Brittany Packnett Instagram – to my fellow lovers of Christ, in our Holiest Week:
Who are we to be in this moment? How are we to live up to the image of God drawn on each of our faces right now? What shall we do to proclaim that we love God not with just our faith, but with our works?
Is the slain and resurrected Christ not the image of the assault we lay on oppressed people—and our divine responsibility to transcend it? Is our risen Savior not a symbol of the duties of his followers?
The crucifix on our necks and in our pulpits is a duty. A duty to love as He loves. To protect as He protects. To fight for Justice as He defines it and divines it. This is the battlefield we are on for our Lord.
This Holy Week and every week, let us reflect the light of the Jew born in Bethlehem, in modern day Palestine, with skin of bronze and hair of wool, who came to set the captives free.
ALL the captives. All the captives must be free.
Thank you Rev. Brown Douglas, for always leading us back to our commission.
🍉
Repost from @episdivsch
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“How can we watch deadly assaults on desperate people as they run toward trucks with food, and not with loud voice demand the bombing stop? How is it that we can remain virtually silent while 70% of people in parts of Northern Gaza face food shortages?” writes EDS Interim President the Rev. Dr. Kelly Brown Douglas in her latest piece for @religionnewssvc.
“Our humanity, that which signals what it means to be created in the image of a compassionate God, is fundamentally grounded in our ability to have empathetic regard for one another — to recognize the suffering and pain of another as if it were our own.”
Click on these photos at the link in our bio to read President Douglas’ full op-ed. | Posted on 27/Mar/2024 19:48:32



![Brittany Packnett Instagram – I listened to COWBOY CARTER at midnight. This morning when I rose, I thanked God for making me a Black girl.
This album made me feel the way I felt the first time I read Nikki Giovanni’s ‘Ego Trippin.’
The way I felt when I met Della Reese, who hugged a young me and said, “just a pretty chocolate thing, aren’t you?”
The way I felt when I’d watch Diahann Carroll galavant and Tina Turner be…Tina Turner.
The way I felt that day I flipped the page and met my great-great-great-great grandmother Joanna, who kept our family together through enslavement. Who raised two brave sons who, in their capture and death, gifted Civil War pensions that secured our lineage.
All of it convicts me to stand ten toes down in the inheritance of Black womanhood. Of the ways we reject fear, break boundaries, carry the lineage and redefine power.
Ours is an inheritance that redefines power to set everyone free—but compels us to free ourselves first. To see ourselves as full and complete. To accept and affirm first everything beautiful we bring. To give our progeny the permission our ancestors gave us: to LIVE, and live freely.
This album is stunning. Beautiful and adventurous. Deceptively simple but truly layered.
@Beyonce understands: Black women’s thriving rests in a simultaneous knowing that we must love us radically and always be “part of something way bigger.”
For me, that’s the true beauty of this album. Yes— it disrupts racist establishments and makes white folks itch but this ain’t about them—it’s about US. Reverence for US. For Linda, Rhiannon, Tanner, Brittney & Willie. For me & you.
I didn’t grow up spending that much time thinking about white people because I was “lifted so I could be raised” with deep esteem for Black. The people. The land. The gifts.
Some revolutions are waged because the opposition is hated. Some revolutions are waged because the people are loved.
I want to be a part of the latter. Those revolutions don’t simply destroy—they build.
This is not to say Beyoncé is a revolutionary.
This is always to say that Black women are a revolution.
Our inheritance is to accept the task. What a gift.
[lemme go write this last part in my book 😉😏🤠]](https://www.gethucinema.com/wp-content/uploads/2024/05/BrittanyPacknett7-cLxNSr9464-150x150.jpg)