Home Actor Kamal Haasan HD Photos and Wallpapers June 2021 Kamal Haasan Instagram - Reposted from @rkfioffl Part - 7 Unforgettable moments: Most unforgettable was the first sequence where in I had come up with a lot of the designs as the others didn't know how to visualise or present it but I already had lessons out of experience from Maruthanayagam and taking notes from on not over building anything unrealistically but keep it believable. For example the two guards standing on either sides of the elephant was designed by me. It was novel for us , but done in history where in the body Guards would protect the king while on an elephant. It is basically two footboards on either sides and the elephant actually felt very comfortable with the footboards pressing into it. We wanted to make a masterpiece and we didn't look at money or fame , just our contribution to the art of cinema. We had various Stunt directors supporting us which can be seen in various styles portrayed through the film as Fletcher's stunts had to be different from the Samurai and tat from the first and all this within a shoe string budget.

Kamal Haasan Instagram – Reposted from @rkfioffl Part – 7 Unforgettable moments: Most unforgettable was the first sequence where in I had come up with a lot of the designs as the others didn’t know how to visualise or present it but I already had lessons out of experience from Maruthanayagam and taking notes from on not over building anything unrealistically but keep it believable. For example the two guards standing on either sides of the elephant was designed by me. It was novel for us , but done in history where in the body Guards would protect the king while on an elephant. It is basically two footboards on either sides and the elephant actually felt very comfortable with the footboards pressing into it. We wanted to make a masterpiece and we didn’t look at money or fame , just our contribution to the art of cinema. We had various Stunt directors supporting us which can be seen in various styles portrayed through the film as Fletcher’s stunts had to be different from the Samurai and tat from the first and all this within a shoe string budget.

Kamal Haasan Instagram - Reposted from @rkfioffl Part - 7 Unforgettable moments: Most unforgettable was the first sequence where in I had come up with a lot of the designs as the others didn't know how to visualise or present it but I already had lessons out of experience from Maruthanayagam and taking notes from on not over building anything unrealistically but keep it believable. For example the two guards standing on either sides of the elephant was designed by me. It was novel for us , but done in history where in the body Guards would protect the king while on an elephant. It is basically two footboards on either sides and the elephant actually felt very comfortable with the footboards pressing into it. We wanted to make a masterpiece and we didn't look at money or fame , just our contribution to the art of cinema. We had various Stunt directors supporting us which can be seen in various styles portrayed through the film as Fletcher's stunts had to be different from the Samurai and tat from the first and all this within a shoe string budget.

Kamal Haasan Instagram – Reposted from @rkfioffl Part – 7
Unforgettable moments:
Most unforgettable was the first sequence where in I had come up with a lot of the designs as the others didn’t know how to visualise or present it but I already had lessons out of experience from Maruthanayagam and taking notes from on not over building anything unrealistically but keep it believable. For example the two guards standing on either sides of the elephant was designed by me. It was novel for us , but done in history where in the body Guards would protect the king while on an elephant. It is basically two footboards on either sides and the elephant actually felt very comfortable with the footboards pressing into it. We wanted to make a masterpiece and we didn’t look at money or fame , just our contribution to the art of cinema. We had various Stunt directors supporting us which can be seen in various styles portrayed through the film as Fletcher’s stunts had to be different from the Samurai and tat from the first and all this within a shoe string budget. | Posted on 13/Jun/2021 22:18:00

Kamal Haasan Instagram – Reposted from @rkfioffl Part – 8
The Music: 
Lots of music directors found the script uninteresting and I was confused by their reactions. Worried by this , the producer said he will suggest names and suggest Mr Himesh Reshammiya and added on Ms Mallika Sherawat too as his suggestion.Mr Himesh did a wonderful job with the music when it was a time the press wasn’t very supportive of him . He delivered surprises like Mukunda Mukunda and Kallai matum kandal which were big hits and wasn’t like anything he did before. He allowed me to render the palandu palandu bit and added it as a overlap to his music. I was very embarrassed as I was conducting a group of singers here to record it and send it to him. We never worked together again , but he proved a point with his good work then. The BGM was by Mr DSP who was a bundle of energy and fun to work with. Exemplary points were when Naidu realizes Srinivasulu is Telugu where it isn’t subtlety but on the top humor . We had so much fun working together that we decided to carry on the collaboration with  him, the director and myself on to Manmadhan Ambu. 
We did not have good budgets for any of the artists/ technicians who came from overseas as with the conversion rates it was much lower to what they would get otherwise , but no one complained.  Everyone worked with enthusiasm and enjoyed the process of being a part of a novel project.
But going  back on the memories now,  Dasavatharam was a master class for me on every technical aspect . There were many masters to teach and learn from and cinema was the ultimate master and very forgiving when we failed in some parts, definitely more forgiving than the audience who made it a hit . I can say I learnt democracy during the making of this film. The project would not have been possible with just me , or just Mr Ravikumar or Mr Ravichandran or just Mr Westmore. It is all of us together that made it happen.
Kamal Haasan Instagram – Reposted from @rkfioffl Part – 6
The looks and the make up :
Mr Westmore is a master of his craft and believes in least intervention with  reality while creating a look and I consider him my Guru. He delves into the script completely and works on the looks . So much so he asked me why I had decided to name the samurai Shingen Narahachi and i had to explain to him how I am weaving in mythology and this character was an analogy to the Narasimma avatar and hence ‘Shingen’ like ‘Narasinghar’It was amazing how he made my round eyes into beautiful Asian flat eyes to give me the perfect look for the character. Naidu was so simple yet went up a notch because of the accent. Mr Westmore’s contribution to the film is equivalent to mine . Mr Westmore was the 11th Avatar of the film , without him the other 10 would not have been possible. The easiest to carry off was Naidu and the most debilitating was Krishna paati. For the latter he gave me a cataract eye and I couldn’t see . I was like a tortured animal and wanted the scenes with the paati character to finish soon . It used to excruciatingly painful everytime there would be a delay due to technical issues.

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