The Time That Remains is a visual masterpiece. It’s no wonder the stars Carlo Aquino, Bing Pimentel, and Jasmine Curtis-Smith look the part 🤩 📸 @borgyangeles #TheTimeThatRemains #CarloAquino #BingPimentel #JasmineCurtisSmith #vampire #horror
The Time That Remains is a visual masterpiece. It’s no wonder the stars Carlo Aquino, Bing Pimentel, and Jasmine Curtis-Smith look the part 🤩 📸 @borgyangeles #TheTimeThatRemains #CarloAquino #BingPimentel #JasmineCurtisSmith #vampire #horror
The Time That Remains is a visual masterpiece. It’s no wonder the stars Carlo Aquino, Bing Pimentel, and Jasmine Curtis-Smith look the part 🤩 📸 @borgyangeles #TheTimeThatRemains #CarloAquino #BingPimentel #JasmineCurtisSmith #vampire #horror
The Time That Remains is a visual masterpiece. It’s no wonder the stars Carlo Aquino, Bing Pimentel, and Jasmine Curtis-Smith look the part 🤩 📸 @borgyangeles #TheTimeThatRemains #CarloAquino #BingPimentel #JasmineCurtisSmith #vampire #horror
The Time That Remains is a visual masterpiece. It’s no wonder the stars Carlo Aquino, Bing Pimentel, and Jasmine Curtis-Smith look the part 🤩 📸 @borgyangeles #TheTimeThatRemains #CarloAquino #BingPimentel #JasmineCurtisSmith #vampire #horror
The Time That Remains is a visual masterpiece. It’s no wonder the stars Carlo Aquino, Bing Pimentel, and Jasmine Curtis-Smith look the part 🤩 📸 @borgyangeles #TheTimeThatRemains #CarloAquino #BingPimentel #JasmineCurtisSmith #vampire #horror
The Time That Remains is a visual masterpiece. It’s no wonder the stars Carlo Aquino, Bing Pimentel, and Jasmine Curtis-Smith look the part 🤩 📸 @borgyangeles #TheTimeThatRemains #CarloAquino #BingPimentel #JasmineCurtisSmith #vampire #horror
The Time That Remains is a visual masterpiece. It’s no wonder the stars Carlo Aquino, Bing Pimentel, and Jasmine Curtis-Smith look the part 🤩 📸 @borgyangeles #TheTimeThatRemains #CarloAquino #BingPimentel #JasmineCurtisSmith #vampire #horror
The Time That Remains is a visual masterpiece. It’s no wonder the stars Carlo Aquino, Bing Pimentel, and Jasmine Curtis-Smith look the part 🤩 📸 @borgyangeles #TheTimeThatRemains #CarloAquino #BingPimentel #JasmineCurtisSmith #vampire #horror
“Jai, close tayong tatlo—“ “Are we?” – After the play, I turned to Mon, eyes red, tear stains on my shirt (and snot stains on my pants from when I ran out of tissue — bring more tissue than you think you need!!!): “Bawal pala panoorin ‘to if you have parents. Or siblings. Or have lost anybody.” The play talks about how, “it’s almost as if not being able to talk about something renders that something less true.” And then proceeds to have the words all the things I have no words for, rendering truth after truth after truth. So I surrendered to the hit, after hit, after hit; allowing myself to sob honestly behind the lens. I’ve learned (in psych!) that what you feel, you notice. And so I let myself feel what I felt, and notice what I noticed, and, well… this slideshow is the result. Thank you, @guelanluarca, for 3 UPUAN. And to the cast, @jascurtissmith, @crispasturan, and Paolo O’Hara who, from the opening scenes pa lang, were “shet kapatid na kapatid.” And thank you to @gianingweight @sc.scenechange for making this happen (and inviting me!) IYAK ULIT BYE – theater | @3upuan opening weekend (catch it until this weekend, october 24-26!) – live in the moment. then re-live the moment. you’re gonna wanna remember this.
“Jai, close tayong tatlo—“ “Are we?” – After the play, I turned to Mon, eyes red, tear stains on my shirt (and snot stains on my pants from when I ran out of tissue — bring more tissue than you think you need!!!): “Bawal pala panoorin ‘to if you have parents. Or siblings. Or have lost anybody.” The play talks about how, “it’s almost as if not being able to talk about something renders that something less true.” And then proceeds to have the words all the things I have no words for, rendering truth after truth after truth. So I surrendered to the hit, after hit, after hit; allowing myself to sob honestly behind the lens. I’ve learned (in psych!) that what you feel, you notice. And so I let myself feel what I felt, and notice what I noticed, and, well… this slideshow is the result. Thank you, @guelanluarca, for 3 UPUAN. And to the cast, @jascurtissmith, @crispasturan, and Paolo O’Hara who, from the opening scenes pa lang, were “shet kapatid na kapatid.” And thank you to @gianingweight @sc.scenechange for making this happen (and inviting me!) IYAK ULIT BYE – theater | @3upuan opening weekend (catch it until this weekend, october 24-26!) – live in the moment. then re-live the moment. you’re gonna wanna remember this.
“Jai, close tayong tatlo—“ “Are we?” – After the play, I turned to Mon, eyes red, tear stains on my shirt (and snot stains on my pants from when I ran out of tissue — bring more tissue than you think you need!!!): “Bawal pala panoorin ‘to if you have parents. Or siblings. Or have lost anybody.” The play talks about how, “it’s almost as if not being able to talk about something renders that something less true.” And then proceeds to have the words all the things I have no words for, rendering truth after truth after truth. So I surrendered to the hit, after hit, after hit; allowing myself to sob honestly behind the lens. I’ve learned (in psych!) that what you feel, you notice. And so I let myself feel what I felt, and notice what I noticed, and, well… this slideshow is the result. Thank you, @guelanluarca, for 3 UPUAN. And to the cast, @jascurtissmith, @crispasturan, and Paolo O’Hara who, from the opening scenes pa lang, were “shet kapatid na kapatid.” And thank you to @gianingweight @sc.scenechange for making this happen (and inviting me!) IYAK ULIT BYE – theater | @3upuan opening weekend (catch it until this weekend, october 24-26!) – live in the moment. then re-live the moment. you’re gonna wanna remember this.
“Jai, close tayong tatlo—“ “Are we?” – After the play, I turned to Mon, eyes red, tear stains on my shirt (and snot stains on my pants from when I ran out of tissue — bring more tissue than you think you need!!!): “Bawal pala panoorin ‘to if you have parents. Or siblings. Or have lost anybody.” The play talks about how, “it’s almost as if not being able to talk about something renders that something less true.” And then proceeds to have the words all the things I have no words for, rendering truth after truth after truth. So I surrendered to the hit, after hit, after hit; allowing myself to sob honestly behind the lens. I’ve learned (in psych!) that what you feel, you notice. And so I let myself feel what I felt, and notice what I noticed, and, well… this slideshow is the result. Thank you, @guelanluarca, for 3 UPUAN. And to the cast, @jascurtissmith, @crispasturan, and Paolo O’Hara who, from the opening scenes pa lang, were “shet kapatid na kapatid.” And thank you to @gianingweight @sc.scenechange for making this happen (and inviting me!) IYAK ULIT BYE – theater | @3upuan opening weekend (catch it until this weekend, october 24-26!) – live in the moment. then re-live the moment. you’re gonna wanna remember this.
“Jai, close tayong tatlo—“ “Are we?” – After the play, I turned to Mon, eyes red, tear stains on my shirt (and snot stains on my pants from when I ran out of tissue — bring more tissue than you think you need!!!): “Bawal pala panoorin ‘to if you have parents. Or siblings. Or have lost anybody.” The play talks about how, “it’s almost as if not being able to talk about something renders that something less true.” And then proceeds to have the words all the things I have no words for, rendering truth after truth after truth. So I surrendered to the hit, after hit, after hit; allowing myself to sob honestly behind the lens. I’ve learned (in psych!) that what you feel, you notice. And so I let myself feel what I felt, and notice what I noticed, and, well… this slideshow is the result. Thank you, @guelanluarca, for 3 UPUAN. And to the cast, @jascurtissmith, @crispasturan, and Paolo O’Hara who, from the opening scenes pa lang, were “shet kapatid na kapatid.” And thank you to @gianingweight @sc.scenechange for making this happen (and inviting me!) IYAK ULIT BYE – theater | @3upuan opening weekend (catch it until this weekend, october 24-26!) – live in the moment. then re-live the moment. you’re gonna wanna remember this.
“Jai, close tayong tatlo—“ “Are we?” – After the play, I turned to Mon, eyes red, tear stains on my shirt (and snot stains on my pants from when I ran out of tissue — bring more tissue than you think you need!!!): “Bawal pala panoorin ‘to if you have parents. Or siblings. Or have lost anybody.” The play talks about how, “it’s almost as if not being able to talk about something renders that something less true.” And then proceeds to have the words all the things I have no words for, rendering truth after truth after truth. So I surrendered to the hit, after hit, after hit; allowing myself to sob honestly behind the lens. I’ve learned (in psych!) that what you feel, you notice. And so I let myself feel what I felt, and notice what I noticed, and, well… this slideshow is the result. Thank you, @guelanluarca, for 3 UPUAN. And to the cast, @jascurtissmith, @crispasturan, and Paolo O’Hara who, from the opening scenes pa lang, were “shet kapatid na kapatid.” And thank you to @gianingweight @sc.scenechange for making this happen (and inviting me!) IYAK ULIT BYE – theater | @3upuan opening weekend (catch it until this weekend, october 24-26!) – live in the moment. then re-live the moment. you’re gonna wanna remember this.
“Jai, close tayong tatlo—“ “Are we?” – After the play, I turned to Mon, eyes red, tear stains on my shirt (and snot stains on my pants from when I ran out of tissue — bring more tissue than you think you need!!!): “Bawal pala panoorin ‘to if you have parents. Or siblings. Or have lost anybody.” The play talks about how, “it’s almost as if not being able to talk about something renders that something less true.” And then proceeds to have the words all the things I have no words for, rendering truth after truth after truth. So I surrendered to the hit, after hit, after hit; allowing myself to sob honestly behind the lens. I’ve learned (in psych!) that what you feel, you notice. And so I let myself feel what I felt, and notice what I noticed, and, well… this slideshow is the result. Thank you, @guelanluarca, for 3 UPUAN. And to the cast, @jascurtissmith, @crispasturan, and Paolo O’Hara who, from the opening scenes pa lang, were “shet kapatid na kapatid.” And thank you to @gianingweight @sc.scenechange for making this happen (and inviting me!) IYAK ULIT BYE – theater | @3upuan opening weekend (catch it until this weekend, october 24-26!) – live in the moment. then re-live the moment. you’re gonna wanna remember this.
“Jai, close tayong tatlo—“ “Are we?” – After the play, I turned to Mon, eyes red, tear stains on my shirt (and snot stains on my pants from when I ran out of tissue — bring more tissue than you think you need!!!): “Bawal pala panoorin ‘to if you have parents. Or siblings. Or have lost anybody.” The play talks about how, “it’s almost as if not being able to talk about something renders that something less true.” And then proceeds to have the words all the things I have no words for, rendering truth after truth after truth. So I surrendered to the hit, after hit, after hit; allowing myself to sob honestly behind the lens. I’ve learned (in psych!) that what you feel, you notice. And so I let myself feel what I felt, and notice what I noticed, and, well… this slideshow is the result. Thank you, @guelanluarca, for 3 UPUAN. And to the cast, @jascurtissmith, @crispasturan, and Paolo O’Hara who, from the opening scenes pa lang, were “shet kapatid na kapatid.” And thank you to @gianingweight @sc.scenechange for making this happen (and inviting me!) IYAK ULIT BYE – theater | @3upuan opening weekend (catch it until this weekend, october 24-26!) – live in the moment. then re-live the moment. you’re gonna wanna remember this.
“Jai, close tayong tatlo—“ “Are we?” – After the play, I turned to Mon, eyes red, tear stains on my shirt (and snot stains on my pants from when I ran out of tissue — bring more tissue than you think you need!!!): “Bawal pala panoorin ‘to if you have parents. Or siblings. Or have lost anybody.” The play talks about how, “it’s almost as if not being able to talk about something renders that something less true.” And then proceeds to have the words all the things I have no words for, rendering truth after truth after truth. So I surrendered to the hit, after hit, after hit; allowing myself to sob honestly behind the lens. I’ve learned (in psych!) that what you feel, you notice. And so I let myself feel what I felt, and notice what I noticed, and, well… this slideshow is the result. Thank you, @guelanluarca, for 3 UPUAN. And to the cast, @jascurtissmith, @crispasturan, and Paolo O’Hara who, from the opening scenes pa lang, were “shet kapatid na kapatid.” And thank you to @gianingweight @sc.scenechange for making this happen (and inviting me!) IYAK ULIT BYE – theater | @3upuan opening weekend (catch it until this weekend, october 24-26!) – live in the moment. then re-live the moment. you’re gonna wanna remember this.
“Jai, close tayong tatlo—“ “Are we?” – After the play, I turned to Mon, eyes red, tear stains on my shirt (and snot stains on my pants from when I ran out of tissue — bring more tissue than you think you need!!!): “Bawal pala panoorin ‘to if you have parents. Or siblings. Or have lost anybody.” The play talks about how, “it’s almost as if not being able to talk about something renders that something less true.” And then proceeds to have the words all the things I have no words for, rendering truth after truth after truth. So I surrendered to the hit, after hit, after hit; allowing myself to sob honestly behind the lens. I’ve learned (in psych!) that what you feel, you notice. And so I let myself feel what I felt, and notice what I noticed, and, well… this slideshow is the result. Thank you, @guelanluarca, for 3 UPUAN. And to the cast, @jascurtissmith, @crispasturan, and Paolo O’Hara who, from the opening scenes pa lang, were “shet kapatid na kapatid.” And thank you to @gianingweight @sc.scenechange for making this happen (and inviting me!) IYAK ULIT BYE – theater | @3upuan opening weekend (catch it until this weekend, october 24-26!) – live in the moment. then re-live the moment. you’re gonna wanna remember this.
“Jai, close tayong tatlo—“ “Are we?” – After the play, I turned to Mon, eyes red, tear stains on my shirt (and snot stains on my pants from when I ran out of tissue — bring more tissue than you think you need!!!): “Bawal pala panoorin ‘to if you have parents. Or siblings. Or have lost anybody.” The play talks about how, “it’s almost as if not being able to talk about something renders that something less true.” And then proceeds to have the words all the things I have no words for, rendering truth after truth after truth. So I surrendered to the hit, after hit, after hit; allowing myself to sob honestly behind the lens. I’ve learned (in psych!) that what you feel, you notice. And so I let myself feel what I felt, and notice what I noticed, and, well… this slideshow is the result. Thank you, @guelanluarca, for 3 UPUAN. And to the cast, @jascurtissmith, @crispasturan, and Paolo O’Hara who, from the opening scenes pa lang, were “shet kapatid na kapatid.” And thank you to @gianingweight @sc.scenechange for making this happen (and inviting me!) IYAK ULIT BYE – theater | @3upuan opening weekend (catch it until this weekend, october 24-26!) – live in the moment. then re-live the moment. you’re gonna wanna remember this.
“Jai, close tayong tatlo—“ “Are we?” – After the play, I turned to Mon, eyes red, tear stains on my shirt (and snot stains on my pants from when I ran out of tissue — bring more tissue than you think you need!!!): “Bawal pala panoorin ‘to if you have parents. Or siblings. Or have lost anybody.” The play talks about how, “it’s almost as if not being able to talk about something renders that something less true.” And then proceeds to have the words all the things I have no words for, rendering truth after truth after truth. So I surrendered to the hit, after hit, after hit; allowing myself to sob honestly behind the lens. I’ve learned (in psych!) that what you feel, you notice. And so I let myself feel what I felt, and notice what I noticed, and, well… this slideshow is the result. Thank you, @guelanluarca, for 3 UPUAN. And to the cast, @jascurtissmith, @crispasturan, and Paolo O’Hara who, from the opening scenes pa lang, were “shet kapatid na kapatid.” And thank you to @gianingweight @sc.scenechange for making this happen (and inviting me!) IYAK ULIT BYE – theater | @3upuan opening weekend (catch it until this weekend, october 24-26!) – live in the moment. then re-live the moment. you’re gonna wanna remember this.
“Jai, close tayong tatlo—“ “Are we?” – After the play, I turned to Mon, eyes red, tear stains on my shirt (and snot stains on my pants from when I ran out of tissue — bring more tissue than you think you need!!!): “Bawal pala panoorin ‘to if you have parents. Or siblings. Or have lost anybody.” The play talks about how, “it’s almost as if not being able to talk about something renders that something less true.” And then proceeds to have the words all the things I have no words for, rendering truth after truth after truth. So I surrendered to the hit, after hit, after hit; allowing myself to sob honestly behind the lens. I’ve learned (in psych!) that what you feel, you notice. And so I let myself feel what I felt, and notice what I noticed, and, well… this slideshow is the result. Thank you, @guelanluarca, for 3 UPUAN. And to the cast, @jascurtissmith, @crispasturan, and Paolo O’Hara who, from the opening scenes pa lang, were “shet kapatid na kapatid.” And thank you to @gianingweight @sc.scenechange for making this happen (and inviting me!) IYAK ULIT BYE – theater | @3upuan opening weekend (catch it until this weekend, october 24-26!) – live in the moment. then re-live the moment. you’re gonna wanna remember this.
“Jai, close tayong tatlo—“ “Are we?” – After the play, I turned to Mon, eyes red, tear stains on my shirt (and snot stains on my pants from when I ran out of tissue — bring more tissue than you think you need!!!): “Bawal pala panoorin ‘to if you have parents. Or siblings. Or have lost anybody.” The play talks about how, “it’s almost as if not being able to talk about something renders that something less true.” And then proceeds to have the words all the things I have no words for, rendering truth after truth after truth. So I surrendered to the hit, after hit, after hit; allowing myself to sob honestly behind the lens. I’ve learned (in psych!) that what you feel, you notice. And so I let myself feel what I felt, and notice what I noticed, and, well… this slideshow is the result. Thank you, @guelanluarca, for 3 UPUAN. And to the cast, @jascurtissmith, @crispasturan, and Paolo O’Hara who, from the opening scenes pa lang, were “shet kapatid na kapatid.” And thank you to @gianingweight @sc.scenechange for making this happen (and inviting me!) IYAK ULIT BYE – theater | @3upuan opening weekend (catch it until this weekend, october 24-26!) – live in the moment. then re-live the moment. you’re gonna wanna remember this.
“Jai, close tayong tatlo—“ “Are we?” – After the play, I turned to Mon, eyes red, tear stains on my shirt (and snot stains on my pants from when I ran out of tissue — bring more tissue than you think you need!!!): “Bawal pala panoorin ‘to if you have parents. Or siblings. Or have lost anybody.” The play talks about how, “it’s almost as if not being able to talk about something renders that something less true.” And then proceeds to have the words all the things I have no words for, rendering truth after truth after truth. So I surrendered to the hit, after hit, after hit; allowing myself to sob honestly behind the lens. I’ve learned (in psych!) that what you feel, you notice. And so I let myself feel what I felt, and notice what I noticed, and, well… this slideshow is the result. Thank you, @guelanluarca, for 3 UPUAN. And to the cast, @jascurtissmith, @crispasturan, and Paolo O’Hara who, from the opening scenes pa lang, were “shet kapatid na kapatid.” And thank you to @gianingweight @sc.scenechange for making this happen (and inviting me!) IYAK ULIT BYE – theater | @3upuan opening weekend (catch it until this weekend, october 24-26!) – live in the moment. then re-live the moment. you’re gonna wanna remember this.
