drowned myself in a dunk tank for your entertainment 💧💦 thank you www.cottoncandyclowns.com 💀 watch SARAH SQUIRM: LIVE in the FLESH this Christmas 🩵 it’s good clean fun for the whole family 😜
drowned myself in a dunk tank for your entertainment 💧💦 thank you www.cottoncandyclowns.com 💀 watch SARAH SQUIRM: LIVE in the FLESH this Christmas 🩵 it’s good clean fun for the whole family 😜
drowned myself in a dunk tank for your entertainment 💧💦 thank you www.cottoncandyclowns.com 💀 watch SARAH SQUIRM: LIVE in the FLESH this Christmas 🩵 it’s good clean fun for the whole family 😜
drowned myself in a dunk tank for your entertainment 💧💦 thank you www.cottoncandyclowns.com 💀 watch SARAH SQUIRM: LIVE in the FLESH this Christmas 🩵 it’s good clean fun for the whole family 😜
drowned myself in a dunk tank for your entertainment 💧💦 thank you www.cottoncandyclowns.com 💀 watch SARAH SQUIRM: LIVE in the FLESH this Christmas 🩵 it’s good clean fun for the whole family 😜
drowned myself in a dunk tank for your entertainment 💧💦 thank you www.cottoncandyclowns.com 💀 watch SARAH SQUIRM: LIVE in the FLESH this Christmas 🩵 it’s good clean fun for the whole family 😜
drowned myself in a dunk tank for your entertainment 💧💦 thank you www.cottoncandyclowns.com 💀 watch SARAH SQUIRM: LIVE in the FLESH this Christmas 🩵 it’s good clean fun for the whole family 😜
drowned myself in a dunk tank for your entertainment 💧💦 thank you www.cottoncandyclowns.com 💀 watch SARAH SQUIRM: LIVE in the FLESH this Christmas 🩵 it’s good clean fun for the whole family 😜
It wouldn’t be hyperbolic to say that Sarah Sherman’s debut stand-up special is the grossest thing you’ll see all year. For the New York-born comedian, that’s the point. “People take in so much shit on their phones these days,” she told CULTURED. “It’s hard to actually shock them. Merriam-Webster‘s word of the year is ‘slop,’ as in A.I. slop, which I’m so triggered by. Slop—in the gooey, sloshy sense—is one of my favorite words. That pisses me off.” This disconnect between the virtual and the real is where the comedian focuses her efforts in her HBO special, ‘Sarah Squirm: Live In The Flesh.’ Keen to create a sense of “real fantasy”—that is, to trigger a spectrum of reactions through body humor (the poop joke count is unbelievably high) and grotesque visuals (glittery intestinal tracts, fluorescent vomit, an egregious hangnail) all rooted in the material world. A series of stop-motion animations that out her as an unabashed Pee-wee disciple (in the opener, John Waters stumbles upon her decaying body, a pile of glittering jelly insides, candy-red blood puddles, and two quivering eyeballs, telling her to “get it together” because she’s due on stage in five). To celebrate the freaky, genre-less joyride that is ‘Live In The Flesh,’ Squirm sat down with CULTURED to talk about the things she can’t go on stage without. Link in bio for her essentials—and a no-holds-barred convo about how she perfected her particular brand of comedy.
It wouldn’t be hyperbolic to say that Sarah Sherman’s debut stand-up special is the grossest thing you’ll see all year. For the New York-born comedian, that’s the point. “People take in so much shit on their phones these days,” she told CULTURED. “It’s hard to actually shock them. Merriam-Webster‘s word of the year is ‘slop,’ as in A.I. slop, which I’m so triggered by. Slop—in the gooey, sloshy sense—is one of my favorite words. That pisses me off.” This disconnect between the virtual and the real is where the comedian focuses her efforts in her HBO special, ‘Sarah Squirm: Live In The Flesh.’ Keen to create a sense of “real fantasy”—that is, to trigger a spectrum of reactions through body humor (the poop joke count is unbelievably high) and grotesque visuals (glittery intestinal tracts, fluorescent vomit, an egregious hangnail) all rooted in the material world. A series of stop-motion animations that out her as an unabashed Pee-wee disciple (in the opener, John Waters stumbles upon her decaying body, a pile of glittering jelly insides, candy-red blood puddles, and two quivering eyeballs, telling her to “get it together” because she’s due on stage in five). To celebrate the freaky, genre-less joyride that is ‘Live In The Flesh,’ Squirm sat down with CULTURED to talk about the things she can’t go on stage without. Link in bio for her essentials—and a no-holds-barred convo about how she perfected her particular brand of comedy.
It wouldn’t be hyperbolic to say that Sarah Sherman’s debut stand-up special is the grossest thing you’ll see all year. For the New York-born comedian, that’s the point. “People take in so much shit on their phones these days,” she told CULTURED. “It’s hard to actually shock them. Merriam-Webster‘s word of the year is ‘slop,’ as in A.I. slop, which I’m so triggered by. Slop—in the gooey, sloshy sense—is one of my favorite words. That pisses me off.” This disconnect between the virtual and the real is where the comedian focuses her efforts in her HBO special, ‘Sarah Squirm: Live In The Flesh.’ Keen to create a sense of “real fantasy”—that is, to trigger a spectrum of reactions through body humor (the poop joke count is unbelievably high) and grotesque visuals (glittery intestinal tracts, fluorescent vomit, an egregious hangnail) all rooted in the material world. A series of stop-motion animations that out her as an unabashed Pee-wee disciple (in the opener, John Waters stumbles upon her decaying body, a pile of glittering jelly insides, candy-red blood puddles, and two quivering eyeballs, telling her to “get it together” because she’s due on stage in five). To celebrate the freaky, genre-less joyride that is ‘Live In The Flesh,’ Squirm sat down with CULTURED to talk about the things she can’t go on stage without. Link in bio for her essentials—and a no-holds-barred convo about how she perfected her particular brand of comedy.
It wouldn’t be hyperbolic to say that Sarah Sherman’s debut stand-up special is the grossest thing you’ll see all year. For the New York-born comedian, that’s the point. “People take in so much shit on their phones these days,” she told CULTURED. “It’s hard to actually shock them. Merriam-Webster‘s word of the year is ‘slop,’ as in A.I. slop, which I’m so triggered by. Slop—in the gooey, sloshy sense—is one of my favorite words. That pisses me off.” This disconnect between the virtual and the real is where the comedian focuses her efforts in her HBO special, ‘Sarah Squirm: Live In The Flesh.’ Keen to create a sense of “real fantasy”—that is, to trigger a spectrum of reactions through body humor (the poop joke count is unbelievably high) and grotesque visuals (glittery intestinal tracts, fluorescent vomit, an egregious hangnail) all rooted in the material world. A series of stop-motion animations that out her as an unabashed Pee-wee disciple (in the opener, John Waters stumbles upon her decaying body, a pile of glittering jelly insides, candy-red blood puddles, and two quivering eyeballs, telling her to “get it together” because she’s due on stage in five). To celebrate the freaky, genre-less joyride that is ‘Live In The Flesh,’ Squirm sat down with CULTURED to talk about the things she can’t go on stage without. Link in bio for her essentials—and a no-holds-barred convo about how she perfected her particular brand of comedy.
It wouldn’t be hyperbolic to say that Sarah Sherman’s debut stand-up special is the grossest thing you’ll see all year. For the New York-born comedian, that’s the point. “People take in so much shit on their phones these days,” she told CULTURED. “It’s hard to actually shock them. Merriam-Webster‘s word of the year is ‘slop,’ as in A.I. slop, which I’m so triggered by. Slop—in the gooey, sloshy sense—is one of my favorite words. That pisses me off.” This disconnect between the virtual and the real is where the comedian focuses her efforts in her HBO special, ‘Sarah Squirm: Live In The Flesh.’ Keen to create a sense of “real fantasy”—that is, to trigger a spectrum of reactions through body humor (the poop joke count is unbelievably high) and grotesque visuals (glittery intestinal tracts, fluorescent vomit, an egregious hangnail) all rooted in the material world. A series of stop-motion animations that out her as an unabashed Pee-wee disciple (in the opener, John Waters stumbles upon her decaying body, a pile of glittering jelly insides, candy-red blood puddles, and two quivering eyeballs, telling her to “get it together” because she’s due on stage in five). To celebrate the freaky, genre-less joyride that is ‘Live In The Flesh,’ Squirm sat down with CULTURED to talk about the things she can’t go on stage without. Link in bio for her essentials—and a no-holds-barred convo about how she perfected her particular brand of comedy.
It wouldn’t be hyperbolic to say that Sarah Sherman’s debut stand-up special is the grossest thing you’ll see all year. For the New York-born comedian, that’s the point. “People take in so much shit on their phones these days,” she told CULTURED. “It’s hard to actually shock them. Merriam-Webster‘s word of the year is ‘slop,’ as in A.I. slop, which I’m so triggered by. Slop—in the gooey, sloshy sense—is one of my favorite words. That pisses me off.” This disconnect between the virtual and the real is where the comedian focuses her efforts in her HBO special, ‘Sarah Squirm: Live In The Flesh.’ Keen to create a sense of “real fantasy”—that is, to trigger a spectrum of reactions through body humor (the poop joke count is unbelievably high) and grotesque visuals (glittery intestinal tracts, fluorescent vomit, an egregious hangnail) all rooted in the material world. A series of stop-motion animations that out her as an unabashed Pee-wee disciple (in the opener, John Waters stumbles upon her decaying body, a pile of glittering jelly insides, candy-red blood puddles, and two quivering eyeballs, telling her to “get it together” because she’s due on stage in five). To celebrate the freaky, genre-less joyride that is ‘Live In The Flesh,’ Squirm sat down with CULTURED to talk about the things she can’t go on stage without. Link in bio for her essentials—and a no-holds-barred convo about how she perfected her particular brand of comedy.
It wouldn’t be hyperbolic to say that Sarah Sherman’s debut stand-up special is the grossest thing you’ll see all year. For the New York-born comedian, that’s the point. “People take in so much shit on their phones these days,” she told CULTURED. “It’s hard to actually shock them. Merriam-Webster‘s word of the year is ‘slop,’ as in A.I. slop, which I’m so triggered by. Slop—in the gooey, sloshy sense—is one of my favorite words. That pisses me off.” This disconnect between the virtual and the real is where the comedian focuses her efforts in her HBO special, ‘Sarah Squirm: Live In The Flesh.’ Keen to create a sense of “real fantasy”—that is, to trigger a spectrum of reactions through body humor (the poop joke count is unbelievably high) and grotesque visuals (glittery intestinal tracts, fluorescent vomit, an egregious hangnail) all rooted in the material world. A series of stop-motion animations that out her as an unabashed Pee-wee disciple (in the opener, John Waters stumbles upon her decaying body, a pile of glittering jelly insides, candy-red blood puddles, and two quivering eyeballs, telling her to “get it together” because she’s due on stage in five). To celebrate the freaky, genre-less joyride that is ‘Live In The Flesh,’ Squirm sat down with CULTURED to talk about the things she can’t go on stage without. Link in bio for her essentials—and a no-holds-barred convo about how she perfected her particular brand of comedy.
It wouldn’t be hyperbolic to say that Sarah Sherman’s debut stand-up special is the grossest thing you’ll see all year. For the New York-born comedian, that’s the point. “People take in so much shit on their phones these days,” she told CULTURED. “It’s hard to actually shock them. Merriam-Webster‘s word of the year is ‘slop,’ as in A.I. slop, which I’m so triggered by. Slop—in the gooey, sloshy sense—is one of my favorite words. That pisses me off.” This disconnect between the virtual and the real is where the comedian focuses her efforts in her HBO special, ‘Sarah Squirm: Live In The Flesh.’ Keen to create a sense of “real fantasy”—that is, to trigger a spectrum of reactions through body humor (the poop joke count is unbelievably high) and grotesque visuals (glittery intestinal tracts, fluorescent vomit, an egregious hangnail) all rooted in the material world. A series of stop-motion animations that out her as an unabashed Pee-wee disciple (in the opener, John Waters stumbles upon her decaying body, a pile of glittering jelly insides, candy-red blood puddles, and two quivering eyeballs, telling her to “get it together” because she’s due on stage in five). To celebrate the freaky, genre-less joyride that is ‘Live In The Flesh,’ Squirm sat down with CULTURED to talk about the things she can’t go on stage without. Link in bio for her essentials—and a no-holds-barred convo about how she perfected her particular brand of comedy.
More Sarah Squirm: Live In The Flesh x MilesBuckle.exe !
thanks @hbomax for the best closed captions ever [incoherent babbling] [demonic wail] [protracted squelching and moaning]
thanks @hbomax for the best closed captions ever [incoherent babbling] [demonic wail] [protracted squelching and moaning]
thanks @hbomax for the best closed captions ever [incoherent babbling] [demonic wail] [protracted squelching and moaning]
thanks @hbomax for the best closed captions ever [incoherent babbling] [demonic wail] [protracted squelching and moaning]
thanks @hbomax for the best closed captions ever [incoherent babbling] [demonic wail] [protracted squelching and moaning]
thanks @hbomax for the best closed captions ever [incoherent babbling] [demonic wail] [protracted squelching and moaning]
thanks @hbomax for the best closed captions ever [incoherent babbling] [demonic wail] [protracted squelching and moaning]
