Lisa Ray Instagram – What drives you? How do we re-evaluate our cultural landscapes (and llamas – thanks autocorrect) Why are racially mixed individuals considered ‘bridges’ and what role can we play in healing a rapidly shifting, politicized environment?
This and much more was discussed with my didi @devyanisaltzman during long, lazy Goan afternoons. I needed this intellectual intervention at a time that feels drained of hope in India. (But of course hope never dies 🤟🏼)
Grateful didi for our half – Eastern European- half Indian fellowship and your beauty and graceful heart.
2020 will be about expansion, writing and more writing, love, bringing an authentic self to the role I inhabit in the world. Oh yes, and re-evaluating our heros.
Thank you didi for highlighting this notion of our personal responsibility to the ‘institution’, whatever form it might take: whether a cultural centre like the AGO (Art Gallery of Ontario) or the nationhood of India. We are complicit. We all play a role.
Sharing this piece:
‘[in the] words of performance artist Andrea Fraser in her essay “From the Critique of Institutions to an Institution of Critique”: “Every time we speak of the “institution” as other than “us,” we disavow our role in the creation and perpetuation of its conditions. We avoid responsibility for, or action against, the everyday complicities, compromises, and censorship-above all, self-censorship-which are driven by our own interests in the field and the benefits we derive from it. It’s not a question of being against the institution: We are the institution. It’s a question of what kind of institution we are, what kind of values we institutionalize, what forms of practice we reward, and what kinds of rewards we aspire to. Because the institution of art is internalized, embodied, and performed by individuals, these are the questions that institutional critique demands we ask, above all, of ourselves.” FULL ESSAY HERE: http://www.marginalutility.org/wp-content/uploads/2010/07/Andrea-Fraser_From-the-Critique-of-Institutions-to-an-Institution-of-Critique.pdf’ | Posted on 31/Dec/2019 09:25:56
Home Actress Lisa Ray Instagram Photos and Posts – December 2019 Lisa Ray Instagram - What drives you? How do we re-evaluate our cultural landscapes (and llamas - thanks autocorrect) Why are racially mixed individuals considered ‘bridges’ and what role can we play in healing a rapidly shifting, politicized environment?
This and much more was discussed with my didi @devyanisaltzman during long, lazy Goan afternoons. I needed this intellectual intervention at a time that feels drained of hope in India. (But of course hope never dies 🤟🏼)
Grateful didi for our half - Eastern European- half Indian fellowship and your beauty and graceful heart.
2020 will be about expansion, writing and more writing, love, bringing an authentic self to the role I inhabit in the world. Oh yes, and re-evaluating our heros.
Thank you didi for highlighting this notion of our personal responsibility to the ‘institution’, whatever form it might take: whether a cultural centre like the AGO (Art Gallery of Ontario) or the nationhood of India. We are complicit. We all play a role.
Sharing this piece:
‘[in the] words of performance artist Andrea Fraser in her essay "From the Critique of Institutions to an Institution of Critique": “Every time we speak of the "institution" as other than "us," we disavow our role in the creation and perpetuation of its conditions. We avoid responsibility for, or action against, the everyday complicities, compromises, and censorship-above all, self-censorship-which are driven by our own interests in the field and the benefits we derive from it. It's not a question of being against the institution: We are the institution. It's a question of what kind of institution we are, what kind of values we institutionalize, what forms of practice we reward, and what kinds of rewards we aspire to. Because the institution of art is internalized, embodied, and performed by individuals, these are the questions that institutional critique demands we ask, above all, of ourselves.” FULL ESSAY HERE: http://www.marginalutility.org/wp-content/uploads/2010/07/Andrea-Fraser_From-the-Critique-of-Institutions-to-an-Institution-of-Critique.pdf’
Lisa Ray Instagram – What drives you? How do we re-evaluate our cultural landscapes (and llamas – thanks autocorrect) Why are racially mixed individuals considered ‘bridges’ and what role can we play in healing a rapidly shifting, politicized environment? This and much more was discussed with my didi @devyanisaltzman during long, lazy Goan afternoons. I needed this intellectual intervention at a time that feels drained of hope in India. (But of course hope never dies 🤟🏼) Grateful didi for our half – Eastern European- half Indian fellowship and your beauty and graceful heart. 2020 will be about expansion, writing and more writing, love, bringing an authentic self to the role I inhabit in the world. Oh yes, and re-evaluating our heros. Thank you didi for highlighting this notion of our personal responsibility to the ‘institution’, whatever form it might take: whether a cultural centre like the AGO (Art Gallery of Ontario) or the nationhood of India. We are complicit. We all play a role. Sharing this piece: ‘[in the] words of performance artist Andrea Fraser in her essay “From the Critique of Institutions to an Institution of Critique”: “Every time we speak of the “institution” as other than “us,” we disavow our role in the creation and perpetuation of its conditions. We avoid responsibility for, or action against, the everyday complicities, compromises, and censorship-above all, self-censorship-which are driven by our own interests in the field and the benefits we derive from it. It’s not a question of being against the institution: We are the institution. It’s a question of what kind of institution we are, what kind of values we institutionalize, what forms of practice we reward, and what kinds of rewards we aspire to. Because the institution of art is internalized, embodied, and performed by individuals, these are the questions that institutional critique demands we ask, above all, of ourselves.” FULL ESSAY HERE: http://www.marginalutility.org/wp-content/uploads/2010/07/Andrea-Fraser_From-the-Critique-of-Institutions-to-an-Institution-of-Critique.pdf’
![Lisa Ray Instagram - What drives you? How do we re-evaluate our cultural landscapes (and llamas - thanks autocorrect) Why are racially mixed individuals considered ‘bridges’ and what role can we play in healing a rapidly shifting, politicized environment? This and much more was discussed with my didi @devyanisaltzman during long, lazy Goan afternoons. I needed this intellectual intervention at a time that feels drained of hope in India. (But of course hope never dies 🤟🏼) Grateful didi for our half - Eastern European- half Indian fellowship and your beauty and graceful heart. 2020 will be about expansion, writing and more writing, love, bringing an authentic self to the role I inhabit in the world. Oh yes, and re-evaluating our heros. Thank you didi for highlighting this notion of our personal responsibility to the ‘institution’, whatever form it might take: whether a cultural centre like the AGO (Art Gallery of Ontario) or the nationhood of India. We are complicit. We all play a role. Sharing this piece: ‘[in the] words of performance artist Andrea Fraser in her essay "From the Critique of Institutions to an Institution of Critique": “Every time we speak of the "institution" as other than "us," we disavow our role in the creation and perpetuation of its conditions. We avoid responsibility for, or action against, the everyday complicities, compromises, and censorship-above all, self-censorship-which are driven by our own interests in the field and the benefits we derive from it. It's not a question of being against the institution: We are the institution. It's a question of what kind of institution we are, what kind of values we institutionalize, what forms of practice we reward, and what kinds of rewards we aspire to. Because the institution of art is internalized, embodied, and performed by individuals, these are the questions that institutional critique demands we ask, above all, of ourselves.” FULL ESSAY HERE: http://www.marginalutility.org/wp-content/uploads/2010/07/Andrea-Fraser_From-the-Critique-of-Institutions-to-an-Institution-of-Critique.pdf’](https://www.gethucinema.com/wp-content/uploads/2021/12/LisaRay-1395.jpg)
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