⛰️ THE WAR BETWEEN THE LAND AND THE SEA 🌊 Just announced in Hall H: A new Whoniverse spin-off begins filming next month with Gugu Mbatha-Raw, Russell Tovey, Jemma Redgrave and Alexander Devrient leading the cast. Find out more at the #DoctorWho website 🔗↖️
Artist Es Devlin shares with TalkArt about SURFACING, Devlin’s new work commissioned by @BMW for Art Basel in Basel 2024. During this year’s internationally loved art fair, @EsDevlin brought @RussellTovey and @RobertDiament of @TalkArt on a personal tour of SURFACING. Collaborating with Paris-based choreographer Sharon Eyal, Devlin created a box of water that transformed into a magician’s conjuring apparatus, surfacing dancers through layers of water, light, paint, and pixels. Paired with a pilot fleet of BMW iX5 Hydrogen vehicles enveloped in prints of Devlin’s collaged paintings and transformed into mobile sound installations with artist and engineer conversations, Devlin’s work at @ArtBasel illuminated themes of hydrogen, technology, ritual and transcendence. Swipe to see behind-the-scenes from TalkArt’s interview with Devlin and BMW Hydrogen engineer Jürgen Guldner and tune in at the [link in bio] to learn more. 📸: @josselin
Artist Es Devlin shares with TalkArt about SURFACING, Devlin’s new work commissioned by @BMW for Art Basel in Basel 2024. During this year’s internationally loved art fair, @EsDevlin brought @RussellTovey and @RobertDiament of @TalkArt on a personal tour of SURFACING. Collaborating with Paris-based choreographer Sharon Eyal, Devlin created a box of water that transformed into a magician’s conjuring apparatus, surfacing dancers through layers of water, light, paint, and pixels. Paired with a pilot fleet of BMW iX5 Hydrogen vehicles enveloped in prints of Devlin’s collaged paintings and transformed into mobile sound installations with artist and engineer conversations, Devlin’s work at @ArtBasel illuminated themes of hydrogen, technology, ritual and transcendence. Swipe to see behind-the-scenes from TalkArt’s interview with Devlin and BMW Hydrogen engineer Jürgen Guldner and tune in at the [link in bio] to learn more. 📸: @josselin
Artist Es Devlin shares with TalkArt about SURFACING, Devlin’s new work commissioned by @BMW for Art Basel in Basel 2024. During this year’s internationally loved art fair, @EsDevlin brought @RussellTovey and @RobertDiament of @TalkArt on a personal tour of SURFACING. Collaborating with Paris-based choreographer Sharon Eyal, Devlin created a box of water that transformed into a magician’s conjuring apparatus, surfacing dancers through layers of water, light, paint, and pixels. Paired with a pilot fleet of BMW iX5 Hydrogen vehicles enveloped in prints of Devlin’s collaged paintings and transformed into mobile sound installations with artist and engineer conversations, Devlin’s work at @ArtBasel illuminated themes of hydrogen, technology, ritual and transcendence. Swipe to see behind-the-scenes from TalkArt’s interview with Devlin and BMW Hydrogen engineer Jürgen Guldner and tune in at the [link in bio] to learn more. 📸: @josselin
Artist Es Devlin shares with TalkArt about SURFACING, Devlin’s new work commissioned by @BMW for Art Basel in Basel 2024. During this year’s internationally loved art fair, @EsDevlin brought @RussellTovey and @RobertDiament of @TalkArt on a personal tour of SURFACING. Collaborating with Paris-based choreographer Sharon Eyal, Devlin created a box of water that transformed into a magician’s conjuring apparatus, surfacing dancers through layers of water, light, paint, and pixels. Paired with a pilot fleet of BMW iX5 Hydrogen vehicles enveloped in prints of Devlin’s collaged paintings and transformed into mobile sound installations with artist and engineer conversations, Devlin’s work at @ArtBasel illuminated themes of hydrogen, technology, ritual and transcendence. Swipe to see behind-the-scenes from TalkArt’s interview with Devlin and BMW Hydrogen engineer Jürgen Guldner and tune in at the [link in bio] to learn more. 📸: @josselin
Artist Es Devlin shares with TalkArt about SURFACING, Devlin’s new work commissioned by @BMW for Art Basel in Basel 2024. During this year’s internationally loved art fair, @EsDevlin brought @RussellTovey and @RobertDiament of @TalkArt on a personal tour of SURFACING. Collaborating with Paris-based choreographer Sharon Eyal, Devlin created a box of water that transformed into a magician’s conjuring apparatus, surfacing dancers through layers of water, light, paint, and pixels. Paired with a pilot fleet of BMW iX5 Hydrogen vehicles enveloped in prints of Devlin’s collaged paintings and transformed into mobile sound installations with artist and engineer conversations, Devlin’s work at @ArtBasel illuminated themes of hydrogen, technology, ritual and transcendence. Swipe to see behind-the-scenes from TalkArt’s interview with Devlin and BMW Hydrogen engineer Jürgen Guldner and tune in at the [link in bio] to learn more. 📸: @josselin
Artist Es Devlin shares with TalkArt about SURFACING, Devlin’s new work commissioned by @BMW for Art Basel in Basel 2024. During this year’s internationally loved art fair, @EsDevlin brought @RussellTovey and @RobertDiament of @TalkArt on a personal tour of SURFACING. Collaborating with Paris-based choreographer Sharon Eyal, Devlin created a box of water that transformed into a magician’s conjuring apparatus, surfacing dancers through layers of water, light, paint, and pixels. Paired with a pilot fleet of BMW iX5 Hydrogen vehicles enveloped in prints of Devlin’s collaged paintings and transformed into mobile sound installations with artist and engineer conversations, Devlin’s work at @ArtBasel illuminated themes of hydrogen, technology, ritual and transcendence. Swipe to see behind-the-scenes from TalkArt’s interview with Devlin and BMW Hydrogen engineer Jürgen Guldner and tune in at the [link in bio] to learn more. 📸: @josselin
Nice one Dublin – 🏳️🌈 thanks for having us @gazefilmfest – big pride for our film “LIFE IS EXCELLENT” @susiehall_23 @thisisjoeingham @irishfilminstitute – thanks also to @andrewhaighfilm for the fab post screening Q&A and to @thehughlane for housing the hero Francis Bacon’s studio – always a touchstone
🎨💚 New @TalkArt podcast! We meet artist Puppies Puppies @PuppiesPuppiesJade. Jade Guanaro Kuriki-Olivo (b. 1989, Dallas, TX), widely known by the moniker Puppies Puppies, expands ideas around the readymade by imbuing ubiquitous and everyday objects, signifiers, and actions with a personal and political charge. PuppiesPuppiesJadeKurikiOlivo works across sculpture, installation & performance art. 📸: @AlexWebsterPhoto She has, for example, reconfigured antibacterial gel dispensers, toilet bowl liquid, the color green, as well as the acts of sleeping, peeing, and taking a pill in installations and performances that challenge ableist frameworks of artistic and capitalist production. Many of her exhibitions have also included actionable components: a GoFundMe campaign to support a friend’s transition fund, free HIV testing and counseling, and a working shower available for use by the public. Kuriki-Olivo thus asserts that life can be viewed as its own form of endurance practice, especially for those whose very survival is at stake, including trans, nonbinary, and gender-nonconforming people of color. At the @LaBiennale Venice Biennale 2024, Puppies Puppies is exhibiting two works. A Sculpture for Trans Women… (2023) is a life-size bronze sculpture taken from a 3-D scan of the artist’s body. Emblazoned with the word “WOMAN”, the work – which will be activated with performances throughout the Biennale – subverts the power of monuments to make visible and celebrates trans life in an act of protest and commemoration. Electric Dress (Atsuko Tanaka) (2023) pays tribute to those killed in 2016 at the mass shooting that took place during a “Latin Night” party at Pulse, a queer nightclub in Orlando, Florida. The sculpture references Atsuko Tanaka’s Electric Dress (1956) with LED lights that flicker to the pulse of a heartbeat and lights that cycle through the rainbow colours found in the Progress Pride Flag. Both sculptures honour queer and trans life while confronting oblivion and invisibility. 🔗 Follow @PuppiesPuppiesJade 🎨💚 ‘Trigger Warning’ until 31st August at @BaliceHertling gallery. Thanks to Daniel Balice for connecting! https://www.balicehertling.com
🎨💚 New @TalkArt podcast! We meet artist Puppies Puppies @PuppiesPuppiesJade. Jade Guanaro Kuriki-Olivo (b. 1989, Dallas, TX), widely known by the moniker Puppies Puppies, expands ideas around the readymade by imbuing ubiquitous and everyday objects, signifiers, and actions with a personal and political charge. PuppiesPuppiesJadeKurikiOlivo works across sculpture, installation & performance art. 📸: @AlexWebsterPhoto She has, for example, reconfigured antibacterial gel dispensers, toilet bowl liquid, the color green, as well as the acts of sleeping, peeing, and taking a pill in installations and performances that challenge ableist frameworks of artistic and capitalist production. Many of her exhibitions have also included actionable components: a GoFundMe campaign to support a friend’s transition fund, free HIV testing and counseling, and a working shower available for use by the public. Kuriki-Olivo thus asserts that life can be viewed as its own form of endurance practice, especially for those whose very survival is at stake, including trans, nonbinary, and gender-nonconforming people of color. At the @LaBiennale Venice Biennale 2024, Puppies Puppies is exhibiting two works. A Sculpture for Trans Women… (2023) is a life-size bronze sculpture taken from a 3-D scan of the artist’s body. Emblazoned with the word “WOMAN”, the work – which will be activated with performances throughout the Biennale – subverts the power of monuments to make visible and celebrates trans life in an act of protest and commemoration. Electric Dress (Atsuko Tanaka) (2023) pays tribute to those killed in 2016 at the mass shooting that took place during a “Latin Night” party at Pulse, a queer nightclub in Orlando, Florida. The sculpture references Atsuko Tanaka’s Electric Dress (1956) with LED lights that flicker to the pulse of a heartbeat and lights that cycle through the rainbow colours found in the Progress Pride Flag. Both sculptures honour queer and trans life while confronting oblivion and invisibility. 🔗 Follow @PuppiesPuppiesJade 🎨💚 ‘Trigger Warning’ until 31st August at @BaliceHertling gallery. Thanks to Daniel Balice for connecting! https://www.balicehertling.com
🎨💚 New @TalkArt podcast! We meet artist Puppies Puppies @PuppiesPuppiesJade. Jade Guanaro Kuriki-Olivo (b. 1989, Dallas, TX), widely known by the moniker Puppies Puppies, expands ideas around the readymade by imbuing ubiquitous and everyday objects, signifiers, and actions with a personal and political charge. PuppiesPuppiesJadeKurikiOlivo works across sculpture, installation & performance art. 📸: @AlexWebsterPhoto She has, for example, reconfigured antibacterial gel dispensers, toilet bowl liquid, the color green, as well as the acts of sleeping, peeing, and taking a pill in installations and performances that challenge ableist frameworks of artistic and capitalist production. Many of her exhibitions have also included actionable components: a GoFundMe campaign to support a friend’s transition fund, free HIV testing and counseling, and a working shower available for use by the public. Kuriki-Olivo thus asserts that life can be viewed as its own form of endurance practice, especially for those whose very survival is at stake, including trans, nonbinary, and gender-nonconforming people of color. At the @LaBiennale Venice Biennale 2024, Puppies Puppies is exhibiting two works. A Sculpture for Trans Women… (2023) is a life-size bronze sculpture taken from a 3-D scan of the artist’s body. Emblazoned with the word “WOMAN”, the work – which will be activated with performances throughout the Biennale – subverts the power of monuments to make visible and celebrates trans life in an act of protest and commemoration. Electric Dress (Atsuko Tanaka) (2023) pays tribute to those killed in 2016 at the mass shooting that took place during a “Latin Night” party at Pulse, a queer nightclub in Orlando, Florida. The sculpture references Atsuko Tanaka’s Electric Dress (1956) with LED lights that flicker to the pulse of a heartbeat and lights that cycle through the rainbow colours found in the Progress Pride Flag. Both sculptures honour queer and trans life while confronting oblivion and invisibility. 🔗 Follow @PuppiesPuppiesJade 🎨💚 ‘Trigger Warning’ until 31st August at @BaliceHertling gallery. Thanks to Daniel Balice for connecting! https://www.balicehertling.com
🎨💚 New @TalkArt podcast! We meet artist Puppies Puppies @PuppiesPuppiesJade. Jade Guanaro Kuriki-Olivo (b. 1989, Dallas, TX), widely known by the moniker Puppies Puppies, expands ideas around the readymade by imbuing ubiquitous and everyday objects, signifiers, and actions with a personal and political charge. PuppiesPuppiesJadeKurikiOlivo works across sculpture, installation & performance art. 📸: @AlexWebsterPhoto She has, for example, reconfigured antibacterial gel dispensers, toilet bowl liquid, the color green, as well as the acts of sleeping, peeing, and taking a pill in installations and performances that challenge ableist frameworks of artistic and capitalist production. Many of her exhibitions have also included actionable components: a GoFundMe campaign to support a friend’s transition fund, free HIV testing and counseling, and a working shower available for use by the public. Kuriki-Olivo thus asserts that life can be viewed as its own form of endurance practice, especially for those whose very survival is at stake, including trans, nonbinary, and gender-nonconforming people of color. At the @LaBiennale Venice Biennale 2024, Puppies Puppies is exhibiting two works. A Sculpture for Trans Women… (2023) is a life-size bronze sculpture taken from a 3-D scan of the artist’s body. Emblazoned with the word “WOMAN”, the work – which will be activated with performances throughout the Biennale – subverts the power of monuments to make visible and celebrates trans life in an act of protest and commemoration. Electric Dress (Atsuko Tanaka) (2023) pays tribute to those killed in 2016 at the mass shooting that took place during a “Latin Night” party at Pulse, a queer nightclub in Orlando, Florida. The sculpture references Atsuko Tanaka’s Electric Dress (1956) with LED lights that flicker to the pulse of a heartbeat and lights that cycle through the rainbow colours found in the Progress Pride Flag. Both sculptures honour queer and trans life while confronting oblivion and invisibility. 🔗 Follow @PuppiesPuppiesJade 🎨💚 ‘Trigger Warning’ until 31st August at @BaliceHertling gallery. Thanks to Daniel Balice for connecting! https://www.balicehertling.com
🎨💚 New @TalkArt podcast! We meet artist Puppies Puppies @PuppiesPuppiesJade. Jade Guanaro Kuriki-Olivo (b. 1989, Dallas, TX), widely known by the moniker Puppies Puppies, expands ideas around the readymade by imbuing ubiquitous and everyday objects, signifiers, and actions with a personal and political charge. PuppiesPuppiesJadeKurikiOlivo works across sculpture, installation & performance art. 📸: @AlexWebsterPhoto She has, for example, reconfigured antibacterial gel dispensers, toilet bowl liquid, the color green, as well as the acts of sleeping, peeing, and taking a pill in installations and performances that challenge ableist frameworks of artistic and capitalist production. Many of her exhibitions have also included actionable components: a GoFundMe campaign to support a friend’s transition fund, free HIV testing and counseling, and a working shower available for use by the public. Kuriki-Olivo thus asserts that life can be viewed as its own form of endurance practice, especially for those whose very survival is at stake, including trans, nonbinary, and gender-nonconforming people of color. At the @LaBiennale Venice Biennale 2024, Puppies Puppies is exhibiting two works. A Sculpture for Trans Women… (2023) is a life-size bronze sculpture taken from a 3-D scan of the artist’s body. Emblazoned with the word “WOMAN”, the work – which will be activated with performances throughout the Biennale – subverts the power of monuments to make visible and celebrates trans life in an act of protest and commemoration. Electric Dress (Atsuko Tanaka) (2023) pays tribute to those killed in 2016 at the mass shooting that took place during a “Latin Night” party at Pulse, a queer nightclub in Orlando, Florida. The sculpture references Atsuko Tanaka’s Electric Dress (1956) with LED lights that flicker to the pulse of a heartbeat and lights that cycle through the rainbow colours found in the Progress Pride Flag. Both sculptures honour queer and trans life while confronting oblivion and invisibility. 🔗 Follow @PuppiesPuppiesJade 🎨💚 ‘Trigger Warning’ until 31st August at @BaliceHertling gallery. Thanks to Daniel Balice for connecting! https://www.balicehertling.com
🎨💚 New @TalkArt podcast! We meet artist Puppies Puppies @PuppiesPuppiesJade. Jade Guanaro Kuriki-Olivo (b. 1989, Dallas, TX), widely known by the moniker Puppies Puppies, expands ideas around the readymade by imbuing ubiquitous and everyday objects, signifiers, and actions with a personal and political charge. PuppiesPuppiesJadeKurikiOlivo works across sculpture, installation & performance art. 📸: @AlexWebsterPhoto She has, for example, reconfigured antibacterial gel dispensers, toilet bowl liquid, the color green, as well as the acts of sleeping, peeing, and taking a pill in installations and performances that challenge ableist frameworks of artistic and capitalist production. Many of her exhibitions have also included actionable components: a GoFundMe campaign to support a friend’s transition fund, free HIV testing and counseling, and a working shower available for use by the public. Kuriki-Olivo thus asserts that life can be viewed as its own form of endurance practice, especially for those whose very survival is at stake, including trans, nonbinary, and gender-nonconforming people of color. At the @LaBiennale Venice Biennale 2024, Puppies Puppies is exhibiting two works. A Sculpture for Trans Women… (2023) is a life-size bronze sculpture taken from a 3-D scan of the artist’s body. Emblazoned with the word “WOMAN”, the work – which will be activated with performances throughout the Biennale – subverts the power of monuments to make visible and celebrates trans life in an act of protest and commemoration. Electric Dress (Atsuko Tanaka) (2023) pays tribute to those killed in 2016 at the mass shooting that took place during a “Latin Night” party at Pulse, a queer nightclub in Orlando, Florida. The sculpture references Atsuko Tanaka’s Electric Dress (1956) with LED lights that flicker to the pulse of a heartbeat and lights that cycle through the rainbow colours found in the Progress Pride Flag. Both sculptures honour queer and trans life while confronting oblivion and invisibility. 🔗 Follow @PuppiesPuppiesJade 🎨💚 ‘Trigger Warning’ until 31st August at @BaliceHertling gallery. Thanks to Daniel Balice for connecting! https://www.balicehertling.com
🎨💚 New @TalkArt podcast! We meet artist Puppies Puppies @PuppiesPuppiesJade. Jade Guanaro Kuriki-Olivo (b. 1989, Dallas, TX), widely known by the moniker Puppies Puppies, expands ideas around the readymade by imbuing ubiquitous and everyday objects, signifiers, and actions with a personal and political charge. PuppiesPuppiesJadeKurikiOlivo works across sculpture, installation & performance art. 📸: @AlexWebsterPhoto She has, for example, reconfigured antibacterial gel dispensers, toilet bowl liquid, the color green, as well as the acts of sleeping, peeing, and taking a pill in installations and performances that challenge ableist frameworks of artistic and capitalist production. Many of her exhibitions have also included actionable components: a GoFundMe campaign to support a friend’s transition fund, free HIV testing and counseling, and a working shower available for use by the public. Kuriki-Olivo thus asserts that life can be viewed as its own form of endurance practice, especially for those whose very survival is at stake, including trans, nonbinary, and gender-nonconforming people of color. At the @LaBiennale Venice Biennale 2024, Puppies Puppies is exhibiting two works. A Sculpture for Trans Women… (2023) is a life-size bronze sculpture taken from a 3-D scan of the artist’s body. Emblazoned with the word “WOMAN”, the work – which will be activated with performances throughout the Biennale – subverts the power of monuments to make visible and celebrates trans life in an act of protest and commemoration. Electric Dress (Atsuko Tanaka) (2023) pays tribute to those killed in 2016 at the mass shooting that took place during a “Latin Night” party at Pulse, a queer nightclub in Orlando, Florida. The sculpture references Atsuko Tanaka’s Electric Dress (1956) with LED lights that flicker to the pulse of a heartbeat and lights that cycle through the rainbow colours found in the Progress Pride Flag. Both sculptures honour queer and trans life while confronting oblivion and invisibility. 🔗 Follow @PuppiesPuppiesJade 🎨💚 ‘Trigger Warning’ until 31st August at @BaliceHertling gallery. Thanks to Daniel Balice for connecting! https://www.balicehertling.com
🎨💚 New @TalkArt podcast! We meet artist Puppies Puppies @PuppiesPuppiesJade. Jade Guanaro Kuriki-Olivo (b. 1989, Dallas, TX), widely known by the moniker Puppies Puppies, expands ideas around the readymade by imbuing ubiquitous and everyday objects, signifiers, and actions with a personal and political charge. PuppiesPuppiesJadeKurikiOlivo works across sculpture, installation & performance art. 📸: @AlexWebsterPhoto She has, for example, reconfigured antibacterial gel dispensers, toilet bowl liquid, the color green, as well as the acts of sleeping, peeing, and taking a pill in installations and performances that challenge ableist frameworks of artistic and capitalist production. Many of her exhibitions have also included actionable components: a GoFundMe campaign to support a friend’s transition fund, free HIV testing and counseling, and a working shower available for use by the public. Kuriki-Olivo thus asserts that life can be viewed as its own form of endurance practice, especially for those whose very survival is at stake, including trans, nonbinary, and gender-nonconforming people of color. At the @LaBiennale Venice Biennale 2024, Puppies Puppies is exhibiting two works. A Sculpture for Trans Women… (2023) is a life-size bronze sculpture taken from a 3-D scan of the artist’s body. Emblazoned with the word “WOMAN”, the work – which will be activated with performances throughout the Biennale – subverts the power of monuments to make visible and celebrates trans life in an act of protest and commemoration. Electric Dress (Atsuko Tanaka) (2023) pays tribute to those killed in 2016 at the mass shooting that took place during a “Latin Night” party at Pulse, a queer nightclub in Orlando, Florida. The sculpture references Atsuko Tanaka’s Electric Dress (1956) with LED lights that flicker to the pulse of a heartbeat and lights that cycle through the rainbow colours found in the Progress Pride Flag. Both sculptures honour queer and trans life while confronting oblivion and invisibility. 🔗 Follow @PuppiesPuppiesJade 🎨💚 ‘Trigger Warning’ until 31st August at @BaliceHertling gallery. Thanks to Daniel Balice for connecting! https://www.balicehertling.com
🎨💚 New @TalkArt podcast! We meet artist Puppies Puppies @PuppiesPuppiesJade. Jade Guanaro Kuriki-Olivo (b. 1989, Dallas, TX), widely known by the moniker Puppies Puppies, expands ideas around the readymade by imbuing ubiquitous and everyday objects, signifiers, and actions with a personal and political charge. PuppiesPuppiesJadeKurikiOlivo works across sculpture, installation & performance art. 📸: @AlexWebsterPhoto She has, for example, reconfigured antibacterial gel dispensers, toilet bowl liquid, the color green, as well as the acts of sleeping, peeing, and taking a pill in installations and performances that challenge ableist frameworks of artistic and capitalist production. Many of her exhibitions have also included actionable components: a GoFundMe campaign to support a friend’s transition fund, free HIV testing and counseling, and a working shower available for use by the public. Kuriki-Olivo thus asserts that life can be viewed as its own form of endurance practice, especially for those whose very survival is at stake, including trans, nonbinary, and gender-nonconforming people of color. At the @LaBiennale Venice Biennale 2024, Puppies Puppies is exhibiting two works. A Sculpture for Trans Women… (2023) is a life-size bronze sculpture taken from a 3-D scan of the artist’s body. Emblazoned with the word “WOMAN”, the work – which will be activated with performances throughout the Biennale – subverts the power of monuments to make visible and celebrates trans life in an act of protest and commemoration. Electric Dress (Atsuko Tanaka) (2023) pays tribute to those killed in 2016 at the mass shooting that took place during a “Latin Night” party at Pulse, a queer nightclub in Orlando, Florida. The sculpture references Atsuko Tanaka’s Electric Dress (1956) with LED lights that flicker to the pulse of a heartbeat and lights that cycle through the rainbow colours found in the Progress Pride Flag. Both sculptures honour queer and trans life while confronting oblivion and invisibility. 🔗 Follow @PuppiesPuppiesJade 🎨💚 ‘Trigger Warning’ until 31st August at @BaliceHertling gallery. Thanks to Daniel Balice for connecting! https://www.balicehertling.com
🎨💚 New @TalkArt podcast! We meet artist Puppies Puppies @PuppiesPuppiesJade. Jade Guanaro Kuriki-Olivo (b. 1989, Dallas, TX), widely known by the moniker Puppies Puppies, expands ideas around the readymade by imbuing ubiquitous and everyday objects, signifiers, and actions with a personal and political charge. PuppiesPuppiesJadeKurikiOlivo works across sculpture, installation & performance art. 📸: @AlexWebsterPhoto She has, for example, reconfigured antibacterial gel dispensers, toilet bowl liquid, the color green, as well as the acts of sleeping, peeing, and taking a pill in installations and performances that challenge ableist frameworks of artistic and capitalist production. Many of her exhibitions have also included actionable components: a GoFundMe campaign to support a friend’s transition fund, free HIV testing and counseling, and a working shower available for use by the public. Kuriki-Olivo thus asserts that life can be viewed as its own form of endurance practice, especially for those whose very survival is at stake, including trans, nonbinary, and gender-nonconforming people of color. At the @LaBiennale Venice Biennale 2024, Puppies Puppies is exhibiting two works. A Sculpture for Trans Women… (2023) is a life-size bronze sculpture taken from a 3-D scan of the artist’s body. Emblazoned with the word “WOMAN”, the work – which will be activated with performances throughout the Biennale – subverts the power of monuments to make visible and celebrates trans life in an act of protest and commemoration. Electric Dress (Atsuko Tanaka) (2023) pays tribute to those killed in 2016 at the mass shooting that took place during a “Latin Night” party at Pulse, a queer nightclub in Orlando, Florida. The sculpture references Atsuko Tanaka’s Electric Dress (1956) with LED lights that flicker to the pulse of a heartbeat and lights that cycle through the rainbow colours found in the Progress Pride Flag. Both sculptures honour queer and trans life while confronting oblivion and invisibility. 🔗 Follow @PuppiesPuppiesJade 🎨💚 ‘Trigger Warning’ until 31st August at @BaliceHertling gallery. Thanks to Daniel Balice for connecting! https://www.balicehertling.com
Hometown @billericaytown
📣❤️🔥🎉 @CounterEditions & @RussellTovey are proud to announce that the Magic Breakfast @MagicBreky print portfolio has raised £110,000 GBP for the charity’s vital work feeding children across the UK. The amount raised so far will feed close to 400,000 children. 🎨 Thank you to all of the artists who created beautiful artworks: @KatheBradford, @JordanmCasteel, @NicolasParty, @___Frangle and @UlalaImai. Thanks to everyone who bought a print and special thanks to Russell Tovey for curating this powerful group of prints. Participating artists: Katherine Bradford Jordan Casteel Ulala Imai Francesca Mollett Nicolas Party The prints are available both as a set of 5 prints and individually, with a third of net profits going to Magic Breakfast to help in their mission that no child should be too hungry to learn. 🔗 Go to the link in bio to find out more and how to buy remaining prints. Magic Breakfast makes a difference for over 200,000 children and young people every day. They provide nutritious breakfasts and extra support to primary, secondary, ASN/SEND schools and pupil referral units in some of the most disadvantaged areas of England and Scotland. Providing a daily school breakfast ensures that every child and young person feels included, equal and set up for success. Magic Breakfast works to be part of the solution to end child morning hunger for good through our campaigning, research and advocacy work with politicians and decision makers. #MagicBreakfast #LimitedEditionPrint #PrintPortfolio #Fundraiser
Your Dads @petshopboys @pascalispunk
🎨✨ We meet artist Jean Claracq @jeanclaracq to discuss painting, his recent shows with Galerie Sultana in Paris and Arles, plus what it’s like living and working from Marseille and its growing artistic community. 🎧 Listen @ApplePodcasts, @Spotify or wherever you get your podcasts. Talk Art is free to stream or download. Jean Claracq brings the past forward via savvy remarks on the culture industry of the 21st century. Claracq’s paintings exploit, in the most delicate and refined form, the language of advertisement and social media to construct desire, fascination, and lust. With eclectic references that range from medieval paintings to elements of contemporary pop culture, a dystopian view of the joie de vivre unveils a new alternative to the divine perception of the world. In his work, Jean evokes the ambiguity between joy and pleasure mixed with the anguish of an unstructured world on the verge of collapse. He evokes the architecture and study of suburban areas, in particular car parks, the symbol of a world alienated by consumerism to the point of sacrificing its own existence. In 2023, he was awarded the Prix Pierre Cardin in Painting by the Académie des Beaux-Arts. Painter of miniatures and icons, Jean Claracq contributes to the dialogue between painting and digital art. His models come from social networks (Instagram, Grindr) and are part of a gay, marginal or culturally different community. They interact with many references to the history of old master painting (especially schools form Northern Europe). Attached to traditional techniques (oil on wood, attention to the smallest details), he plays with the possible reading levels and accurately depicts our relationship to screens and loneliness in an urban environment. Claracq was Born in 1991 in Bayonne, France. Graduated from Beaux-Arts de Paris in 2017, his recent solo exhibitions include Open Space # 7 Jean Claracq, Fondation Louis Vuitton, Paris (2020), Fondation Sisley (2020), and group shows Boys Don’t Cry, Le Houloc, Aubervilliers (2020), agnès b., La Fab., Paris (2020). 🔗 Follow @JeanClaracq Visit @GalerieSultana
🎨✨ We meet artist Jean Claracq @jeanclaracq to discuss painting, his recent shows with Galerie Sultana in Paris and Arles, plus what it’s like living and working from Marseille and its growing artistic community. 🎧 Listen @ApplePodcasts, @Spotify or wherever you get your podcasts. Talk Art is free to stream or download. Jean Claracq brings the past forward via savvy remarks on the culture industry of the 21st century. Claracq’s paintings exploit, in the most delicate and refined form, the language of advertisement and social media to construct desire, fascination, and lust. With eclectic references that range from medieval paintings to elements of contemporary pop culture, a dystopian view of the joie de vivre unveils a new alternative to the divine perception of the world. In his work, Jean evokes the ambiguity between joy and pleasure mixed with the anguish of an unstructured world on the verge of collapse. He evokes the architecture and study of suburban areas, in particular car parks, the symbol of a world alienated by consumerism to the point of sacrificing its own existence. In 2023, he was awarded the Prix Pierre Cardin in Painting by the Académie des Beaux-Arts. Painter of miniatures and icons, Jean Claracq contributes to the dialogue between painting and digital art. His models come from social networks (Instagram, Grindr) and are part of a gay, marginal or culturally different community. They interact with many references to the history of old master painting (especially schools form Northern Europe). Attached to traditional techniques (oil on wood, attention to the smallest details), he plays with the possible reading levels and accurately depicts our relationship to screens and loneliness in an urban environment. Claracq was Born in 1991 in Bayonne, France. Graduated from Beaux-Arts de Paris in 2017, his recent solo exhibitions include Open Space # 7 Jean Claracq, Fondation Louis Vuitton, Paris (2020), Fondation Sisley (2020), and group shows Boys Don’t Cry, Le Houloc, Aubervilliers (2020), agnès b., La Fab., Paris (2020). 🔗 Follow @JeanClaracq Visit @GalerieSultana
🎨✨ We meet artist Jean Claracq @jeanclaracq to discuss painting, his recent shows with Galerie Sultana in Paris and Arles, plus what it’s like living and working from Marseille and its growing artistic community. 🎧 Listen @ApplePodcasts, @Spotify or wherever you get your podcasts. Talk Art is free to stream or download. Jean Claracq brings the past forward via savvy remarks on the culture industry of the 21st century. Claracq’s paintings exploit, in the most delicate and refined form, the language of advertisement and social media to construct desire, fascination, and lust. With eclectic references that range from medieval paintings to elements of contemporary pop culture, a dystopian view of the joie de vivre unveils a new alternative to the divine perception of the world. In his work, Jean evokes the ambiguity between joy and pleasure mixed with the anguish of an unstructured world on the verge of collapse. He evokes the architecture and study of suburban areas, in particular car parks, the symbol of a world alienated by consumerism to the point of sacrificing its own existence. In 2023, he was awarded the Prix Pierre Cardin in Painting by the Académie des Beaux-Arts. Painter of miniatures and icons, Jean Claracq contributes to the dialogue between painting and digital art. His models come from social networks (Instagram, Grindr) and are part of a gay, marginal or culturally different community. They interact with many references to the history of old master painting (especially schools form Northern Europe). Attached to traditional techniques (oil on wood, attention to the smallest details), he plays with the possible reading levels and accurately depicts our relationship to screens and loneliness in an urban environment. Claracq was Born in 1991 in Bayonne, France. Graduated from Beaux-Arts de Paris in 2017, his recent solo exhibitions include Open Space # 7 Jean Claracq, Fondation Louis Vuitton, Paris (2020), Fondation Sisley (2020), and group shows Boys Don’t Cry, Le Houloc, Aubervilliers (2020), agnès b., La Fab., Paris (2020). 🔗 Follow @JeanClaracq Visit @GalerieSultana
