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Home Actor Kamal Haasan HD Photos and Wallpapers June 2021 Kamal Haasan Instagram - Reposted from @rkfioffl Part - 6 The looks and the make up : Mr Westmore is a master of his craft and believes in least intervention with reality while creating a look and I consider him my Guru. He delves into the script completely and works on the looks . So much so he asked me why I had decided to name the samurai Shingen Narahachi and i had to explain to him how I am weaving in mythology and this character was an analogy to the Narasimma avatar and hence 'Shingen' like 'Narasinghar’It was amazing how he made my round eyes into beautiful Asian flat eyes to give me the perfect look for the character. Naidu was so simple yet went up a notch because of the accent. Mr Westmore's contribution to the film is equivalent to mine . Mr Westmore was the 11th Avatar of the film , without him the other 10 would not have been possible. The easiest to carry off was Naidu and the most debilitating was Krishna paati. For the latter he gave me a cataract eye and I couldn't see . I was like a tortured animal and wanted the scenes with the paati character to finish soon . It used to excruciatingly painful everytime there would be a delay due to technical issues.

Kamal Haasan Instagram – Reposted from @rkfioffl Part – 6 The looks and the make up : Mr Westmore is a master of his craft and believes in least intervention with reality while creating a look and I consider him my Guru. He delves into the script completely and works on the looks . So much so he asked me why I had decided to name the samurai Shingen Narahachi and i had to explain to him how I am weaving in mythology and this character was an analogy to the Narasimma avatar and hence ‘Shingen’ like ‘Narasinghar’It was amazing how he made my round eyes into beautiful Asian flat eyes to give me the perfect look for the character. Naidu was so simple yet went up a notch because of the accent. Mr Westmore’s contribution to the film is equivalent to mine . Mr Westmore was the 11th Avatar of the film , without him the other 10 would not have been possible. The easiest to carry off was Naidu and the most debilitating was Krishna paati. For the latter he gave me a cataract eye and I couldn’t see . I was like a tortured animal and wanted the scenes with the paati character to finish soon . It used to excruciatingly painful everytime there would be a delay due to technical issues.

Kamal Haasan Instagram - Reposted from @rkfioffl Part - 6 The looks and the make up : Mr Westmore is a master of his craft and believes in least intervention with reality while creating a look and I consider him my Guru. He delves into the script completely and works on the looks . So much so he asked me why I had decided to name the samurai Shingen Narahachi and i had to explain to him how I am weaving in mythology and this character was an analogy to the Narasimma avatar and hence 'Shingen' like 'Narasinghar’It was amazing how he made my round eyes into beautiful Asian flat eyes to give me the perfect look for the character. Naidu was so simple yet went up a notch because of the accent. Mr Westmore's contribution to the film is equivalent to mine . Mr Westmore was the 11th Avatar of the film , without him the other 10 would not have been possible. The easiest to carry off was Naidu and the most debilitating was Krishna paati. For the latter he gave me a cataract eye and I couldn't see . I was like a tortured animal and wanted the scenes with the paati character to finish soon . It used to excruciatingly painful everytime there would be a delay due to technical issues.

Kamal Haasan Instagram – Reposted from @rkfioffl Part – 6
The looks and the make up :
Mr Westmore is a master of his craft and believes in least intervention with reality while creating a look and I consider him my Guru. He delves into the script completely and works on the looks . So much so he asked me why I had decided to name the samurai Shingen Narahachi and i had to explain to him how I am weaving in mythology and this character was an analogy to the Narasimma avatar and hence ‘Shingen’ like ‘Narasinghar’It was amazing how he made my round eyes into beautiful Asian flat eyes to give me the perfect look for the character. Naidu was so simple yet went up a notch because of the accent. Mr Westmore’s contribution to the film is equivalent to mine . Mr Westmore was the 11th Avatar of the film , without him the other 10 would not have been possible. The easiest to carry off was Naidu and the most debilitating was Krishna paati. For the latter he gave me a cataract eye and I couldn’t see . I was like a tortured animal and wanted the scenes with the paati character to finish soon . It used to excruciatingly painful everytime there would be a delay due to technical issues. | Posted on 13/Jun/2021 22:17:14

Kamal Haasan Instagram – Reposted from @rkfioffl Part – 7 Unforgettable moments: Most unforgettable was the first sequence where in I had come up with a lot of the designs as the others didn’t know how to visualise or present it but I already had lessons out of experience from Maruthanayagam and taking notes from on not over building anything unrealistically but keep it believable. For example the two guards standing on either sides of the elephant was designed by me. It was novel for us , but done in history where in the body Guards would protect the king while on an elephant. It is basically two footboards on either sides and the elephant actually felt very comfortable with the footboards pressing into it. We wanted to make a masterpiece and we didn’t look at money or fame , just our contribution to the art of cinema. We had various Stunt directors supporting us which can be seen in various styles portrayed through the film as Fletcher’s stunts had to be different from the Samurai and tat from the first and all this within a shoe string budget.
Kamal Haasan Instagram – Reposted from @rkfioffl Part – 5 Technicians : Everyone was pushed to their limits during to achieve the project ; Ms Gauthami’s contribution , art director Mr Sameer Chanda did the first 10 minutes of the film and left , Mr Thota Tharani picked up from there followed by Mr Prabhakar who did the airport sequences they all did a fabulous job . I remember that Mr Jeeva was supposed to be the cinematographer but couldn’t take up the project. We had so many other good technicians who weren’t able to come on board.The entire concept of the film was new and challenging , like just the first 10 minutes sequence in re creating a period cost 2.5 crores which was new to everyone. I am not being myopic to budgets, it is just that I am grateful to each and every technician who stood by me and made me achieve my vision. Be it art directors, stunt directors as some of the Stunt sequences were like never before, the CG team who we used to quarrel with over budgets as they wanted 2 million and we used to ask them to show us a khadi Gramodyog way of achieving the output and that’s why due the lack of budgets some portions of CG might not look the way it is supposed to have looked.All of my technicians helped me complete the project through all the insults, quarrels, stressful environment etc and I am grateful to them and on the other hand, I would never forget or forgive those technicians who gave up and ran away like rats ditching the project. If you believe in something , it can always be achieved and example from way before is Aboorva Sagotharargal. It was not done by just a number crunching producer, but a visionary too. So also Pushpak , which had two visionaries and a businessman as producers helming it and hence it was done in a small tight budget and yielded great results.

Check out the latest gallery of Kamal Haasan aka Ulaga Nayagan



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