felt like stepping into a collective dream to make these images with @djeneba.aduayom for @thevioletbook // @leithclark thank you for always bringing together wonderful groups of artists and allowing room for the spontaneous to emerge // makeup @missjobaker // hair @laini_reeves // styling @leithclark
Also 🕊️ this issue of @thevioletbook has a very special radically honest conversation between Zal and I where we talk about the day we came up with the idea for #theOA and some of the undercurrents that formed #amurderattheendoftheworld … link to order the magazine in stories … or order at violet-book.com @boutiquemags
felt like stepping into a collective dream to make these images with @djeneba.aduayom for @thevioletbook // @leithclark thank you for always bringing together wonderful groups of artists and allowing room for the spontaneous to emerge // makeup @missjobaker // hair @laini_reeves // styling @leithclark
Also 🕊️ this issue of @thevioletbook has a very special radically honest conversation between Zal and I where we talk about the day we came up with the idea for #theOA and some of the undercurrents that formed #amurderattheendoftheworld … link to order the magazine in stories … or order at violet-book.com @boutiquemags
felt like stepping into a collective dream to make these images with @djeneba.aduayom for @thevioletbook // @leithclark thank you for always bringing together wonderful groups of artists and allowing room for the spontaneous to emerge // makeup @missjobaker // hair @laini_reeves // styling @leithclark
Also 🕊️ this issue of @thevioletbook has a very special radically honest conversation between Zal and I where we talk about the day we came up with the idea for #theOA and some of the undercurrents that formed #amurderattheendoftheworld … link to order the magazine in stories … or order at violet-book.com @boutiquemags
felt like stepping into a collective dream to make these images with @djeneba.aduayom for @thevioletbook // @leithclark thank you for always bringing together wonderful groups of artists and allowing room for the spontaneous to emerge // makeup @missjobaker // hair @laini_reeves // styling @leithclark
Also 🕊️ this issue of @thevioletbook has a very special radically honest conversation between Zal and I where we talk about the day we came up with the idea for #theOA and some of the undercurrents that formed #amurderattheendoftheworld … link to order the magazine in stories … or order at violet-book.com @boutiquemags
felt like stepping into a collective dream to make these images with @djeneba.aduayom for @thevioletbook // @leithclark thank you for always bringing together wonderful groups of artists and allowing room for the spontaneous to emerge // makeup @missjobaker // hair @laini_reeves // styling @leithclark
Also 🕊️ this issue of @thevioletbook has a very special radically honest conversation between Zal and I where we talk about the day we came up with the idea for #theOA and some of the undercurrents that formed #amurderattheendoftheworld … link to order the magazine in stories … or order at violet-book.com @boutiquemags
felt like stepping into a collective dream to make these images with @djeneba.aduayom for @thevioletbook // @leithclark thank you for always bringing together wonderful groups of artists and allowing room for the spontaneous to emerge // makeup @missjobaker // hair @laini_reeves // styling @leithclark
Also 🕊️ this issue of @thevioletbook has a very special radically honest conversation between Zal and I where we talk about the day we came up with the idea for #theOA and some of the undercurrents that formed #amurderattheendoftheworld … link to order the magazine in stories … or order at violet-book.com @boutiquemags
A gathering of photos of some of the remarkable crew that made A MURDER possible…
1. Leifur Dagfinnsson of @truenorth_nordic – our incredible Icelandic producer. We got on these snow mobiles and went 20 min across a frozen lake to set.
2. @charlottebruuschristensen @adigerlando and I sorting out where to place the VFX portion of the hotel in Deplar Valley
3. @alexhgayner, Jason, Charlotte and Zal scouting near Ray’s Tavern for a location within walking distance to shoot Darby and Bill’s wake-up in the El Camino so we could make the day
4. JB Rogers — our AD who literally held the set together with his acumen and his dark humor. the only man who can make me laugh when we have one hour left to shoot and must light a wall on fire with SFX team.
5. From the incredible camera department — Gavin, Mickey, Tamara (script sup), Austin, Charlotte, Andy, Kathryn (assoc producer), and Adam — we are 2 tequilas in and have been dancing for an hour post wrap 😉
6. Josh and Daniel — working double time because when I was directing there was never proper time to do Hair and MU to play Lee
7. @graymeganbowman and I on the hottest day of the summer in a parking lot we transformed into Six Flags with VFX
8. The gang at our Utah spot River Rock Inn with owners Tracy and Greg who made us a breakfast of champions every morning to face a 12 hour day
9. @dbholland (co-producer), Kathryn Moïse and I try to increase blood flow in the trailer after 16 hours on our feet
10. The entire editorial team — wild talents all of them — Blair, Blake, Rachel, Tavis, Chris, Kathryn, Lana, Mike, Cassandra, Will, Derek, Josh, Kara — and maestro Dylan Tichenor beside Zal and me.
these are just some (by no means all) of the artists and master craftspeople who worked tirelessly behind the scenes to achieve a very ambitious story…
A gathering of photos of some of the remarkable crew that made A MURDER possible…
1. Leifur Dagfinnsson of @truenorth_nordic – our incredible Icelandic producer. We got on these snow mobiles and went 20 min across a frozen lake to set.
2. @charlottebruuschristensen @adigerlando and I sorting out where to place the VFX portion of the hotel in Deplar Valley
3. @alexhgayner, Jason, Charlotte and Zal scouting near Ray’s Tavern for a location within walking distance to shoot Darby and Bill’s wake-up in the El Camino so we could make the day
4. JB Rogers — our AD who literally held the set together with his acumen and his dark humor. the only man who can make me laugh when we have one hour left to shoot and must light a wall on fire with SFX team.
5. From the incredible camera department — Gavin, Mickey, Tamara (script sup), Austin, Charlotte, Andy, Kathryn (assoc producer), and Adam — we are 2 tequilas in and have been dancing for an hour post wrap 😉
6. Josh and Daniel — working double time because when I was directing there was never proper time to do Hair and MU to play Lee
7. @graymeganbowman and I on the hottest day of the summer in a parking lot we transformed into Six Flags with VFX
8. The gang at our Utah spot River Rock Inn with owners Tracy and Greg who made us a breakfast of champions every morning to face a 12 hour day
9. @dbholland (co-producer), Kathryn Moïse and I try to increase blood flow in the trailer after 16 hours on our feet
10. The entire editorial team — wild talents all of them — Blair, Blake, Rachel, Tavis, Chris, Kathryn, Lana, Mike, Cassandra, Will, Derek, Josh, Kara — and maestro Dylan Tichenor beside Zal and me.
these are just some (by no means all) of the artists and master craftspeople who worked tirelessly behind the scenes to achieve a very ambitious story…
A gathering of photos of some of the remarkable crew that made A MURDER possible…
1. Leifur Dagfinnsson of @truenorth_nordic – our incredible Icelandic producer. We got on these snow mobiles and went 20 min across a frozen lake to set.
2. @charlottebruuschristensen @adigerlando and I sorting out where to place the VFX portion of the hotel in Deplar Valley
3. @alexhgayner, Jason, Charlotte and Zal scouting near Ray’s Tavern for a location within walking distance to shoot Darby and Bill’s wake-up in the El Camino so we could make the day
4. JB Rogers — our AD who literally held the set together with his acumen and his dark humor. the only man who can make me laugh when we have one hour left to shoot and must light a wall on fire with SFX team.
5. From the incredible camera department — Gavin, Mickey, Tamara (script sup), Austin, Charlotte, Andy, Kathryn (assoc producer), and Adam — we are 2 tequilas in and have been dancing for an hour post wrap 😉
6. Josh and Daniel — working double time because when I was directing there was never proper time to do Hair and MU to play Lee
7. @graymeganbowman and I on the hottest day of the summer in a parking lot we transformed into Six Flags with VFX
8. The gang at our Utah spot River Rock Inn with owners Tracy and Greg who made us a breakfast of champions every morning to face a 12 hour day
9. @dbholland (co-producer), Kathryn Moïse and I try to increase blood flow in the trailer after 16 hours on our feet
10. The entire editorial team — wild talents all of them — Blair, Blake, Rachel, Tavis, Chris, Kathryn, Lana, Mike, Cassandra, Will, Derek, Josh, Kara — and maestro Dylan Tichenor beside Zal and me.
these are just some (by no means all) of the artists and master craftspeople who worked tirelessly behind the scenes to achieve a very ambitious story…
A gathering of photos of some of the remarkable crew that made A MURDER possible…
1. Leifur Dagfinnsson of @truenorth_nordic – our incredible Icelandic producer. We got on these snow mobiles and went 20 min across a frozen lake to set.
2. @charlottebruuschristensen @adigerlando and I sorting out where to place the VFX portion of the hotel in Deplar Valley
3. @alexhgayner, Jason, Charlotte and Zal scouting near Ray’s Tavern for a location within walking distance to shoot Darby and Bill’s wake-up in the El Camino so we could make the day
4. JB Rogers — our AD who literally held the set together with his acumen and his dark humor. the only man who can make me laugh when we have one hour left to shoot and must light a wall on fire with SFX team.
5. From the incredible camera department — Gavin, Mickey, Tamara (script sup), Austin, Charlotte, Andy, Kathryn (assoc producer), and Adam — we are 2 tequilas in and have been dancing for an hour post wrap 😉
6. Josh and Daniel — working double time because when I was directing there was never proper time to do Hair and MU to play Lee
7. @graymeganbowman and I on the hottest day of the summer in a parking lot we transformed into Six Flags with VFX
8. The gang at our Utah spot River Rock Inn with owners Tracy and Greg who made us a breakfast of champions every morning to face a 12 hour day
9. @dbholland (co-producer), Kathryn Moïse and I try to increase blood flow in the trailer after 16 hours on our feet
10. The entire editorial team — wild talents all of them — Blair, Blake, Rachel, Tavis, Chris, Kathryn, Lana, Mike, Cassandra, Will, Derek, Josh, Kara — and maestro Dylan Tichenor beside Zal and me.
these are just some (by no means all) of the artists and master craftspeople who worked tirelessly behind the scenes to achieve a very ambitious story…
A gathering of photos of some of the remarkable crew that made A MURDER possible…
1. Leifur Dagfinnsson of @truenorth_nordic – our incredible Icelandic producer. We got on these snow mobiles and went 20 min across a frozen lake to set.
2. @charlottebruuschristensen @adigerlando and I sorting out where to place the VFX portion of the hotel in Deplar Valley
3. @alexhgayner, Jason, Charlotte and Zal scouting near Ray’s Tavern for a location within walking distance to shoot Darby and Bill’s wake-up in the El Camino so we could make the day
4. JB Rogers — our AD who literally held the set together with his acumen and his dark humor. the only man who can make me laugh when we have one hour left to shoot and must light a wall on fire with SFX team.
5. From the incredible camera department — Gavin, Mickey, Tamara (script sup), Austin, Charlotte, Andy, Kathryn (assoc producer), and Adam — we are 2 tequilas in and have been dancing for an hour post wrap 😉
6. Josh and Daniel — working double time because when I was directing there was never proper time to do Hair and MU to play Lee
7. @graymeganbowman and I on the hottest day of the summer in a parking lot we transformed into Six Flags with VFX
8. The gang at our Utah spot River Rock Inn with owners Tracy and Greg who made us a breakfast of champions every morning to face a 12 hour day
9. @dbholland (co-producer), Kathryn Moïse and I try to increase blood flow in the trailer after 16 hours on our feet
10. The entire editorial team — wild talents all of them — Blair, Blake, Rachel, Tavis, Chris, Kathryn, Lana, Mike, Cassandra, Will, Derek, Josh, Kara — and maestro Dylan Tichenor beside Zal and me.
these are just some (by no means all) of the artists and master craftspeople who worked tirelessly behind the scenes to achieve a very ambitious story…
A gathering of photos of some of the remarkable crew that made A MURDER possible…
1. Leifur Dagfinnsson of @truenorth_nordic – our incredible Icelandic producer. We got on these snow mobiles and went 20 min across a frozen lake to set.
2. @charlottebruuschristensen @adigerlando and I sorting out where to place the VFX portion of the hotel in Deplar Valley
3. @alexhgayner, Jason, Charlotte and Zal scouting near Ray’s Tavern for a location within walking distance to shoot Darby and Bill’s wake-up in the El Camino so we could make the day
4. JB Rogers — our AD who literally held the set together with his acumen and his dark humor. the only man who can make me laugh when we have one hour left to shoot and must light a wall on fire with SFX team.
5. From the incredible camera department — Gavin, Mickey, Tamara (script sup), Austin, Charlotte, Andy, Kathryn (assoc producer), and Adam — we are 2 tequilas in and have been dancing for an hour post wrap 😉
6. Josh and Daniel — working double time because when I was directing there was never proper time to do Hair and MU to play Lee
7. @graymeganbowman and I on the hottest day of the summer in a parking lot we transformed into Six Flags with VFX
8. The gang at our Utah spot River Rock Inn with owners Tracy and Greg who made us a breakfast of champions every morning to face a 12 hour day
9. @dbholland (co-producer), Kathryn Moïse and I try to increase blood flow in the trailer after 16 hours on our feet
10. The entire editorial team — wild talents all of them — Blair, Blake, Rachel, Tavis, Chris, Kathryn, Lana, Mike, Cassandra, Will, Derek, Josh, Kara — and maestro Dylan Tichenor beside Zal and me.
these are just some (by no means all) of the artists and master craftspeople who worked tirelessly behind the scenes to achieve a very ambitious story…
A gathering of photos of some of the remarkable crew that made A MURDER possible…
1. Leifur Dagfinnsson of @truenorth_nordic – our incredible Icelandic producer. We got on these snow mobiles and went 20 min across a frozen lake to set.
2. @charlottebruuschristensen @adigerlando and I sorting out where to place the VFX portion of the hotel in Deplar Valley
3. @alexhgayner, Jason, Charlotte and Zal scouting near Ray’s Tavern for a location within walking distance to shoot Darby and Bill’s wake-up in the El Camino so we could make the day
4. JB Rogers — our AD who literally held the set together with his acumen and his dark humor. the only man who can make me laugh when we have one hour left to shoot and must light a wall on fire with SFX team.
5. From the incredible camera department — Gavin, Mickey, Tamara (script sup), Austin, Charlotte, Andy, Kathryn (assoc producer), and Adam — we are 2 tequilas in and have been dancing for an hour post wrap 😉
6. Josh and Daniel — working double time because when I was directing there was never proper time to do Hair and MU to play Lee
7. @graymeganbowman and I on the hottest day of the summer in a parking lot we transformed into Six Flags with VFX
8. The gang at our Utah spot River Rock Inn with owners Tracy and Greg who made us a breakfast of champions every morning to face a 12 hour day
9. @dbholland (co-producer), Kathryn Moïse and I try to increase blood flow in the trailer after 16 hours on our feet
10. The entire editorial team — wild talents all of them — Blair, Blake, Rachel, Tavis, Chris, Kathryn, Lana, Mike, Cassandra, Will, Derek, Josh, Kara — and maestro Dylan Tichenor beside Zal and me.
these are just some (by no means all) of the artists and master craftspeople who worked tirelessly behind the scenes to achieve a very ambitious story…
Chapter 5 was the most challenging chapter to write and to direct, but is maybe also the one I’m most proud of. Our crew and cast battled dust storms and heat waves in Utah and snow storms and covid in Iceland. Production Designer @adigerlando had to rebuild an entire swimming pool on the soundstage in NJ so we could complete a crucial scene against green screen with VFX. This chapter was truly a feat of every department coming together and also has some of my favorite performance moments, shots, music cues, VFX work and sets of the series… @charlottebruuschristensen / @saunderjmusic @dannybensi / @aaronraff 🤍
Chapter 5 #amurderattheendoftheworld now streaming….
Chapter 5 was the most challenging chapter to write and to direct, but is maybe also the one I’m most proud of. Our crew and cast battled dust storms and heat waves in Utah and snow storms and covid in Iceland. Production Designer @adigerlando had to rebuild an entire swimming pool on the soundstage in NJ so we could complete a crucial scene against green screen with VFX. This chapter was truly a feat of every department coming together and also has some of my favorite performance moments, shots, music cues, VFX work and sets of the series… @charlottebruuschristensen / @saunderjmusic @dannybensi / @aaronraff 🤍
Chapter 5 #amurderattheendoftheworld now streaming….
Chapter 5 was the most challenging chapter to write and to direct, but is maybe also the one I’m most proud of. Our crew and cast battled dust storms and heat waves in Utah and snow storms and covid in Iceland. Production Designer @adigerlando had to rebuild an entire swimming pool on the soundstage in NJ so we could complete a crucial scene against green screen with VFX. This chapter was truly a feat of every department coming together and also has some of my favorite performance moments, shots, music cues, VFX work and sets of the series… @charlottebruuschristensen / @saunderjmusic @dannybensi / @aaronraff 🤍
Chapter 5 #amurderattheendoftheworld now streaming….
Chapter 5 was the most challenging chapter to write and to direct, but is maybe also the one I’m most proud of. Our crew and cast battled dust storms and heat waves in Utah and snow storms and covid in Iceland. Production Designer @adigerlando had to rebuild an entire swimming pool on the soundstage in NJ so we could complete a crucial scene against green screen with VFX. This chapter was truly a feat of every department coming together and also has some of my favorite performance moments, shots, music cues, VFX work and sets of the series… @charlottebruuschristensen / @saunderjmusic @dannybensi / @aaronraff 🤍
Chapter 5 #amurderattheendoftheworld now streaming….
Chapter 5 was the most challenging chapter to write and to direct, but is maybe also the one I’m most proud of. Our crew and cast battled dust storms and heat waves in Utah and snow storms and covid in Iceland. Production Designer @adigerlando had to rebuild an entire swimming pool on the soundstage in NJ so we could complete a crucial scene against green screen with VFX. This chapter was truly a feat of every department coming together and also has some of my favorite performance moments, shots, music cues, VFX work and sets of the series… @charlottebruuschristensen / @saunderjmusic @dannybensi / @aaronraff 🤍
Chapter 5 #amurderattheendoftheworld now streaming….
Chapter 5 was the most challenging chapter to write and to direct, but is maybe also the one I’m most proud of. Our crew and cast battled dust storms and heat waves in Utah and snow storms and covid in Iceland. Production Designer @adigerlando had to rebuild an entire swimming pool on the soundstage in NJ so we could complete a crucial scene against green screen with VFX. This chapter was truly a feat of every department coming together and also has some of my favorite performance moments, shots, music cues, VFX work and sets of the series… @charlottebruuschristensen / @saunderjmusic @dannybensi / @aaronraff 🤍
Chapter 5 #amurderattheendoftheworld now streaming….
Chapter 5 was the most challenging chapter to write and to direct, but is maybe also the one I’m most proud of. Our crew and cast battled dust storms and heat waves in Utah and snow storms and covid in Iceland. Production Designer @adigerlando had to rebuild an entire swimming pool on the soundstage in NJ so we could complete a crucial scene against green screen with VFX. This chapter was truly a feat of every department coming together and also has some of my favorite performance moments, shots, music cues, VFX work and sets of the series… @charlottebruuschristensen / @saunderjmusic @dannybensi / @aaronraff 🤍
Chapter 5 #amurderattheendoftheworld now streaming….
Chapter 5 was the most challenging chapter to write and to direct, but is maybe also the one I’m most proud of. Our crew and cast battled dust storms and heat waves in Utah and snow storms and covid in Iceland. Production Designer @adigerlando had to rebuild an entire swimming pool on the soundstage in NJ so we could complete a crucial scene against green screen with VFX. This chapter was truly a feat of every department coming together and also has some of my favorite performance moments, shots, music cues, VFX work and sets of the series… @charlottebruuschristensen / @saunderjmusic @dannybensi / @aaronraff 🤍
Chapter 5 #amurderattheendoftheworld now streaming….
two films that have really stayed with me… find them in theaters if you can 👁️
two films that have really stayed with me… find them in theaters if you can 👁️
going behind the scenes with @dbholland for A MURDER… Chapter 5 — my favorite challenge to both write and direct out TONIGHT/TOMOREOW🩸on @hulu in America / Disney International / Star Latin America
