A love letter to the birthday girl: we got to hold each others hands through the most special era. So many laughs, tears, and dildos later: I love you @karenfukuhara. Happy birthday, sister.
A love letter to the birthday girl: we got to hold each others hands through the most special era. So many laughs, tears, and dildos later: I love you @karenfukuhara. Happy birthday, sister.
A love letter to the birthday girl: we got to hold each others hands through the most special era. So many laughs, tears, and dildos later: I love you @karenfukuhara. Happy birthday, sister.
A love letter to the birthday girl: we got to hold each others hands through the most special era. So many laughs, tears, and dildos later: I love you @karenfukuhara. Happy birthday, sister.
A love letter to the birthday girl: we got to hold each others hands through the most special era. So many laughs, tears, and dildos later: I love you @karenfukuhara. Happy birthday, sister.
A love letter to the birthday girl: we got to hold each others hands through the most special era. So many laughs, tears, and dildos later: I love you @karenfukuhara. Happy birthday, sister.
A love letter to the birthday girl: we got to hold each others hands through the most special era. So many laughs, tears, and dildos later: I love you @karenfukuhara. Happy birthday, sister.
A love letter to the birthday girl: we got to hold each others hands through the most special era. So many laughs, tears, and dildos later: I love you @karenfukuhara. Happy birthday, sister.
A millennial musical theater bum* at church (a 90’s-pop themed karaoke night). *brat just wasn’t resonating
A millennial musical theater bum* at church (a 90’s-pop themed karaoke night). *brat just wasn’t resonating
A millennial musical theater bum* at church (a 90’s-pop themed karaoke night). *brat just wasn’t resonating
Serenade me like I’m your (favorite) millennial burnout muse.
Serenade me like I’m your (favorite) millennial burnout muse.
Serenade me like I’m your (favorite) millennial burnout muse.
Serenade me like I’m your (favorite) millennial burnout muse.
Serenade me like I’m your (favorite) millennial burnout muse.
One of my absolute favorite parts of what I do is to take the “discarded” details and turn them into my playground. (The character to human conversion process). I gravitated towards @stuartmgatt for a million and one reasons but this shared language was key. What a joy to see it reflected in such a special moment with @kodak this week. Put more eloquently by the person behind this film (/playground): “Of the many benefits that shooting on 35mm film offers a production, there is an often overlooked beauty hiding in the margins — as the final frames of a roll of film run through the camera, these “tail-ends” offer a window into a world of the film that is rarely seen. These fleeting frames — with sometimes double or triple exposure — carry with them the echoes of a scene: with ghostly layers of movement, light, and emotion and offer new ways of experiencing the film’s narrative and visual world. Traditionally discarded as byproducts of the editing process, this exhibition reimagines what is typically unseen, or deemed unwanted, in the art of 35mm analogue filmmaking. These fragments invite us to reflect on the ephemeral and the enduring, and on the beauty that emerges when we choose to look closer.” Thank you, @kodak @stuartmgatt ❤️
One of my absolute favorite parts of what I do is to take the “discarded” details and turn them into my playground. (The character to human conversion process). I gravitated towards @stuartmgatt for a million and one reasons but this shared language was key. What a joy to see it reflected in such a special moment with @kodak this week. Put more eloquently by the person behind this film (/playground): “Of the many benefits that shooting on 35mm film offers a production, there is an often overlooked beauty hiding in the margins — as the final frames of a roll of film run through the camera, these “tail-ends” offer a window into a world of the film that is rarely seen. These fleeting frames — with sometimes double or triple exposure — carry with them the echoes of a scene: with ghostly layers of movement, light, and emotion and offer new ways of experiencing the film’s narrative and visual world. Traditionally discarded as byproducts of the editing process, this exhibition reimagines what is typically unseen, or deemed unwanted, in the art of 35mm analogue filmmaking. These fragments invite us to reflect on the ephemeral and the enduring, and on the beauty that emerges when we choose to look closer.” Thank you, @kodak @stuartmgatt ❤️
One of my absolute favorite parts of what I do is to take the “discarded” details and turn them into my playground. (The character to human conversion process). I gravitated towards @stuartmgatt for a million and one reasons but this shared language was key. What a joy to see it reflected in such a special moment with @kodak this week. Put more eloquently by the person behind this film (/playground): “Of the many benefits that shooting on 35mm film offers a production, there is an often overlooked beauty hiding in the margins — as the final frames of a roll of film run through the camera, these “tail-ends” offer a window into a world of the film that is rarely seen. These fleeting frames — with sometimes double or triple exposure — carry with them the echoes of a scene: with ghostly layers of movement, light, and emotion and offer new ways of experiencing the film’s narrative and visual world. Traditionally discarded as byproducts of the editing process, this exhibition reimagines what is typically unseen, or deemed unwanted, in the art of 35mm analogue filmmaking. These fragments invite us to reflect on the ephemeral and the enduring, and on the beauty that emerges when we choose to look closer.” Thank you, @kodak @stuartmgatt ❤️
One of my absolute favorite parts of what I do is to take the “discarded” details and turn them into my playground. (The character to human conversion process). I gravitated towards @stuartmgatt for a million and one reasons but this shared language was key. What a joy to see it reflected in such a special moment with @kodak this week. Put more eloquently by the person behind this film (/playground): “Of the many benefits that shooting on 35mm film offers a production, there is an often overlooked beauty hiding in the margins — as the final frames of a roll of film run through the camera, these “tail-ends” offer a window into a world of the film that is rarely seen. These fleeting frames — with sometimes double or triple exposure — carry with them the echoes of a scene: with ghostly layers of movement, light, and emotion and offer new ways of experiencing the film’s narrative and visual world. Traditionally discarded as byproducts of the editing process, this exhibition reimagines what is typically unseen, or deemed unwanted, in the art of 35mm analogue filmmaking. These fragments invite us to reflect on the ephemeral and the enduring, and on the beauty that emerges when we choose to look closer.” Thank you, @kodak @stuartmgatt ❤️
One of my absolute favorite parts of what I do is to take the “discarded” details and turn them into my playground. (The character to human conversion process). I gravitated towards @stuartmgatt for a million and one reasons but this shared language was key. What a joy to see it reflected in such a special moment with @kodak this week. Put more eloquently by the person behind this film (/playground): “Of the many benefits that shooting on 35mm film offers a production, there is an often overlooked beauty hiding in the margins — as the final frames of a roll of film run through the camera, these “tail-ends” offer a window into a world of the film that is rarely seen. These fleeting frames — with sometimes double or triple exposure — carry with them the echoes of a scene: with ghostly layers of movement, light, and emotion and offer new ways of experiencing the film’s narrative and visual world. Traditionally discarded as byproducts of the editing process, this exhibition reimagines what is typically unseen, or deemed unwanted, in the art of 35mm analogue filmmaking. These fragments invite us to reflect on the ephemeral and the enduring, and on the beauty that emerges when we choose to look closer.” Thank you, @kodak @stuartmgatt ❤️
One of my absolute favorite parts of what I do is to take the “discarded” details and turn them into my playground. (The character to human conversion process). I gravitated towards @stuartmgatt for a million and one reasons but this shared language was key. What a joy to see it reflected in such a special moment with @kodak this week. Put more eloquently by the person behind this film (/playground): “Of the many benefits that shooting on 35mm film offers a production, there is an often overlooked beauty hiding in the margins — as the final frames of a roll of film run through the camera, these “tail-ends” offer a window into a world of the film that is rarely seen. These fleeting frames — with sometimes double or triple exposure — carry with them the echoes of a scene: with ghostly layers of movement, light, and emotion and offer new ways of experiencing the film’s narrative and visual world. Traditionally discarded as byproducts of the editing process, this exhibition reimagines what is typically unseen, or deemed unwanted, in the art of 35mm analogue filmmaking. These fragments invite us to reflect on the ephemeral and the enduring, and on the beauty that emerges when we choose to look closer.” Thank you, @kodak @stuartmgatt ❤️
One of my absolute favorite parts of what I do is to take the “discarded” details and turn them into my playground. (The character to human conversion process). I gravitated towards @stuartmgatt for a million and one reasons but this shared language was key. What a joy to see it reflected in such a special moment with @kodak this week. Put more eloquently by the person behind this film (/playground): “Of the many benefits that shooting on 35mm film offers a production, there is an often overlooked beauty hiding in the margins — as the final frames of a roll of film run through the camera, these “tail-ends” offer a window into a world of the film that is rarely seen. These fleeting frames — with sometimes double or triple exposure — carry with them the echoes of a scene: with ghostly layers of movement, light, and emotion and offer new ways of experiencing the film’s narrative and visual world. Traditionally discarded as byproducts of the editing process, this exhibition reimagines what is typically unseen, or deemed unwanted, in the art of 35mm analogue filmmaking. These fragments invite us to reflect on the ephemeral and the enduring, and on the beauty that emerges when we choose to look closer.” Thank you, @kodak @stuartmgatt ❤️
One of my absolute favorite parts of what I do is to take the “discarded” details and turn them into my playground. (The character to human conversion process). I gravitated towards @stuartmgatt for a million and one reasons but this shared language was key. What a joy to see it reflected in such a special moment with @kodak this week. Put more eloquently by the person behind this film (/playground): “Of the many benefits that shooting on 35mm film offers a production, there is an often overlooked beauty hiding in the margins — as the final frames of a roll of film run through the camera, these “tail-ends” offer a window into a world of the film that is rarely seen. These fleeting frames — with sometimes double or triple exposure — carry with them the echoes of a scene: with ghostly layers of movement, light, and emotion and offer new ways of experiencing the film’s narrative and visual world. Traditionally discarded as byproducts of the editing process, this exhibition reimagines what is typically unseen, or deemed unwanted, in the art of 35mm analogue filmmaking. These fragments invite us to reflect on the ephemeral and the enduring, and on the beauty that emerges when we choose to look closer.” Thank you, @kodak @stuartmgatt ❤️
