my second #metgala—and nothing compares. @voguemagazine, anna wintour, and andrew bolton: thank you as ever for including me
i wore custom @hm with a corset underneath by the legendary @misterpearlofficial
the met’s dress code this year, ‘the garden of time,’ samples its name from a short story by j.g. ballard. it’s a fanciful little allegory which, the way i saw it, unmines the tension between the future and the past
this lead me to think about high glamour: how it looks, why it looks like that, where it comes from. i took my ‘avedon fashion’ book off the shelf, opened it up. i locked onto margot mckendry in the background of a photo from 1961 (slide 3). she reminded me of crystal labeija (slide 5) in frank simon’s 1968 documentary ‘the queen,’ which goes behind the scenes of a manhattan drag pageant (in 1968, dressing in drag was effectively illegal). so i thought about how the visual ideal of glamour travels, from high society to its fringes—and all the way through the decades. what does it mean for me, a card-carrying member of “the new world” (and you know exactly what i mean) to evoke the glamour of the old world? and what did it mean for my sisters who came before me? their beauty and grandeur moves me; i reflect on what they risked for it. i wanted to honor them last night
thank you @chrishoran20 for your vision and hustle and for keeping me on best dressed lists—and occasionally worst-dressed lists, which is always cooler! no one does it like you
thank you to @hairbyorlandopita and @yadim for sanctifying me from the neck up. i can’t believe i get to be coiffed and beat by such absolute mavericks. yadim used @valentino.beauty…i hear there are some exciting things going on over at maison valentino in the near future 😉
thank you to @aarondnewbill and @meansss at @imgmodels for keeping me in fashion. i love you
and congratulations to @condeunited who won the day 🙂
my second #metgala—and nothing compares. @voguemagazine, anna wintour, and andrew bolton: thank you as ever for including me
i wore custom @hm with a corset underneath by the legendary @misterpearlofficial
the met’s dress code this year, ‘the garden of time,’ samples its name from a short story by j.g. ballard. it’s a fanciful little allegory which, the way i saw it, unmines the tension between the future and the past
this lead me to think about high glamour: how it looks, why it looks like that, where it comes from. i took my ‘avedon fashion’ book off the shelf, opened it up. i locked onto margot mckendry in the background of a photo from 1961 (slide 3). she reminded me of crystal labeija (slide 5) in frank simon’s 1968 documentary ‘the queen,’ which goes behind the scenes of a manhattan drag pageant (in 1968, dressing in drag was effectively illegal). so i thought about how the visual ideal of glamour travels, from high society to its fringes—and all the way through the decades. what does it mean for me, a card-carrying member of “the new world” (and you know exactly what i mean) to evoke the glamour of the old world? and what did it mean for my sisters who came before me? their beauty and grandeur moves me; i reflect on what they risked for it. i wanted to honor them last night
thank you @chrishoran20 for your vision and hustle and for keeping me on best dressed lists—and occasionally worst-dressed lists, which is always cooler! no one does it like you
thank you to @hairbyorlandopita and @yadim for sanctifying me from the neck up. i can’t believe i get to be coiffed and beat by such absolute mavericks. yadim used @valentino.beauty…i hear there are some exciting things going on over at maison valentino in the near future 😉
thank you to @aarondnewbill and @meansss at @imgmodels for keeping me in fashion. i love you
and congratulations to @condeunited who won the day 🙂
my second #metgala—and nothing compares. @voguemagazine, anna wintour, and andrew bolton: thank you as ever for including me
i wore custom @hm with a corset underneath by the legendary @misterpearlofficial
the met’s dress code this year, ‘the garden of time,’ samples its name from a short story by j.g. ballard. it’s a fanciful little allegory which, the way i saw it, unmines the tension between the future and the past
this lead me to think about high glamour: how it looks, why it looks like that, where it comes from. i took my ‘avedon fashion’ book off the shelf, opened it up. i locked onto margot mckendry in the background of a photo from 1961 (slide 3). she reminded me of crystal labeija (slide 5) in frank simon’s 1968 documentary ‘the queen,’ which goes behind the scenes of a manhattan drag pageant (in 1968, dressing in drag was effectively illegal). so i thought about how the visual ideal of glamour travels, from high society to its fringes—and all the way through the decades. what does it mean for me, a card-carrying member of “the new world” (and you know exactly what i mean) to evoke the glamour of the old world? and what did it mean for my sisters who came before me? their beauty and grandeur moves me; i reflect on what they risked for it. i wanted to honor them last night
thank you @chrishoran20 for your vision and hustle and for keeping me on best dressed lists—and occasionally worst-dressed lists, which is always cooler! no one does it like you
thank you to @hairbyorlandopita and @yadim for sanctifying me from the neck up. i can’t believe i get to be coiffed and beat by such absolute mavericks. yadim used @valentino.beauty…i hear there are some exciting things going on over at maison valentino in the near future 😉
thank you to @aarondnewbill and @meansss at @imgmodels for keeping me in fashion. i love you
and congratulations to @condeunited who won the day 🙂
my second #metgala—and nothing compares. @voguemagazine, anna wintour, and andrew bolton: thank you as ever for including me
i wore custom @hm with a corset underneath by the legendary @misterpearlofficial
the met’s dress code this year, ‘the garden of time,’ samples its name from a short story by j.g. ballard. it’s a fanciful little allegory which, the way i saw it, unmines the tension between the future and the past
this lead me to think about high glamour: how it looks, why it looks like that, where it comes from. i took my ‘avedon fashion’ book off the shelf, opened it up. i locked onto margot mckendry in the background of a photo from 1961 (slide 3). she reminded me of crystal labeija (slide 5) in frank simon’s 1968 documentary ‘the queen,’ which goes behind the scenes of a manhattan drag pageant (in 1968, dressing in drag was effectively illegal). so i thought about how the visual ideal of glamour travels, from high society to its fringes—and all the way through the decades. what does it mean for me, a card-carrying member of “the new world” (and you know exactly what i mean) to evoke the glamour of the old world? and what did it mean for my sisters who came before me? their beauty and grandeur moves me; i reflect on what they risked for it. i wanted to honor them last night
thank you @chrishoran20 for your vision and hustle and for keeping me on best dressed lists—and occasionally worst-dressed lists, which is always cooler! no one does it like you
thank you to @hairbyorlandopita and @yadim for sanctifying me from the neck up. i can’t believe i get to be coiffed and beat by such absolute mavericks. yadim used @valentino.beauty…i hear there are some exciting things going on over at maison valentino in the near future 😉
thank you to @aarondnewbill and @meansss at @imgmodels for keeping me in fashion. i love you
and congratulations to @condeunited who won the day 🙂
my second #metgala—and nothing compares. @voguemagazine, anna wintour, and andrew bolton: thank you as ever for including me
i wore custom @hm with a corset underneath by the legendary @misterpearlofficial
the met’s dress code this year, ‘the garden of time,’ samples its name from a short story by j.g. ballard. it’s a fanciful little allegory which, the way i saw it, unmines the tension between the future and the past
this lead me to think about high glamour: how it looks, why it looks like that, where it comes from. i took my ‘avedon fashion’ book off the shelf, opened it up. i locked onto margot mckendry in the background of a photo from 1961 (slide 3). she reminded me of crystal labeija (slide 5) in frank simon’s 1968 documentary ‘the queen,’ which goes behind the scenes of a manhattan drag pageant (in 1968, dressing in drag was effectively illegal). so i thought about how the visual ideal of glamour travels, from high society to its fringes—and all the way through the decades. what does it mean for me, a card-carrying member of “the new world” (and you know exactly what i mean) to evoke the glamour of the old world? and what did it mean for my sisters who came before me? their beauty and grandeur moves me; i reflect on what they risked for it. i wanted to honor them last night
thank you @chrishoran20 for your vision and hustle and for keeping me on best dressed lists—and occasionally worst-dressed lists, which is always cooler! no one does it like you
thank you to @hairbyorlandopita and @yadim for sanctifying me from the neck up. i can’t believe i get to be coiffed and beat by such absolute mavericks. yadim used @valentino.beauty…i hear there are some exciting things going on over at maison valentino in the near future 😉
thank you to @aarondnewbill and @meansss at @imgmodels for keeping me in fashion. i love you
and congratulations to @condeunited who won the day 🙂
my second #metgala—and nothing compares. @voguemagazine, anna wintour, and andrew bolton: thank you as ever for including me
i wore custom @hm with a corset underneath by the legendary @misterpearlofficial
the met’s dress code this year, ‘the garden of time,’ samples its name from a short story by j.g. ballard. it’s a fanciful little allegory which, the way i saw it, unmines the tension between the future and the past
this lead me to think about high glamour: how it looks, why it looks like that, where it comes from. i took my ‘avedon fashion’ book off the shelf, opened it up. i locked onto margot mckendry in the background of a photo from 1961 (slide 3). she reminded me of crystal labeija (slide 5) in frank simon’s 1968 documentary ‘the queen,’ which goes behind the scenes of a manhattan drag pageant (in 1968, dressing in drag was effectively illegal). so i thought about how the visual ideal of glamour travels, from high society to its fringes—and all the way through the decades. what does it mean for me, a card-carrying member of “the new world” (and you know exactly what i mean) to evoke the glamour of the old world? and what did it mean for my sisters who came before me? their beauty and grandeur moves me; i reflect on what they risked for it. i wanted to honor them last night
thank you @chrishoran20 for your vision and hustle and for keeping me on best dressed lists—and occasionally worst-dressed lists, which is always cooler! no one does it like you
thank you to @hairbyorlandopita and @yadim for sanctifying me from the neck up. i can’t believe i get to be coiffed and beat by such absolute mavericks. yadim used @valentino.beauty…i hear there are some exciting things going on over at maison valentino in the near future 😉
thank you to @aarondnewbill and @meansss at @imgmodels for keeping me in fashion. i love you
and congratulations to @condeunited who won the day 🙂
my second #metgala—and nothing compares. @voguemagazine, anna wintour, and andrew bolton: thank you as ever for including me
i wore custom @hm with a corset underneath by the legendary @misterpearlofficial
the met’s dress code this year, ‘the garden of time,’ samples its name from a short story by j.g. ballard. it’s a fanciful little allegory which, the way i saw it, unmines the tension between the future and the past
this lead me to think about high glamour: how it looks, why it looks like that, where it comes from. i took my ‘avedon fashion’ book off the shelf, opened it up. i locked onto margot mckendry in the background of a photo from 1961 (slide 3). she reminded me of crystal labeija (slide 5) in frank simon’s 1968 documentary ‘the queen,’ which goes behind the scenes of a manhattan drag pageant (in 1968, dressing in drag was effectively illegal). so i thought about how the visual ideal of glamour travels, from high society to its fringes—and all the way through the decades. what does it mean for me, a card-carrying member of “the new world” (and you know exactly what i mean) to evoke the glamour of the old world? and what did it mean for my sisters who came before me? their beauty and grandeur moves me; i reflect on what they risked for it. i wanted to honor them last night
thank you @chrishoran20 for your vision and hustle and for keeping me on best dressed lists—and occasionally worst-dressed lists, which is always cooler! no one does it like you
thank you to @hairbyorlandopita and @yadim for sanctifying me from the neck up. i can’t believe i get to be coiffed and beat by such absolute mavericks. yadim used @valentino.beauty…i hear there are some exciting things going on over at maison valentino in the near future 😉
thank you to @aarondnewbill and @meansss at @imgmodels for keeping me in fashion. i love you
and congratulations to @condeunited who won the day 🙂
my second #metgala—and nothing compares. @voguemagazine, anna wintour, and andrew bolton: thank you as ever for including me
i wore custom @hm with a corset underneath by the legendary @misterpearlofficial
the met’s dress code this year, ‘the garden of time,’ samples its name from a short story by j.g. ballard. it’s a fanciful little allegory which, the way i saw it, unmines the tension between the future and the past
this lead me to think about high glamour: how it looks, why it looks like that, where it comes from. i took my ‘avedon fashion’ book off the shelf, opened it up. i locked onto margot mckendry in the background of a photo from 1961 (slide 3). she reminded me of crystal labeija (slide 5) in frank simon’s 1968 documentary ‘the queen,’ which goes behind the scenes of a manhattan drag pageant (in 1968, dressing in drag was effectively illegal). so i thought about how the visual ideal of glamour travels, from high society to its fringes—and all the way through the decades. what does it mean for me, a card-carrying member of “the new world” (and you know exactly what i mean) to evoke the glamour of the old world? and what did it mean for my sisters who came before me? their beauty and grandeur moves me; i reflect on what they risked for it. i wanted to honor them last night
thank you @chrishoran20 for your vision and hustle and for keeping me on best dressed lists—and occasionally worst-dressed lists, which is always cooler! no one does it like you
thank you to @hairbyorlandopita and @yadim for sanctifying me from the neck up. i can’t believe i get to be coiffed and beat by such absolute mavericks. yadim used @valentino.beauty…i hear there are some exciting things going on over at maison valentino in the near future 😉
thank you to @aarondnewbill and @meansss at @imgmodels for keeping me in fashion. i love you
and congratulations to @condeunited who won the day 🙂
my second #metgala—and nothing compares. @voguemagazine, anna wintour, and andrew bolton: thank you as ever for including me
i wore custom @hm with a corset underneath by the legendary @misterpearlofficial
the met’s dress code this year, ‘the garden of time,’ samples its name from a short story by j.g. ballard. it’s a fanciful little allegory which, the way i saw it, unmines the tension between the future and the past
this lead me to think about high glamour: how it looks, why it looks like that, where it comes from. i took my ‘avedon fashion’ book off the shelf, opened it up. i locked onto margot mckendry in the background of a photo from 1961 (slide 3). she reminded me of crystal labeija (slide 5) in frank simon’s 1968 documentary ‘the queen,’ which goes behind the scenes of a manhattan drag pageant (in 1968, dressing in drag was effectively illegal). so i thought about how the visual ideal of glamour travels, from high society to its fringes—and all the way through the decades. what does it mean for me, a card-carrying member of “the new world” (and you know exactly what i mean) to evoke the glamour of the old world? and what did it mean for my sisters who came before me? their beauty and grandeur moves me; i reflect on what they risked for it. i wanted to honor them last night
thank you @chrishoran20 for your vision and hustle and for keeping me on best dressed lists—and occasionally worst-dressed lists, which is always cooler! no one does it like you
thank you to @hairbyorlandopita and @yadim for sanctifying me from the neck up. i can’t believe i get to be coiffed and beat by such absolute mavericks. yadim used @valentino.beauty…i hear there are some exciting things going on over at maison valentino in the near future 😉
thank you to @aarondnewbill and @meansss at @imgmodels for keeping me in fashion. i love you
and congratulations to @condeunited who won the day 🙂
my second #metgala—and nothing compares. @voguemagazine, anna wintour, and andrew bolton: thank you as ever for including me
i wore custom @hm with a corset underneath by the legendary @misterpearlofficial
the met’s dress code this year, ‘the garden of time,’ samples its name from a short story by j.g. ballard. it’s a fanciful little allegory which, the way i saw it, unmines the tension between the future and the past
this lead me to think about high glamour: how it looks, why it looks like that, where it comes from. i took my ‘avedon fashion’ book off the shelf, opened it up. i locked onto margot mckendry in the background of a photo from 1961 (slide 3). she reminded me of crystal labeija (slide 5) in frank simon’s 1968 documentary ‘the queen,’ which goes behind the scenes of a manhattan drag pageant (in 1968, dressing in drag was effectively illegal). so i thought about how the visual ideal of glamour travels, from high society to its fringes—and all the way through the decades. what does it mean for me, a card-carrying member of “the new world” (and you know exactly what i mean) to evoke the glamour of the old world? and what did it mean for my sisters who came before me? their beauty and grandeur moves me; i reflect on what they risked for it. i wanted to honor them last night
thank you @chrishoran20 for your vision and hustle and for keeping me on best dressed lists—and occasionally worst-dressed lists, which is always cooler! no one does it like you
thank you to @hairbyorlandopita and @yadim for sanctifying me from the neck up. i can’t believe i get to be coiffed and beat by such absolute mavericks. yadim used @valentino.beauty…i hear there are some exciting things going on over at maison valentino in the near future 😉
thank you to @aarondnewbill and @meansss at @imgmodels for keeping me in fashion. i love you
and congratulations to @condeunited who won the day 🙂
come on in 🙂 i let @apartamentomagazine into my loft and got the cover! photos by @sk8rmom420 with a profile by @michaeljbullock which says it better than i could in a caption. the link for that is in my story
thanks to @thomlussier of @cafieroselecthome for gracious guidance on a job that was too small! so fun
buy vintage and secondhand because it looks cooler
come on in 🙂 i let @apartamentomagazine into my loft and got the cover! photos by @sk8rmom420 with a profile by @michaeljbullock which says it better than i could in a caption. the link for that is in my story
thanks to @thomlussier of @cafieroselecthome for gracious guidance on a job that was too small! so fun
buy vintage and secondhand because it looks cooler
come on in 🙂 i let @apartamentomagazine into my loft and got the cover! photos by @sk8rmom420 with a profile by @michaeljbullock which says it better than i could in a caption. the link for that is in my story
thanks to @thomlussier of @cafieroselecthome for gracious guidance on a job that was too small! so fun
buy vintage and secondhand because it looks cooler
come on in 🙂 i let @apartamentomagazine into my loft and got the cover! photos by @sk8rmom420 with a profile by @michaeljbullock which says it better than i could in a caption. the link for that is in my story
thanks to @thomlussier of @cafieroselecthome for gracious guidance on a job that was too small! so fun
buy vintage and secondhand because it looks cooler
come on in 🙂 i let @apartamentomagazine into my loft and got the cover! photos by @sk8rmom420 with a profile by @michaeljbullock which says it better than i could in a caption. the link for that is in my story
thanks to @thomlussier of @cafieroselecthome for gracious guidance on a job that was too small! so fun
buy vintage and secondhand because it looks cooler
come on in 🙂 i let @apartamentomagazine into my loft and got the cover! photos by @sk8rmom420 with a profile by @michaeljbullock which says it better than i could in a caption. the link for that is in my story
thanks to @thomlussier of @cafieroselecthome for gracious guidance on a job that was too small! so fun
buy vintage and secondhand because it looks cooler
come on in 🙂 i let @apartamentomagazine into my loft and got the cover! photos by @sk8rmom420 with a profile by @michaeljbullock which says it better than i could in a caption. the link for that is in my story
thanks to @thomlussier of @cafieroselecthome for gracious guidance on a job that was too small! so fun
buy vintage and secondhand because it looks cooler
come on in 🙂 i let @apartamentomagazine into my loft and got the cover! photos by @sk8rmom420 with a profile by @michaeljbullock which says it better than i could in a caption. the link for that is in my story
thanks to @thomlussier of @cafieroselecthome for gracious guidance on a job that was too small! so fun
buy vintage and secondhand because it looks cooler
come on in 🙂 i let @apartamentomagazine into my loft and got the cover! photos by @sk8rmom420 with a profile by @michaeljbullock which says it better than i could in a caption. the link for that is in my story
thanks to @thomlussier of @cafieroselecthome for gracious guidance on a job that was too small! so fun
buy vintage and secondhand because it looks cooler
come on in 🙂 i let @apartamentomagazine into my loft and got the cover! photos by @sk8rmom420 with a profile by @michaeljbullock which says it better than i could in a caption. the link for that is in my story
thanks to @thomlussier of @cafieroselecthome for gracious guidance on a job that was too small! so fun
buy vintage and secondhand because it looks cooler
first time down under with @theofficialpandora @ausfashionweek #pandoraafw #belove 💍🇦🇺💍🇦🇺
it was 80 degrees in nyc yesterday and the #hmstudio ss24 resort capsule launches today @hm
it was 80 degrees in nyc yesterday and the #hmstudio ss24 resort capsule launches today @hm
#grwm for a night out in nyc…where pics will be taken…which means the look needs to be correct in high def! so i went with my derm’s recommendation for Xeomin (incobotulinumtoxinA) @xeominaesthetic, the #smarttox to smooth frown lines. go ahead zoom in 0:)
#Ad #SponsoredByXeomin
Head-to-head studies evaluating the relative risk of immunogenicity due to the presence or absence of complexing/unnecessary proteins have not been performed. Individual results may vary. For Full Prescribing Information including Boxed Warning and Medication Guide, see @xeominaestheticpi. Xeomin® is an FDA-approved treatment used to temporarily improve the look of moderate to severe frown lines between the eyebrows (glabellar lines) in adults. Ask your doctor to tell you all about Xeomin. The effects of Xeomin may spread hours to weeks after injection causing serious symptoms. Alert your doctor right away as difficulty swallowing, speaking, breathing, eye problems or muscle weakness can be a sign of a life-threatening condition. Side effects may include allergic reactions or injection-site pain, eyelid drooping, and swelling. These are not all the possible side effects of XEOMIN. Call your doctor for medical advice about side effects. You may report side effects to the FDA at 1-800-FDA-1088.
Xeomin is available by prescription only. Intended for US audiences only.
