s thoughts. I must either be completely rehearsed to a point of exactness or have an open improvisation for a fulfilling performance. It’s strange – but I can never have anything inbetween. It’s also important to have artists with me who converse and listen to one another through their art – for it to work. Then it becomes about the art and not about an individual. So thankful for @raghuramvocals @shyam_rhythmgam Mahesh anna @khanjiraboy Film credits @vivianambrose @saishravanam @tatacliq #bharatanatyam #findingshiva #shivaratri #shiva #innerjourney #improvisation

Rukmini Vijayakumar Instagram - I wrote a book, “Finding Shiva” about the performative experience, and what it has helped me realise about life. Subsequently, I made this film, commissioned by @tatacliq based on the book. I don’t have any proper dance clips from last night, so I’m sharing this. Last night, I danced Mata Kalika, a bhajan, fully improvised. I’m familiar with the music, because I’ve choreographed the piece on ensemble, but I don’t think that it made a difference. It might have been easier for me if it was never choreographed. A few things that become very important in an improvised performance. - being present and completely available to the moment. No anticipating or planning. - saying “yes” to everything that the musical artists offer at that very moment, without hoping for specific outcomes or trying to guide their decisions. This is very important because it allows each performer to listen, instead of trying to be heard - skill, practise and command over their respective performance languages is of prime importance in an improvisational performance. The more you know about your area of expertise the more options you have in a millisecond. This was really beautiful last night with @raghuramvocals @shyam_rhythmgam Mahesha swamy and @khanjiraboy . - lastly it becomes very important for me to immerse in the character and believe in what I’m dancing. There can be no judgement and no conscious crafting to suit a viewer. The skill of covering the stage, finding an emotional trajectory, building a story, creating pause, resolution, etc must all be second nature so that nothing is at the forefront of one’s thoughts. I must either be completely rehearsed to a point of exactness or have an open improvisation for a fulfilling performance. It’s strange - but I can never have anything inbetween. It’s also important to have artists with me who converse and listen to one another through their art - for it to work. Then it becomes about the art and not about an individual. So thankful for @raghuramvocals @shyam_rhythmgam Mahesh anna @khanjiraboy Film credits @vivianambrose @saishravanam @tatacliq #bharatanatyam #findingshiva #shivaratri #shiva #innerjourney #improvisation

Rukmini Vijayakumar Instagram – I wrote a book, “Finding Shiva” about the performative experience, and what it has helped me realise about life. Subsequently, I made this film, commissioned by @tatacliq based on the book. I don’t have any proper dance clips from last night, so I’m sharing this.

Last night, I danced Mata Kalika, a bhajan, fully improvised. I’m familiar with the music, because I’ve choreographed the piece on ensemble, but I don’t think that it made a difference. It might have been easier for me if it was never choreographed.

A few things that become very important in an improvised performance.
– being present and completely available to the moment. No anticipating or planning.
– saying “yes” to everything that the musical artists offer at that very moment, without hoping for specific outcomes or trying to guide their decisions. This is very important because it allows each performer to listen, instead of trying to be heard
– skill, practise and command over their respective performance languages is of prime importance in an improvisational performance. The more you know about your area of expertise the more options you have in a millisecond. This was really beautiful last night with @raghuramvocals @shyam_rhythmgam Mahesha swamy and @khanjiraboy .
– lastly it becomes very important for me to immerse in the character and believe in what I’m dancing. There can be no judgement and no conscious crafting to suit a viewer. The skill of covering the stage, finding an emotional trajectory, building a story, creating pause, resolution, etc must all be second nature so that nothing is at the forefront of one’s thoughts.

I must either be completely rehearsed to a point of exactness or have an open improvisation for a fulfilling performance. It’s strange – but I can never have anything inbetween.

It’s also important to have artists with me who converse and listen to one another through their art – for it to work. Then it becomes about the art and not about an individual.
So thankful for @raghuramvocals @shyam_rhythmgam Mahesh anna @khanjiraboy

Film credits
@vivianambrose @saishravanam @tatacliq
#bharatanatyam #findingshiva #shivaratri #shiva #innerjourney #improvisation | Posted on 19/Feb/2023 09:44:56

Rukmini Vijayakumar Instagram – As a Bharatnatyam artist, I performed on stages all over the world, each one shaping my art and defining me as a performer. But today, I am thrilled to take on Samsonite bags as my stage.

These bags are built to withstand an incredible amount of pressure – up to 290 kgs – and endure intense impacts, thanks to rigorous overload and impact tests.

Because you deserve, what’s only been #TestedLikeSamsonite!

@dancerukmini 

#SamsoniteIndia #DancerRukmini #Samsonite #MySamsonite #Luggage #luggagebag #Lifestyle
Rukmini Vijayakumar Instagram – Happy Mahashivaratri to all! May you all find the awareness that we seek to know ourselves and this world… 

Video: was created for @aimforseva and is a part of “Srishti” a full length dance Video production@by @raadhakalpa 

This particular dance , is available to watch on Raadha Kalpa’s YouTube channel as “Finding Shiva”

Video: @vivianambrose 
Music : Dr Rajkumar Bharathi @saishravanam @keerthanavaidyanathan 

I’m dancing tonight at the Bhoganandishwara temple at 12 am in bangalore. Near Nandi Hills – as part of Shivaratri celebrations! 
Open to all 

#shiva #parvati #shivaratri #srishti #bharatanatyam #bharatnatyam #indianclassicaldance

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