Honestly, it’s hard to believe “Covering the holes in our walls with sunflowers” is opening this Wednesday, November 5th at @caseykaplangallery … this self portrait was imagined over a year ago… the original iteration in my head was going to be a portrait of me holding the child we’ve been journeying towards for nearly 5 years. A finale of the musings and deep manifestations we’ve been longing for. As life does, it didn’t happen the way I hoped, we had more to grieve and thus the grappling of whether or not to still make the portrait loomed large… The holes in the walls seemingly grew and multiplied… but the reality is I’ve always said “I have not yet had the privilege of being a mother, but the process of painting, loving, nurturing, pruning, pouring into and letting go is something I imagine it would be like.” From a seed a sunflower will grow… The day I finished this portrait we heard a heartbeat for the first time. It took: 1 lupus diagnosis at 18 1 doc who said it was never possible Years on methotrexate 2 egg retrievals 2 surrogates 2 agencies 6 transfers 1 egg donor 5 years dreaming Our baby will bloom April 2026 — after complete surrender and a long winter. We have the best surrogate turned friend, we ended up with an egg donor, and we have grieving still to do as we continue to honor the potentials and the realities. Now that we are here, I see it all so clearly — nothing feels more fitting than our flower being grown in a community garden. This show holds it all for me. It’s only right that I quite literally stay in the room while you see it. That you see the seedlings and the blooms. That you see me. ••• Title from Alice Walker, from In Search of Our Mothers’ Gardens [Jordan, oil on canvas, 94 x 80 inches, 2025]
Honestly, it’s hard to believe “Covering the holes in our walls with sunflowers” is opening this Wednesday, November 5th at @caseykaplangallery … this self portrait was imagined over a year ago… the original iteration in my head was going to be a portrait of me holding the child we’ve been journeying towards for nearly 5 years. A finale of the musings and deep manifestations we’ve been longing for. As life does, it didn’t happen the way I hoped, we had more to grieve and thus the grappling of whether or not to still make the portrait loomed large… The holes in the walls seemingly grew and multiplied… but the reality is I’ve always said “I have not yet had the privilege of being a mother, but the process of painting, loving, nurturing, pruning, pouring into and letting go is something I imagine it would be like.” From a seed a sunflower will grow… The day I finished this portrait we heard a heartbeat for the first time. It took: 1 lupus diagnosis at 18 1 doc who said it was never possible Years on methotrexate 2 egg retrievals 2 surrogates 2 agencies 6 transfers 1 egg donor 5 years dreaming Our baby will bloom April 2026 — after complete surrender and a long winter. We have the best surrogate turned friend, we ended up with an egg donor, and we have grieving still to do as we continue to honor the potentials and the realities. Now that we are here, I see it all so clearly — nothing feels more fitting than our flower being grown in a community garden. This show holds it all for me. It’s only right that I quite literally stay in the room while you see it. That you see the seedlings and the blooms. That you see me. ••• Title from Alice Walker, from In Search of Our Mothers’ Gardens [Jordan, oil on canvas, 94 x 80 inches, 2025]
Honestly, it’s hard to believe “Covering the holes in our walls with sunflowers” is opening this Wednesday, November 5th at @caseykaplangallery … this self portrait was imagined over a year ago… the original iteration in my head was going to be a portrait of me holding the child we’ve been journeying towards for nearly 5 years. A finale of the musings and deep manifestations we’ve been longing for. As life does, it didn’t happen the way I hoped, we had more to grieve and thus the grappling of whether or not to still make the portrait loomed large… The holes in the walls seemingly grew and multiplied… but the reality is I’ve always said “I have not yet had the privilege of being a mother, but the process of painting, loving, nurturing, pruning, pouring into and letting go is something I imagine it would be like.” From a seed a sunflower will grow… The day I finished this portrait we heard a heartbeat for the first time. It took: 1 lupus diagnosis at 18 1 doc who said it was never possible Years on methotrexate 2 egg retrievals 2 surrogates 2 agencies 6 transfers 1 egg donor 5 years dreaming Our baby will bloom April 2026 — after complete surrender and a long winter. We have the best surrogate turned friend, we ended up with an egg donor, and we have grieving still to do as we continue to honor the potentials and the realities. Now that we are here, I see it all so clearly — nothing feels more fitting than our flower being grown in a community garden. This show holds it all for me. It’s only right that I quite literally stay in the room while you see it. That you see the seedlings and the blooms. That you see me. ••• Title from Alice Walker, from In Search of Our Mothers’ Gardens [Jordan, oil on canvas, 94 x 80 inches, 2025]
Honestly, it’s hard to believe “Covering the holes in our walls with sunflowers” is opening this Wednesday, November 5th at @caseykaplangallery … this self portrait was imagined over a year ago… the original iteration in my head was going to be a portrait of me holding the child we’ve been journeying towards for nearly 5 years. A finale of the musings and deep manifestations we’ve been longing for. As life does, it didn’t happen the way I hoped, we had more to grieve and thus the grappling of whether or not to still make the portrait loomed large… The holes in the walls seemingly grew and multiplied… but the reality is I’ve always said “I have not yet had the privilege of being a mother, but the process of painting, loving, nurturing, pruning, pouring into and letting go is something I imagine it would be like.” From a seed a sunflower will grow… The day I finished this portrait we heard a heartbeat for the first time. It took: 1 lupus diagnosis at 18 1 doc who said it was never possible Years on methotrexate 2 egg retrievals 2 surrogates 2 agencies 6 transfers 1 egg donor 5 years dreaming Our baby will bloom April 2026 — after complete surrender and a long winter. We have the best surrogate turned friend, we ended up with an egg donor, and we have grieving still to do as we continue to honor the potentials and the realities. Now that we are here, I see it all so clearly — nothing feels more fitting than our flower being grown in a community garden. This show holds it all for me. It’s only right that I quite literally stay in the room while you see it. That you see the seedlings and the blooms. That you see me. ••• Title from Alice Walker, from In Search of Our Mothers’ Gardens [Jordan, oil on canvas, 94 x 80 inches, 2025]
Honestly, it’s hard to believe “Covering the holes in our walls with sunflowers” is opening this Wednesday, November 5th at @caseykaplangallery … this self portrait was imagined over a year ago… the original iteration in my head was going to be a portrait of me holding the child we’ve been journeying towards for nearly 5 years. A finale of the musings and deep manifestations we’ve been longing for. As life does, it didn’t happen the way I hoped, we had more to grieve and thus the grappling of whether or not to still make the portrait loomed large… The holes in the walls seemingly grew and multiplied… but the reality is I’ve always said “I have not yet had the privilege of being a mother, but the process of painting, loving, nurturing, pruning, pouring into and letting go is something I imagine it would be like.” From a seed a sunflower will grow… The day I finished this portrait we heard a heartbeat for the first time. It took: 1 lupus diagnosis at 18 1 doc who said it was never possible Years on methotrexate 2 egg retrievals 2 surrogates 2 agencies 6 transfers 1 egg donor 5 years dreaming Our baby will bloom April 2026 — after complete surrender and a long winter. We have the best surrogate turned friend, we ended up with an egg donor, and we have grieving still to do as we continue to honor the potentials and the realities. Now that we are here, I see it all so clearly — nothing feels more fitting than our flower being grown in a community garden. This show holds it all for me. It’s only right that I quite literally stay in the room while you see it. That you see the seedlings and the blooms. That you see me. ••• Title from Alice Walker, from In Search of Our Mothers’ Gardens [Jordan, oil on canvas, 94 x 80 inches, 2025]
Honestly, it’s hard to believe “Covering the holes in our walls with sunflowers” is opening this Wednesday, November 5th at @caseykaplangallery … this self portrait was imagined over a year ago… the original iteration in my head was going to be a portrait of me holding the child we’ve been journeying towards for nearly 5 years. A finale of the musings and deep manifestations we’ve been longing for. As life does, it didn’t happen the way I hoped, we had more to grieve and thus the grappling of whether or not to still make the portrait loomed large… The holes in the walls seemingly grew and multiplied… but the reality is I’ve always said “I have not yet had the privilege of being a mother, but the process of painting, loving, nurturing, pruning, pouring into and letting go is something I imagine it would be like.” From a seed a sunflower will grow… The day I finished this portrait we heard a heartbeat for the first time. It took: 1 lupus diagnosis at 18 1 doc who said it was never possible Years on methotrexate 2 egg retrievals 2 surrogates 2 agencies 6 transfers 1 egg donor 5 years dreaming Our baby will bloom April 2026 — after complete surrender and a long winter. We have the best surrogate turned friend, we ended up with an egg donor, and we have grieving still to do as we continue to honor the potentials and the realities. Now that we are here, I see it all so clearly — nothing feels more fitting than our flower being grown in a community garden. This show holds it all for me. It’s only right that I quite literally stay in the room while you see it. That you see the seedlings and the blooms. That you see me. ••• Title from Alice Walker, from In Search of Our Mothers’ Gardens [Jordan, oil on canvas, 94 x 80 inches, 2025]
Honestly, it’s hard to believe “Covering the holes in our walls with sunflowers” is opening this Wednesday, November 5th at @caseykaplangallery … this self portrait was imagined over a year ago… the original iteration in my head was going to be a portrait of me holding the child we’ve been journeying towards for nearly 5 years. A finale of the musings and deep manifestations we’ve been longing for. As life does, it didn’t happen the way I hoped, we had more to grieve and thus the grappling of whether or not to still make the portrait loomed large… The holes in the walls seemingly grew and multiplied… but the reality is I’ve always said “I have not yet had the privilege of being a mother, but the process of painting, loving, nurturing, pruning, pouring into and letting go is something I imagine it would be like.” From a seed a sunflower will grow… The day I finished this portrait we heard a heartbeat for the first time. It took: 1 lupus diagnosis at 18 1 doc who said it was never possible Years on methotrexate 2 egg retrievals 2 surrogates 2 agencies 6 transfers 1 egg donor 5 years dreaming Our baby will bloom April 2026 — after complete surrender and a long winter. We have the best surrogate turned friend, we ended up with an egg donor, and we have grieving still to do as we continue to honor the potentials and the realities. Now that we are here, I see it all so clearly — nothing feels more fitting than our flower being grown in a community garden. This show holds it all for me. It’s only right that I quite literally stay in the room while you see it. That you see the seedlings and the blooms. That you see me. ••• Title from Alice Walker, from In Search of Our Mothers’ Gardens [Jordan, oil on canvas, 94 x 80 inches, 2025]
Honestly, it’s hard to believe “Covering the holes in our walls with sunflowers” is opening this Wednesday, November 5th at @caseykaplangallery … this self portrait was imagined over a year ago… the original iteration in my head was going to be a portrait of me holding the child we’ve been journeying towards for nearly 5 years. A finale of the musings and deep manifestations we’ve been longing for. As life does, it didn’t happen the way I hoped, we had more to grieve and thus the grappling of whether or not to still make the portrait loomed large… The holes in the walls seemingly grew and multiplied… but the reality is I’ve always said “I have not yet had the privilege of being a mother, but the process of painting, loving, nurturing, pruning, pouring into and letting go is something I imagine it would be like.” From a seed a sunflower will grow… The day I finished this portrait we heard a heartbeat for the first time. It took: 1 lupus diagnosis at 18 1 doc who said it was never possible Years on methotrexate 2 egg retrievals 2 surrogates 2 agencies 6 transfers 1 egg donor 5 years dreaming Our baby will bloom April 2026 — after complete surrender and a long winter. We have the best surrogate turned friend, we ended up with an egg donor, and we have grieving still to do as we continue to honor the potentials and the realities. Now that we are here, I see it all so clearly — nothing feels more fitting than our flower being grown in a community garden. This show holds it all for me. It’s only right that I quite literally stay in the room while you see it. That you see the seedlings and the blooms. That you see me. ••• Title from Alice Walker, from In Search of Our Mothers’ Gardens [Jordan, oil on canvas, 94 x 80 inches, 2025]
[Offering, 2025] My phone is filled with pictures of me holding seasonal bouquets from my garden — a practice that has become a meditation, gift, and offering to my prayers. Central to the exhibition currently on view at @caseykaplangallery — “Offering” is a collective holding of our whispers. ••• Casteel’s hand clasps a heap of zinnias, dahlias, and amaranth in Offering (2025). In a self-referential portrait, the artist points to an abundant bouquet, hand-grown and in full bloom, revealing the acts of cultivation made in autumn that reverberate into spring. Serving as a sanctuary for Casteel, the garden–a site of growth and decay, of turning dirt into life–embodies a creative endurance in the ebb and flow of seasonal and cultural rhythms. To paraphrase Walker, the garden’s resilience of imaginative spirit endures societal, daily hardship. Growth is willed from nothingness. Inherited fertile ground cycles through generations, and gestures of strength, beauty and defiance that came before echo in tomorrow’s blooms. “Covering the holes in our walls with sunflowers” on view through Jan 10th [Borrowing its title from Alice Walker’s 1974 essay “In Search of Our Mothers’ Gardens”]
[Offering, 2025] My phone is filled with pictures of me holding seasonal bouquets from my garden — a practice that has become a meditation, gift, and offering to my prayers. Central to the exhibition currently on view at @caseykaplangallery — “Offering” is a collective holding of our whispers. ••• Casteel’s hand clasps a heap of zinnias, dahlias, and amaranth in Offering (2025). In a self-referential portrait, the artist points to an abundant bouquet, hand-grown and in full bloom, revealing the acts of cultivation made in autumn that reverberate into spring. Serving as a sanctuary for Casteel, the garden–a site of growth and decay, of turning dirt into life–embodies a creative endurance in the ebb and flow of seasonal and cultural rhythms. To paraphrase Walker, the garden’s resilience of imaginative spirit endures societal, daily hardship. Growth is willed from nothingness. Inherited fertile ground cycles through generations, and gestures of strength, beauty and defiance that came before echo in tomorrow’s blooms. “Covering the holes in our walls with sunflowers” on view through Jan 10th [Borrowing its title from Alice Walker’s 1974 essay “In Search of Our Mothers’ Gardens”]
[Offering, 2025] My phone is filled with pictures of me holding seasonal bouquets from my garden — a practice that has become a meditation, gift, and offering to my prayers. Central to the exhibition currently on view at @caseykaplangallery — “Offering” is a collective holding of our whispers. ••• Casteel’s hand clasps a heap of zinnias, dahlias, and amaranth in Offering (2025). In a self-referential portrait, the artist points to an abundant bouquet, hand-grown and in full bloom, revealing the acts of cultivation made in autumn that reverberate into spring. Serving as a sanctuary for Casteel, the garden–a site of growth and decay, of turning dirt into life–embodies a creative endurance in the ebb and flow of seasonal and cultural rhythms. To paraphrase Walker, the garden’s resilience of imaginative spirit endures societal, daily hardship. Growth is willed from nothingness. Inherited fertile ground cycles through generations, and gestures of strength, beauty and defiance that came before echo in tomorrow’s blooms. “Covering the holes in our walls with sunflowers” on view through Jan 10th [Borrowing its title from Alice Walker’s 1974 essay “In Search of Our Mothers’ Gardens”]
[Offering, 2025] My phone is filled with pictures of me holding seasonal bouquets from my garden — a practice that has become a meditation, gift, and offering to my prayers. Central to the exhibition currently on view at @caseykaplangallery — “Offering” is a collective holding of our whispers. ••• Casteel’s hand clasps a heap of zinnias, dahlias, and amaranth in Offering (2025). In a self-referential portrait, the artist points to an abundant bouquet, hand-grown and in full bloom, revealing the acts of cultivation made in autumn that reverberate into spring. Serving as a sanctuary for Casteel, the garden–a site of growth and decay, of turning dirt into life–embodies a creative endurance in the ebb and flow of seasonal and cultural rhythms. To paraphrase Walker, the garden’s resilience of imaginative spirit endures societal, daily hardship. Growth is willed from nothingness. Inherited fertile ground cycles through generations, and gestures of strength, beauty and defiance that came before echo in tomorrow’s blooms. “Covering the holes in our walls with sunflowers” on view through Jan 10th [Borrowing its title from Alice Walker’s 1974 essay “In Search of Our Mothers’ Gardens”]
A presentation of three new paintings by Jordan Casteel is currently on view in the Ely Room at Thaddaeus Ropac, London (until 8 June 3025). Following the announcement of Casteel’s representation by the Gallery in February this year, the presentation captures the artist’s ever-deepening kinship with the communities and environments she inhabits. Since establishing a home in the Hudson Valley alongside her base in Harlem in 2021, Casteel has found new opportunities to weave the textures of these natural surroundings with her closely felt observations, while continuing to explore themes of rootedness and belonging. ‘I always think of the paintings as being an opportunity for other people to slow down to observe something that they maybe haven’t seen before or seen in this way before. Whether it is a person, whether it is a street scene, whether it is my garden or the environment that I am in.’ — @jordanmcasteel Following her London presentation, Jordan Casteel will have her first solo exhibition in France at Thaddaeus Ropac, Paris Marais, in 2026. #JordanCasteel #ThaddaeusRopac Images: 2,4 & 6. Jordan Casteel: A Presentation of Works, installation views, Thaddaeus Ropac, London, 2025. Photos: Eva Herzog. 1. Subway Bouquet, 2025. Oil on canvas. Oil on canvas. 127 x 101.6 cm (50 x 40 in). 3. Elizabeth and Roman II, 2025. Oil on canvas. 238.8 x 203.2 cm (94 x 80 in). 5. Iris, 2024. Oil on canvas. 25.4 x 20.32 x 1.9 cm (10 x 8 x 0.75 in). Artwork photography: David Schulze.
A presentation of three new paintings by Jordan Casteel is currently on view in the Ely Room at Thaddaeus Ropac, London (until 8 June 3025). Following the announcement of Casteel’s representation by the Gallery in February this year, the presentation captures the artist’s ever-deepening kinship with the communities and environments she inhabits. Since establishing a home in the Hudson Valley alongside her base in Harlem in 2021, Casteel has found new opportunities to weave the textures of these natural surroundings with her closely felt observations, while continuing to explore themes of rootedness and belonging. ‘I always think of the paintings as being an opportunity for other people to slow down to observe something that they maybe haven’t seen before or seen in this way before. Whether it is a person, whether it is a street scene, whether it is my garden or the environment that I am in.’ — @jordanmcasteel Following her London presentation, Jordan Casteel will have her first solo exhibition in France at Thaddaeus Ropac, Paris Marais, in 2026. #JordanCasteel #ThaddaeusRopac Images: 2,4 & 6. Jordan Casteel: A Presentation of Works, installation views, Thaddaeus Ropac, London, 2025. Photos: Eva Herzog. 1. Subway Bouquet, 2025. Oil on canvas. Oil on canvas. 127 x 101.6 cm (50 x 40 in). 3. Elizabeth and Roman II, 2025. Oil on canvas. 238.8 x 203.2 cm (94 x 80 in). 5. Iris, 2024. Oil on canvas. 25.4 x 20.32 x 1.9 cm (10 x 8 x 0.75 in). Artwork photography: David Schulze.
A presentation of three new paintings by Jordan Casteel is currently on view in the Ely Room at Thaddaeus Ropac, London (until 8 June 3025). Following the announcement of Casteel’s representation by the Gallery in February this year, the presentation captures the artist’s ever-deepening kinship with the communities and environments she inhabits. Since establishing a home in the Hudson Valley alongside her base in Harlem in 2021, Casteel has found new opportunities to weave the textures of these natural surroundings with her closely felt observations, while continuing to explore themes of rootedness and belonging. ‘I always think of the paintings as being an opportunity for other people to slow down to observe something that they maybe haven’t seen before or seen in this way before. Whether it is a person, whether it is a street scene, whether it is my garden or the environment that I am in.’ — @jordanmcasteel Following her London presentation, Jordan Casteel will have her first solo exhibition in France at Thaddaeus Ropac, Paris Marais, in 2026. #JordanCasteel #ThaddaeusRopac Images: 2,4 & 6. Jordan Casteel: A Presentation of Works, installation views, Thaddaeus Ropac, London, 2025. Photos: Eva Herzog. 1. Subway Bouquet, 2025. Oil on canvas. Oil on canvas. 127 x 101.6 cm (50 x 40 in). 3. Elizabeth and Roman II, 2025. Oil on canvas. 238.8 x 203.2 cm (94 x 80 in). 5. Iris, 2024. Oil on canvas. 25.4 x 20.32 x 1.9 cm (10 x 8 x 0.75 in). Artwork photography: David Schulze.
A presentation of three new paintings by Jordan Casteel is currently on view in the Ely Room at Thaddaeus Ropac, London (until 8 June 3025). Following the announcement of Casteel’s representation by the Gallery in February this year, the presentation captures the artist’s ever-deepening kinship with the communities and environments she inhabits. Since establishing a home in the Hudson Valley alongside her base in Harlem in 2021, Casteel has found new opportunities to weave the textures of these natural surroundings with her closely felt observations, while continuing to explore themes of rootedness and belonging. ‘I always think of the paintings as being an opportunity for other people to slow down to observe something that they maybe haven’t seen before or seen in this way before. Whether it is a person, whether it is a street scene, whether it is my garden or the environment that I am in.’ — @jordanmcasteel Following her London presentation, Jordan Casteel will have her first solo exhibition in France at Thaddaeus Ropac, Paris Marais, in 2026. #JordanCasteel #ThaddaeusRopac Images: 2,4 & 6. Jordan Casteel: A Presentation of Works, installation views, Thaddaeus Ropac, London, 2025. Photos: Eva Herzog. 1. Subway Bouquet, 2025. Oil on canvas. Oil on canvas. 127 x 101.6 cm (50 x 40 in). 3. Elizabeth and Roman II, 2025. Oil on canvas. 238.8 x 203.2 cm (94 x 80 in). 5. Iris, 2024. Oil on canvas. 25.4 x 20.32 x 1.9 cm (10 x 8 x 0.75 in). Artwork photography: David Schulze.
A presentation of three new paintings by Jordan Casteel is currently on view in the Ely Room at Thaddaeus Ropac, London (until 8 June 3025). Following the announcement of Casteel’s representation by the Gallery in February this year, the presentation captures the artist’s ever-deepening kinship with the communities and environments she inhabits. Since establishing a home in the Hudson Valley alongside her base in Harlem in 2021, Casteel has found new opportunities to weave the textures of these natural surroundings with her closely felt observations, while continuing to explore themes of rootedness and belonging. ‘I always think of the paintings as being an opportunity for other people to slow down to observe something that they maybe haven’t seen before or seen in this way before. Whether it is a person, whether it is a street scene, whether it is my garden or the environment that I am in.’ — @jordanmcasteel Following her London presentation, Jordan Casteel will have her first solo exhibition in France at Thaddaeus Ropac, Paris Marais, in 2026. #JordanCasteel #ThaddaeusRopac Images: 2,4 & 6. Jordan Casteel: A Presentation of Works, installation views, Thaddaeus Ropac, London, 2025. Photos: Eva Herzog. 1. Subway Bouquet, 2025. Oil on canvas. Oil on canvas. 127 x 101.6 cm (50 x 40 in). 3. Elizabeth and Roman II, 2025. Oil on canvas. 238.8 x 203.2 cm (94 x 80 in). 5. Iris, 2024. Oil on canvas. 25.4 x 20.32 x 1.9 cm (10 x 8 x 0.75 in). Artwork photography: David Schulze.
A presentation of three new paintings by Jordan Casteel is currently on view in the Ely Room at Thaddaeus Ropac, London (until 8 June 3025). Following the announcement of Casteel’s representation by the Gallery in February this year, the presentation captures the artist’s ever-deepening kinship with the communities and environments she inhabits. Since establishing a home in the Hudson Valley alongside her base in Harlem in 2021, Casteel has found new opportunities to weave the textures of these natural surroundings with her closely felt observations, while continuing to explore themes of rootedness and belonging. ‘I always think of the paintings as being an opportunity for other people to slow down to observe something that they maybe haven’t seen before or seen in this way before. Whether it is a person, whether it is a street scene, whether it is my garden or the environment that I am in.’ — @jordanmcasteel Following her London presentation, Jordan Casteel will have her first solo exhibition in France at Thaddaeus Ropac, Paris Marais, in 2026. #JordanCasteel #ThaddaeusRopac Images: 2,4 & 6. Jordan Casteel: A Presentation of Works, installation views, Thaddaeus Ropac, London, 2025. Photos: Eva Herzog. 1. Subway Bouquet, 2025. Oil on canvas. Oil on canvas. 127 x 101.6 cm (50 x 40 in). 3. Elizabeth and Roman II, 2025. Oil on canvas. 238.8 x 203.2 cm (94 x 80 in). 5. Iris, 2024. Oil on canvas. 25.4 x 20.32 x 1.9 cm (10 x 8 x 0.75 in). Artwork photography: David Schulze.
Such a special experience with @walesbonner @tylersphotos for @voguemagazine 💓 This girl came out of the woods and from behind the canvas to a set that truly felt like home. Looking forward to celebrating with @voguemagazine and @metmuseum at the Met Gala — drawing inspiration from the forthcoming brilliant Metropolitan Museum of Art’s Costume Institute exhibition “Superfine: Tailoring Black Style” guest curated by Monica Miller 💫 Superfine & Dandy for Vogue’s May Met Gala issue: Vogue // @voguemagazine Writer: Jeremy O. Harris // @jeremyoharris Photographer: Tyler Mitchell // @tylersphotos Fashion Editor: Law Roach // @luxurylaw Hair: Sondrea “Dre” Demry-Sanders // @dre_on_hair Makeup: Keita Moore // @kilprity Grooming: Camille Ariane // @camillearianemakeup; Alex Keating // @alex.c.keating Barbers: Kyle Smith; Don Brown Creative Director: Raul Martinez // @raulmartinez1024 Visuals Director: Yukino // @yukinosaurus Editorial Producer: Kat Costigan // @kathryn_costigan Global Entertainment Director: Sergio Kletnoy // @sergiokletnoy Global Casting Talent Director: Ignacio Murillo/ @imurillo Tailors: Matthew Reisman // @matthewreisman; Da Shoné by DaSh // @dashonebydash; Travis Thi // @travisaddams; Daniella at R-Zee Tailoring; Carol Ai at Carol Ai Studio Tailors // @carol_ai_studio; Tae Yoshida // @tae.y1122 Manicurist: Dawn Sterling // @nailglam Set Design: Julia Wagner // @frau.juliawagner Produced by: Rosco Production // @roscoproduction
Such a special experience with @walesbonner @tylersphotos for @voguemagazine 💓 This girl came out of the woods and from behind the canvas to a set that truly felt like home. Looking forward to celebrating with @voguemagazine and @metmuseum at the Met Gala — drawing inspiration from the forthcoming brilliant Metropolitan Museum of Art’s Costume Institute exhibition “Superfine: Tailoring Black Style” guest curated by Monica Miller 💫 Superfine & Dandy for Vogue’s May Met Gala issue: Vogue // @voguemagazine Writer: Jeremy O. Harris // @jeremyoharris Photographer: Tyler Mitchell // @tylersphotos Fashion Editor: Law Roach // @luxurylaw Hair: Sondrea “Dre” Demry-Sanders // @dre_on_hair Makeup: Keita Moore // @kilprity Grooming: Camille Ariane // @camillearianemakeup; Alex Keating // @alex.c.keating Barbers: Kyle Smith; Don Brown Creative Director: Raul Martinez // @raulmartinez1024 Visuals Director: Yukino // @yukinosaurus Editorial Producer: Kat Costigan // @kathryn_costigan Global Entertainment Director: Sergio Kletnoy // @sergiokletnoy Global Casting Talent Director: Ignacio Murillo/ @imurillo Tailors: Matthew Reisman // @matthewreisman; Da Shoné by DaSh // @dashonebydash; Travis Thi // @travisaddams; Daniella at R-Zee Tailoring; Carol Ai at Carol Ai Studio Tailors // @carol_ai_studio; Tae Yoshida // @tae.y1122 Manicurist: Dawn Sterling // @nailglam Set Design: Julia Wagner // @frau.juliawagner Produced by: Rosco Production // @roscoproduction
Getting ready and excited for tomorrow — #superfine #hostcommittee @metmuseum @voguemagazine ❤️🔥 👀 The feeling on the ground is palpable.
Getting ready and excited for tomorrow — #superfine #hostcommittee @metmuseum @voguemagazine ❤️🔥 👀 The feeling on the ground is palpable.
Getting ready and excited for tomorrow — #superfine #hostcommittee @metmuseum @voguemagazine ❤️🔥 👀 The feeling on the ground is palpable.
Getting ready and excited for tomorrow — #superfine #hostcommittee @metmuseum @voguemagazine ❤️🔥 👀 The feeling on the ground is palpable.
