Clare Waight Keller Instagram – Bleached Canvas – it was exactly that after Caraman, the Haute Couture show following the passing of Hubert de Givenchy. It was about exploring everything from scratch again. Looking at a bleached canvas of white, hence the stark, austere pure white space of the Musée d’Art Moderne de Paris. The saturation of primary colours, sharp, graphic silhouettes, exquisite three dimensional craftsmanship in lace and tubular fringes and textures contrasted by the liquid glossiness of latex, reflecting a favourite fabric from my first Couture show. The stunning Adut opened the show in a sexy tuxedo of Japanese minimalist mohair wool, with a cotton pique lapel and second skin latex legs, she looked breathtaking against the sheer luminous white backdrop of the salon. 🖤 A painterly palette of Couture gowns, monochromatic masculinity and sharp metallic glimmer. It reflected the freshness I wanted to create for the new era of Haute Couture at Maison Givenchy. 🖤🖤🖤 #hautecouture #paris #fashion #runway #artist #minimalism #gowns #redcarpet #lace #latex @kaiagerber @adutakech