Actress Gloria Calderón Kellett HD Instagram Photos and Wallpapers April 2024

I’m a Vogue model now! Listen, real talk, I’ve been on a diet since I was 11. Since I woke up with tits and ass and others started to impose their ideas of beauty onto my body. What I saw in magazines supported their lies. That beauty meant “skinny” – so to be celebrated in all my bodaciousness in this publication at this moment is healing. Thank you @voguemexico & @karlamartinezdesalas for seeing me! ❤️ 📸 @laaapavi hair: @josephchase Dress: The Chakra dress by @lesuperbecalifornia

Oh my heck! Proud to be included in the 2023 TIME Latino Leaders list. @time Link in my stories.

Gloria Calderón Kellett says the title of her new play, “One of the Good Ones,” echoes hows she’s been received during her time as one of the few Latina showrunners in Hollywood. “When I did #OneDayAtATime, all people were interested in talking about was my Latinidad,” says Calderón Kellett. “I’m happy to talk about it, because I love who I am and I’m proud of my parents and where they came from, but it’s all people wanted to talk about. And I would get it from both sides, from the white perspective and from the Latino perspective — this sort of zoo animal fascination with what it’s like to be a non-white-man telling stories.” The world-premiere comedy is the first Latine commission in the 100-year history of the Tony-winning Pasadena Playhouse — a landmark worth celebrating, though sorely overdue for a Los Angeles theater company. Read Calderón Kellett’s full interview with The Times’ at the link in @latimes_entertainment’s bio. Credit @myung_chun; Jeff Lorch

Gloria Calderón Kellett says the title of her new play, “One of the Good Ones,” echoes hows she’s been received during her time as one of the few Latina showrunners in Hollywood. “When I did #OneDayAtATime, all people were interested in talking about was my Latinidad,” says Calderón Kellett. “I’m happy to talk about it, because I love who I am and I’m proud of my parents and where they came from, but it’s all people wanted to talk about. And I would get it from both sides, from the white perspective and from the Latino perspective — this sort of zoo animal fascination with what it’s like to be a non-white-man telling stories.” The world-premiere comedy is the first Latine commission in the 100-year history of the Tony-winning Pasadena Playhouse — a landmark worth celebrating, though sorely overdue for a Los Angeles theater company. Read Calderón Kellett’s full interview with The Times’ at the link in @latimes_entertainment’s bio. Credit @myung_chun; Jeff Lorch

Gloria Calderón Kellett says the title of her new play, “One of the Good Ones,” echoes hows she’s been received during her time as one of the few Latina showrunners in Hollywood. “When I did #OneDayAtATime, all people were interested in talking about was my Latinidad,” says Calderón Kellett. “I’m happy to talk about it, because I love who I am and I’m proud of my parents and where they came from, but it’s all people wanted to talk about. And I would get it from both sides, from the white perspective and from the Latino perspective — this sort of zoo animal fascination with what it’s like to be a non-white-man telling stories.” The world-premiere comedy is the first Latine commission in the 100-year history of the Tony-winning Pasadena Playhouse — a landmark worth celebrating, though sorely overdue for a Los Angeles theater company. Read Calderón Kellett’s full interview with The Times’ at the link in @latimes_entertainment’s bio. Credit @myung_chun; Jeff Lorch

Gloria Calderón Kellett says the title of her new play, “One of the Good Ones,” echoes hows she’s been received during her time as one of the few Latina showrunners in Hollywood. “When I did #OneDayAtATime, all people were interested in talking about was my Latinidad,” says Calderón Kellett. “I’m happy to talk about it, because I love who I am and I’m proud of my parents and where they came from, but it’s all people wanted to talk about. And I would get it from both sides, from the white perspective and from the Latino perspective — this sort of zoo animal fascination with what it’s like to be a non-white-man telling stories.” The world-premiere comedy is the first Latine commission in the 100-year history of the Tony-winning Pasadena Playhouse — a landmark worth celebrating, though sorely overdue for a Los Angeles theater company. Read Calderón Kellett’s full interview with The Times’ at the link in @latimes_entertainment’s bio. Credit @myung_chun; Jeff Lorch

Gloria Calderón Kellett says the title of her new play, “One of the Good Ones,” echoes hows she’s been received during her time as one of the few Latina showrunners in Hollywood. “When I did #OneDayAtATime, all people were interested in talking about was my Latinidad,” says Calderón Kellett. “I’m happy to talk about it, because I love who I am and I’m proud of my parents and where they came from, but it’s all people wanted to talk about. And I would get it from both sides, from the white perspective and from the Latino perspective — this sort of zoo animal fascination with what it’s like to be a non-white-man telling stories.” The world-premiere comedy is the first Latine commission in the 100-year history of the Tony-winning Pasadena Playhouse — a landmark worth celebrating, though sorely overdue for a Los Angeles theater company. Read Calderón Kellett’s full interview with The Times’ at the link in @latimes_entertainment’s bio. Credit @myung_chun; Jeff Lorch

Gloria Calderón Kellett says the title of her new play, “One of the Good Ones,” echoes hows she’s been received during her time as one of the few Latina showrunners in Hollywood. “When I did #OneDayAtATime, all people were interested in talking about was my Latinidad,” says Calderón Kellett. “I’m happy to talk about it, because I love who I am and I’m proud of my parents and where they came from, but it’s all people wanted to talk about. And I would get it from both sides, from the white perspective and from the Latino perspective — this sort of zoo animal fascination with what it’s like to be a non-white-man telling stories.” The world-premiere comedy is the first Latine commission in the 100-year history of the Tony-winning Pasadena Playhouse — a landmark worth celebrating, though sorely overdue for a Los Angeles theater company. Read Calderón Kellett’s full interview with The Times’ at the link in @latimes_entertainment’s bio. Credit @myung_chun; Jeff Lorch

Thrilled to be back on the power Showrunner list! Grateful to Hollywood Reporter for the recognition. 🎬 #Grateful #Showrunner @hollywoodreporter #HollywoodReporter”

Thrilled to be back on the power Showrunner list! Grateful to Hollywood Reporter for the recognition. 🎬 #Grateful #Showrunner @hollywoodreporter #HollywoodReporter”

What a ride. Thank you Danny Feldman and the @pasadenaplayhouse for believing in me. The love from the audience and critics has been amazing. Can’t wait to see what’s next for this show. Stay tuned… #OneOfTheGoodOnes

Dreams coming true over here! Still basking in the love from the premiere of my first full-length play ‘One of the Good Ones’ at the Pasadena Playhouse. Thank you to this tremendous cast & crew for coming together to make something so special. It runs for two weeks! GO see it! #OneOfTheGoodOnes #PasadenaPlayhouse #dreamscometrue Dress: @ivycityco Jewels: @melindamaria_jewelry Makeup: @lexwmakeup Video: @soleyliboy