🌱 @vivamaude is proud to be executive producers on this one. Shortlisted for the 98th Academy Awards for Best Documentary Feature, @seedsthedoc opens January 16 at @filmforumnyc.
“His & Hers” star and executive producer Tessa Thompson tells Sherri about her award-winning documentary “Seeds” opening in NYC at the @filmforumnyc Friday, Jan 16. And don’t miss Tessa’s FULL INTERVIEW on Sherri NEXT WEEK! #sherrishepherd #tessathompson #netflix #hisandhers #seedsthedoc
Nick’s got a story to tell you. The first official trailer for The Fear of 13, starring Adrien Brody and Tessa Thompson in their Broadway debuts, written by Lindsey Ferrentino and directed by David Cromer. Performances begin March 19th. Tickets on sale now at link in bio.
First look at HIS & HERS 🌗 Viva Maude’s TV debut 🪞 Years in the making and now almost here… 🎙️ JAN 8, 2026 on @netflix 💥 we seated Maudes?
Just Hedda is fine. Hedda debuts on @primevideo October 29.
Tessa Thompson’s always had range. But she’s about to take even bigger swings—onscreen, onstage, and in the boardroom. The Los Angeles-born actor and Entertainers issue cover star made her name in the mid-2010s in films like ‘Dear White People,’ ‘Creed,’ and ‘Selma’ before cementing herself as an MCU staple, becoming a blueprint for an actor who could go big without selling out or foregoing the quieter indie flick. Then, without any projects to promote, Thompson slipped out of the spotlight for two years, taking advantage of this lower-key period to build up @vivamaude, the production company she founded in 2020. This winter has seen her re-enter the chat with a suite of conversation-starting projects. Thompson made her rounds on the award circuit for ‘Hedda,’ Nia DaCosta’s reinvention of Henrik Ibsen’s 19th-century play about an aristocratic woman defying every norm imposed on her. (Her role as the titular Hedda Gabler won her a Critic’s Choice award and a Golden Globe nom.) ‘His & Hers,’ the mystery thriller limited series she leads with Jon Bernthal, hit 19.9 million views on Netflix within days of dropping in January. Next, she’ll be making her Broadway debut opposite Adrien Brody in ‘The Fear of 13.’ The production, which begins previews this March, tells the story of a man who spent more than two decades on death row before being exonerated with new DNA evidence. “I feel this sense of impending excitement,” @tessamaethompson tells her friend, the director @janicza. “It’s been a circuitous route to get there. And here I am.” Link in bio to read their cover conversation, and order your copy of the Entertainers issue today. 1/ Tessa wears earrings and necklaces by @cartier and a bralette by @versace with Smog, the bearded dragon. 4/ A skirt by Bottega Veneta with hoop earrings by @cartier. Editor-in-Chief: @sarahgharrelson Photography: @sheekswinsalways Creative Direction and Styling: @studioand Casting: @tommacklin Makeup: @babskymakeup Hair: @lacyredway Nails: @stephstonenails Creative Production: @katiebinfield Project Management: @chloe_kerins Set Design: @_ro.______
Tessa Thompson’s always had range. But she’s about to take even bigger swings—onscreen, onstage, and in the boardroom. The Los Angeles-born actor and Entertainers issue cover star made her name in the mid-2010s in films like ‘Dear White People,’ ‘Creed,’ and ‘Selma’ before cementing herself as an MCU staple, becoming a blueprint for an actor who could go big without selling out or foregoing the quieter indie flick. Then, without any projects to promote, Thompson slipped out of the spotlight for two years, taking advantage of this lower-key period to build up @vivamaude, the production company she founded in 2020. This winter has seen her re-enter the chat with a suite of conversation-starting projects. Thompson made her rounds on the award circuit for ‘Hedda,’ Nia DaCosta’s reinvention of Henrik Ibsen’s 19th-century play about an aristocratic woman defying every norm imposed on her. (Her role as the titular Hedda Gabler won her a Critic’s Choice award and a Golden Globe nom.) ‘His & Hers,’ the mystery thriller limited series she leads with Jon Bernthal, hit 19.9 million views on Netflix within days of dropping in January. Next, she’ll be making her Broadway debut opposite Adrien Brody in ‘The Fear of 13.’ The production, which begins previews this March, tells the story of a man who spent more than two decades on death row before being exonerated with new DNA evidence. “I feel this sense of impending excitement,” @tessamaethompson tells her friend, the director @janicza. “It’s been a circuitous route to get there. And here I am.” Link in bio to read their cover conversation, and order your copy of the Entertainers issue today. 1/ Tessa wears earrings and necklaces by @cartier and a bralette by @versace with Smog, the bearded dragon. 4/ A skirt by Bottega Veneta with hoop earrings by @cartier. Editor-in-Chief: @sarahgharrelson Photography: @sheekswinsalways Creative Direction and Styling: @studioand Casting: @tommacklin Makeup: @babskymakeup Hair: @lacyredway Nails: @stephstonenails Creative Production: @katiebinfield Project Management: @chloe_kerins Set Design: @_ro.______
Tessa Thompson’s always had range. But she’s about to take even bigger swings—onscreen, onstage, and in the boardroom. The Los Angeles-born actor and Entertainers issue cover star made her name in the mid-2010s in films like ‘Dear White People,’ ‘Creed,’ and ‘Selma’ before cementing herself as an MCU staple, becoming a blueprint for an actor who could go big without selling out or foregoing the quieter indie flick. Then, without any projects to promote, Thompson slipped out of the spotlight for two years, taking advantage of this lower-key period to build up @vivamaude, the production company she founded in 2020. This winter has seen her re-enter the chat with a suite of conversation-starting projects. Thompson made her rounds on the award circuit for ‘Hedda,’ Nia DaCosta’s reinvention of Henrik Ibsen’s 19th-century play about an aristocratic woman defying every norm imposed on her. (Her role as the titular Hedda Gabler won her a Critic’s Choice award and a Golden Globe nom.) ‘His & Hers,’ the mystery thriller limited series she leads with Jon Bernthal, hit 19.9 million views on Netflix within days of dropping in January. Next, she’ll be making her Broadway debut opposite Adrien Brody in ‘The Fear of 13.’ The production, which begins previews this March, tells the story of a man who spent more than two decades on death row before being exonerated with new DNA evidence. “I feel this sense of impending excitement,” @tessamaethompson tells her friend, the director @janicza. “It’s been a circuitous route to get there. And here I am.” Link in bio to read their cover conversation, and order your copy of the Entertainers issue today. 1/ Tessa wears earrings and necklaces by @cartier and a bralette by @versace with Smog, the bearded dragon. 4/ A skirt by Bottega Veneta with hoop earrings by @cartier. Editor-in-Chief: @sarahgharrelson Photography: @sheekswinsalways Creative Direction and Styling: @studioand Casting: @tommacklin Makeup: @babskymakeup Hair: @lacyredway Nails: @stephstonenails Creative Production: @katiebinfield Project Management: @chloe_kerins Set Design: @_ro.______
Tessa Thompson’s always had range. But she’s about to take even bigger swings—onscreen, onstage, and in the boardroom. The Los Angeles-born actor and Entertainers issue cover star made her name in the mid-2010s in films like ‘Dear White People,’ ‘Creed,’ and ‘Selma’ before cementing herself as an MCU staple, becoming a blueprint for an actor who could go big without selling out or foregoing the quieter indie flick. Then, without any projects to promote, Thompson slipped out of the spotlight for two years, taking advantage of this lower-key period to build up @vivamaude, the production company she founded in 2020. This winter has seen her re-enter the chat with a suite of conversation-starting projects. Thompson made her rounds on the award circuit for ‘Hedda,’ Nia DaCosta’s reinvention of Henrik Ibsen’s 19th-century play about an aristocratic woman defying every norm imposed on her. (Her role as the titular Hedda Gabler won her a Critic’s Choice award and a Golden Globe nom.) ‘His & Hers,’ the mystery thriller limited series she leads with Jon Bernthal, hit 19.9 million views on Netflix within days of dropping in January. Next, she’ll be making her Broadway debut opposite Adrien Brody in ‘The Fear of 13.’ The production, which begins previews this March, tells the story of a man who spent more than two decades on death row before being exonerated with new DNA evidence. “I feel this sense of impending excitement,” @tessamaethompson tells her friend, the director @janicza. “It’s been a circuitous route to get there. And here I am.” Link in bio to read their cover conversation, and order your copy of the Entertainers issue today. 1/ Tessa wears earrings and necklaces by @cartier and a bralette by @versace with Smog, the bearded dragon. 4/ A skirt by Bottega Veneta with hoop earrings by @cartier. Editor-in-Chief: @sarahgharrelson Photography: @sheekswinsalways Creative Direction and Styling: @studioand Casting: @tommacklin Makeup: @babskymakeup Hair: @lacyredway Nails: @stephstonenails Creative Production: @katiebinfield Project Management: @chloe_kerins Set Design: @_ro.______
Tessa Thompson’s always had range. But she’s about to take even bigger swings—onscreen, onstage, and in the boardroom. The Los Angeles-born actor and Entertainers issue cover star made her name in the mid-2010s in films like ‘Dear White People,’ ‘Creed,’ and ‘Selma’ before cementing herself as an MCU staple, becoming a blueprint for an actor who could go big without selling out or foregoing the quieter indie flick. Then, without any projects to promote, Thompson slipped out of the spotlight for two years, taking advantage of this lower-key period to build up @vivamaude, the production company she founded in 2020. This winter has seen her re-enter the chat with a suite of conversation-starting projects. Thompson made her rounds on the award circuit for ‘Hedda,’ Nia DaCosta’s reinvention of Henrik Ibsen’s 19th-century play about an aristocratic woman defying every norm imposed on her. (Her role as the titular Hedda Gabler won her a Critic’s Choice award and a Golden Globe nom.) ‘His & Hers,’ the mystery thriller limited series she leads with Jon Bernthal, hit 19.9 million views on Netflix within days of dropping in January. Next, she’ll be making her Broadway debut opposite Adrien Brody in ‘The Fear of 13.’ The production, which begins previews this March, tells the story of a man who spent more than two decades on death row before being exonerated with new DNA evidence. “I feel this sense of impending excitement,” @tessamaethompson tells her friend, the director @janicza. “It’s been a circuitous route to get there. And here I am.” Link in bio to read their cover conversation, and order your copy of the Entertainers issue today. 1/ Tessa wears earrings and necklaces by @cartier and a bralette by @versace with Smog, the bearded dragon. 4/ A skirt by Bottega Veneta with hoop earrings by @cartier. Editor-in-Chief: @sarahgharrelson Photography: @sheekswinsalways Creative Direction and Styling: @studioand Casting: @tommacklin Makeup: @babskymakeup Hair: @lacyredway Nails: @stephstonenails Creative Production: @katiebinfield Project Management: @chloe_kerins Set Design: @_ro.______
“Attention must be paid.” – @rollingstone 🌱📣 🌱SEEDS 🌱📣🌱 Shortlisted for the 98th Academy Awards for Best Documentary Feature
“Attention must be paid.” – @rollingstone 🌱📣 🌱SEEDS 🌱📣🌱 Shortlisted for the 98th Academy Awards for Best Documentary Feature
“Attention must be paid.” – @rollingstone 🌱📣 🌱SEEDS 🌱📣🌱 Shortlisted for the 98th Academy Awards for Best Documentary Feature
“Attention must be paid.” – @rollingstone 🌱📣 🌱SEEDS 🌱📣🌱 Shortlisted for the 98th Academy Awards for Best Documentary Feature
“Attention must be paid.” – @rollingstone 🌱📣 🌱SEEDS 🌱📣🌱 Shortlisted for the 98th Academy Awards for Best Documentary Feature
When you look at your phone and see that 50 MILLION PEOPLE have watched His & Hers on @netflix !!! Aloha, friends. Thank you for watching, we are speechless. At @vivamaude, our flabbers are gasted.
Still not over it. Thank uuu @academymuseum for having me & @pppiccioli for blessing me with your @balenciaga debut magic. 🐥🐥🐥Also, No Kings, except Bruce.
Still not over it. Thank uuu @academymuseum for having me & @pppiccioli for blessing me with your @balenciaga debut magic. 🐥🐥🐥Also, No Kings, except Bruce.
Still not over it. Thank uuu @academymuseum for having me & @pppiccioli for blessing me with your @balenciaga debut magic. 🐥🐥🐥Also, No Kings, except Bruce.
Still not over it. Thank uuu @academymuseum for having me & @pppiccioli for blessing me with your @balenciaga debut magic. 🐥🐥🐥Also, No Kings, except Bruce.
Still not over it. Thank uuu @academymuseum for having me & @pppiccioli for blessing me with your @balenciaga debut magic. 🐥🐥🐥Also, No Kings, except Bruce.
Still not over it. Thank uuu @academymuseum for having me & @pppiccioli for blessing me with your @balenciaga debut magic. 🐥🐥🐥Also, No Kings, except Bruce.
Still not over it. Thank uuu @academymuseum for having me & @pppiccioli for blessing me with your @balenciaga debut magic. 🐥🐥🐥Also, No Kings, except Bruce.
Still not over it. Thank uuu @academymuseum for having me & @pppiccioli for blessing me with your @balenciaga debut magic. 🐥🐥🐥Also, No Kings, except Bruce.