Carnival 2023; in the small village Lazarim, Portugal. A joyous experience to be swept up in the festivities. I LOVE the nature based costumes. Apparently the traditions go back to at least the 13th century. All these images were shot on my Hasselblad. Since moving to Portugal, I’ve been working with @carmencitalisboa to develop & scan and @carmencitafilmlab to print my film. Super happy with their work! … Respect to all the labs keeping film alive ♥️& the humans keeping carnival traditions flowing 💚
Carnival 2023; in the small village Lazarim, Portugal. A joyous experience to be swept up in the festivities. I LOVE the nature based costumes. Apparently the traditions go back to at least the 13th century. All these images were shot on my Hasselblad. Since moving to Portugal, I’ve been working with @carmencitalisboa to develop & scan and @carmencitafilmlab to print my film. Super happy with their work! … Respect to all the labs keeping film alive ♥️& the humans keeping carnival traditions flowing 💚
Carnival 2023; in the small village Lazarim, Portugal. A joyous experience to be swept up in the festivities. I LOVE the nature based costumes. Apparently the traditions go back to at least the 13th century. All these images were shot on my Hasselblad. Since moving to Portugal, I’ve been working with @carmencitalisboa to develop & scan and @carmencitafilmlab to print my film. Super happy with their work! … Respect to all the labs keeping film alive ♥️& the humans keeping carnival traditions flowing 💚
Carnival 2023; in the small village Lazarim, Portugal. A joyous experience to be swept up in the festivities. I LOVE the nature based costumes. Apparently the traditions go back to at least the 13th century. All these images were shot on my Hasselblad. Since moving to Portugal, I’ve been working with @carmencitalisboa to develop & scan and @carmencitafilmlab to print my film. Super happy with their work! … Respect to all the labs keeping film alive ♥️& the humans keeping carnival traditions flowing 💚
Carnival 2023; in the small village Lazarim, Portugal. A joyous experience to be swept up in the festivities. I LOVE the nature based costumes. Apparently the traditions go back to at least the 13th century. All these images were shot on my Hasselblad. Since moving to Portugal, I’ve been working with @carmencitalisboa to develop & scan and @carmencitafilmlab to print my film. Super happy with their work! … Respect to all the labs keeping film alive ♥️& the humans keeping carnival traditions flowing 💚
Carnival 2023; in the small village Lazarim, Portugal. A joyous experience to be swept up in the festivities. I LOVE the nature based costumes. Apparently the traditions go back to at least the 13th century. All these images were shot on my Hasselblad. Since moving to Portugal, I’ve been working with @carmencitalisboa to develop & scan and @carmencitafilmlab to print my film. Super happy with their work! … Respect to all the labs keeping film alive ♥️& the humans keeping carnival traditions flowing 💚
Carnival 2023; in the small village Lazarim, Portugal. A joyous experience to be swept up in the festivities. I LOVE the nature based costumes. Apparently the traditions go back to at least the 13th century. All these images were shot on my Hasselblad. Since moving to Portugal, I’ve been working with @carmencitalisboa to develop & scan and @carmencitafilmlab to print my film. Super happy with their work! … Respect to all the labs keeping film alive ♥️& the humans keeping carnival traditions flowing 💚
Carnival 2023; in the small village Lazarim, Portugal. A joyous experience to be swept up in the festivities. I LOVE the nature based costumes. Apparently the traditions go back to at least the 13th century. All these images were shot on my Hasselblad. Since moving to Portugal, I’ve been working with @carmencitalisboa to develop & scan and @carmencitafilmlab to print my film. Super happy with their work! … Respect to all the labs keeping film alive ♥️& the humans keeping carnival traditions flowing 💚
Carnival 2023; in the small village Lazarim, Portugal. A joyous experience to be swept up in the festivities. I LOVE the nature based costumes. Apparently the traditions go back to at least the 13th century. All these images were shot on my Hasselblad. Since moving to Portugal, I’ve been working with @carmencitalisboa to develop & scan and @carmencitafilmlab to print my film. Super happy with their work! … Respect to all the labs keeping film alive ♥️& the humans keeping carnival traditions flowing 💚
Carnival 2023; in the small village Lazarim, Portugal. A joyous experience to be swept up in the festivities. I LOVE the nature based costumes. Apparently the traditions go back to at least the 13th century. All these images were shot on my Hasselblad. Since moving to Portugal, I’ve been working with @carmencitalisboa to develop & scan and @carmencitafilmlab to print my film. Super happy with their work! … Respect to all the labs keeping film alive ♥️& the humans keeping carnival traditions flowing 💚
Last year my Hasselblad, girlfriends, and I took a trip into the land of labyrinths and colour; Morocco. I wrote a little about some highlights, including our stay at @elfennmarrakech for @ahotellife ; link in my stories. We read “Salmon: A Red Herring” by the artist duo Cooking Sections (Daniel Fernández Pascual and Alon Schwabe) while there: an interesting critique and history of color ; and Anaïs Nin who wrote of Fez’ medina: “it is designed so you might get lost. They love the feeling they might get lost, interpreted as a desire to reproduce the infinite.” ♾
Last year my Hasselblad, girlfriends, and I took a trip into the land of labyrinths and colour; Morocco. I wrote a little about some highlights, including our stay at @elfennmarrakech for @ahotellife ; link in my stories. We read “Salmon: A Red Herring” by the artist duo Cooking Sections (Daniel Fernández Pascual and Alon Schwabe) while there: an interesting critique and history of color ; and Anaïs Nin who wrote of Fez’ medina: “it is designed so you might get lost. They love the feeling they might get lost, interpreted as a desire to reproduce the infinite.” ♾
Last year my Hasselblad, girlfriends, and I took a trip into the land of labyrinths and colour; Morocco. I wrote a little about some highlights, including our stay at @elfennmarrakech for @ahotellife ; link in my stories. We read “Salmon: A Red Herring” by the artist duo Cooking Sections (Daniel Fernández Pascual and Alon Schwabe) while there: an interesting critique and history of color ; and Anaïs Nin who wrote of Fez’ medina: “it is designed so you might get lost. They love the feeling they might get lost, interpreted as a desire to reproduce the infinite.” ♾
Last year my Hasselblad, girlfriends, and I took a trip into the land of labyrinths and colour; Morocco. I wrote a little about some highlights, including our stay at @elfennmarrakech for @ahotellife ; link in my stories. We read “Salmon: A Red Herring” by the artist duo Cooking Sections (Daniel Fernández Pascual and Alon Schwabe) while there: an interesting critique and history of color ; and Anaïs Nin who wrote of Fez’ medina: “it is designed so you might get lost. They love the feeling they might get lost, interpreted as a desire to reproduce the infinite.” ♾
Last year my Hasselblad, girlfriends, and I took a trip into the land of labyrinths and colour; Morocco. I wrote a little about some highlights, including our stay at @elfennmarrakech for @ahotellife ; link in my stories. We read “Salmon: A Red Herring” by the artist duo Cooking Sections (Daniel Fernández Pascual and Alon Schwabe) while there: an interesting critique and history of color ; and Anaïs Nin who wrote of Fez’ medina: “it is designed so you might get lost. They love the feeling they might get lost, interpreted as a desire to reproduce the infinite.” ♾
Last year my Hasselblad, girlfriends, and I took a trip into the land of labyrinths and colour; Morocco. I wrote a little about some highlights, including our stay at @elfennmarrakech for @ahotellife ; link in my stories. We read “Salmon: A Red Herring” by the artist duo Cooking Sections (Daniel Fernández Pascual and Alon Schwabe) while there: an interesting critique and history of color ; and Anaïs Nin who wrote of Fez’ medina: “it is designed so you might get lost. They love the feeling they might get lost, interpreted as a desire to reproduce the infinite.” ♾
Last year my Hasselblad, girlfriends, and I took a trip into the land of labyrinths and colour; Morocco. I wrote a little about some highlights, including our stay at @elfennmarrakech for @ahotellife ; link in my stories. We read “Salmon: A Red Herring” by the artist duo Cooking Sections (Daniel Fernández Pascual and Alon Schwabe) while there: an interesting critique and history of color ; and Anaïs Nin who wrote of Fez’ medina: “it is designed so you might get lost. They love the feeling they might get lost, interpreted as a desire to reproduce the infinite.” ♾
Last year my Hasselblad, girlfriends, and I took a trip into the land of labyrinths and colour; Morocco. I wrote a little about some highlights, including our stay at @elfennmarrakech for @ahotellife ; link in my stories. We read “Salmon: A Red Herring” by the artist duo Cooking Sections (Daniel Fernández Pascual and Alon Schwabe) while there: an interesting critique and history of color ; and Anaïs Nin who wrote of Fez’ medina: “it is designed so you might get lost. They love the feeling they might get lost, interpreted as a desire to reproduce the infinite.” ♾
Last year my Hasselblad, girlfriends, and I took a trip into the land of labyrinths and colour; Morocco. I wrote a little about some highlights, including our stay at @elfennmarrakech for @ahotellife ; link in my stories. We read “Salmon: A Red Herring” by the artist duo Cooking Sections (Daniel Fernández Pascual and Alon Schwabe) while there: an interesting critique and history of color ; and Anaïs Nin who wrote of Fez’ medina: “it is designed so you might get lost. They love the feeling they might get lost, interpreted as a desire to reproduce the infinite.” ♾
Last year my Hasselblad, girlfriends, and I took a trip into the land of labyrinths and colour; Morocco. I wrote a little about some highlights, including our stay at @elfennmarrakech for @ahotellife ; link in my stories. We read “Salmon: A Red Herring” by the artist duo Cooking Sections (Daniel Fernández Pascual and Alon Schwabe) while there: an interesting critique and history of color ; and Anaïs Nin who wrote of Fez’ medina: “it is designed so you might get lost. They love the feeling they might get lost, interpreted as a desire to reproduce the infinite.” ♾
Today I’m thinking of this amazing woman who touched my life ~ here is the article I wrote about Vivienne ~ a link to the full @voguemagazine article is in my profile. To truth, justice, bravery, humour & creativity ~ all of which Vivienne had in abundance 🍁 #internationalwomensday
Today I’m thinking of this amazing woman who touched my life ~ here is the article I wrote about Vivienne ~ a link to the full @voguemagazine article is in my profile. To truth, justice, bravery, humour & creativity ~ all of which Vivienne had in abundance 🍁 #internationalwomensday
Today I’m thinking of this amazing woman who touched my life ~ here is the article I wrote about Vivienne ~ a link to the full @voguemagazine article is in my profile. To truth, justice, bravery, humour & creativity ~ all of which Vivienne had in abundance 🍁 #internationalwomensday
Today I’m thinking of this amazing woman who touched my life ~ here is the article I wrote about Vivienne ~ a link to the full @voguemagazine article is in my profile. To truth, justice, bravery, humour & creativity ~ all of which Vivienne had in abundance 🍁 #internationalwomensday
