Actor Kirill Serebrennikov HD Instagram Photos and Wallpapers July 2024

Это не про эту чертову эпоху, которая подла и которой похуй. Это про ТАЛАНТ И ОТВАГУ Жени, которая после всех унижений, пыток абсурдом и уродством, говорит точно, ясно и просто. Этот ТАЛАНТ и этот ГОЛОС не заглушить, сколько дело это идиотское им не шить. Все равно, они останутся – ЖЕНЯ И СВЕТА – в искусстве, жизни и в истории. А не все бездарное это, что из крови и палок там понастроили..

THE YEARS WITH ALLA. The algorithm collected my photographs with ALLA DEMIDOVA, russian theater superDiva, who once wrote on the wall in the Gogol Center “The POSTMAN always rings twice,” meaning that the Theater on Kazakova largely followed the Theater on Taganka. Alla worked at Taganka for many years, and at the Gogol Center she appeared both on stage and in the hall as an invited guest star and as members of the Arts Board of the Théâtre.

Working weekend in Paris. The magic of Valérie Dreville in the equally magical space of the Théâtre Buffes du Nord, created by Peter Brook as a preserved picturesque ruin. The text about the Father, which this actress pronounces, is full of poetry and severity, as is her laconic but lively and expressive presence on stage. In my past life, i saw her playing Heiner Müller’s Medea naked in Anvtoly Vasiliev’s play, demonstrating something that none of the Russian actresses could ever do. In acting and presence, of course) There is no less radicalism in this performance – if only in its rejection of the entire Theater and all of it tools. At the Odeon @theatreodeon , Krystian Lupa (theater Bela Tar) stages a performance consisting of silence and very beautiful film fragments. My admiration for the theater @theatreodeon that makes such art possible. And the Branly Museum has a good exhibition about ayahuasca. Those who haven’t tried it may understand something, but those who have tried it will compare. Everything was different for me. It’s interesting how this happened with Burroughs and Ginsberg in the 50s… Why ask – just read “The Naked Breakfast”. In any case, I can go to this museum endlessly with or without a reason.

Working weekend in Paris. The magic of Valérie Dreville in the equally magical space of the Théâtre Buffes du Nord, created by Peter Brook as a preserved picturesque ruin. The text about the Father, which this actress pronounces, is full of poetry and severity, as is her laconic but lively and expressive presence on stage. In my past life, i saw her playing Heiner Müller’s Medea naked in Anvtoly Vasiliev’s play, demonstrating something that none of the Russian actresses could ever do. In acting and presence, of course) There is no less radicalism in this performance – if only in its rejection of the entire Theater and all of it tools. At the Odeon @theatreodeon , Krystian Lupa (theater Bela Tar) stages a performance consisting of silence and very beautiful film fragments. My admiration for the theater @theatreodeon that makes such art possible. And the Branly Museum has a good exhibition about ayahuasca. Those who haven’t tried it may understand something, but those who have tried it will compare. Everything was different for me. It’s interesting how this happened with Burroughs and Ginsberg in the 50s… Why ask – just read “The Naked Breakfast”. In any case, I can go to this museum endlessly with or without a reason.

Working weekend in Paris. The magic of Valérie Dreville in the equally magical space of the Théâtre Buffes du Nord, created by Peter Brook as a preserved picturesque ruin. The text about the Father, which this actress pronounces, is full of poetry and severity, as is her laconic but lively and expressive presence on stage. In my past life, i saw her playing Heiner Müller’s Medea naked in Anvtoly Vasiliev’s play, demonstrating something that none of the Russian actresses could ever do. In acting and presence, of course) There is no less radicalism in this performance – if only in its rejection of the entire Theater and all of it tools. At the Odeon @theatreodeon , Krystian Lupa (theater Bela Tar) stages a performance consisting of silence and very beautiful film fragments. My admiration for the theater @theatreodeon that makes such art possible. And the Branly Museum has a good exhibition about ayahuasca. Those who haven’t tried it may understand something, but those who have tried it will compare. Everything was different for me. It’s interesting how this happened with Burroughs and Ginsberg in the 50s… Why ask – just read “The Naked Breakfast”. In any case, I can go to this museum endlessly with or without a reason.

Working weekend in Paris. The magic of Valérie Dreville in the equally magical space of the Théâtre Buffes du Nord, created by Peter Brook as a preserved picturesque ruin. The text about the Father, which this actress pronounces, is full of poetry and severity, as is her laconic but lively and expressive presence on stage. In my past life, i saw her playing Heiner Müller’s Medea naked in Anvtoly Vasiliev’s play, demonstrating something that none of the Russian actresses could ever do. In acting and presence, of course) There is no less radicalism in this performance – if only in its rejection of the entire Theater and all of it tools. At the Odeon @theatreodeon , Krystian Lupa (theater Bela Tar) stages a performance consisting of silence and very beautiful film fragments. My admiration for the theater @theatreodeon that makes such art possible. And the Branly Museum has a good exhibition about ayahuasca. Those who haven’t tried it may understand something, but those who have tried it will compare. Everything was different for me. It’s interesting how this happened with Burroughs and Ginsberg in the 50s… Why ask – just read “The Naked Breakfast”. In any case, I can go to this museum endlessly with or without a reason.

Working weekend in Paris. The magic of Valérie Dreville in the equally magical space of the Théâtre Buffes du Nord, created by Peter Brook as a preserved picturesque ruin. The text about the Father, which this actress pronounces, is full of poetry and severity, as is her laconic but lively and expressive presence on stage. In my past life, i saw her playing Heiner Müller’s Medea naked in Anvtoly Vasiliev’s play, demonstrating something that none of the Russian actresses could ever do. In acting and presence, of course) There is no less radicalism in this performance – if only in its rejection of the entire Theater and all of it tools. At the Odeon @theatreodeon , Krystian Lupa (theater Bela Tar) stages a performance consisting of silence and very beautiful film fragments. My admiration for the theater @theatreodeon that makes such art possible. And the Branly Museum has a good exhibition about ayahuasca. Those who haven’t tried it may understand something, but those who have tried it will compare. Everything was different for me. It’s interesting how this happened with Burroughs and Ginsberg in the 50s… Why ask – just read “The Naked Breakfast”. In any case, I can go to this museum endlessly with or without a reason.

Working weekend in Paris. The magic of Valérie Dreville in the equally magical space of the Théâtre Buffes du Nord, created by Peter Brook as a preserved picturesque ruin. The text about the Father, which this actress pronounces, is full of poetry and severity, as is her laconic but lively and expressive presence on stage. In my past life, i saw her playing Heiner Müller’s Medea naked in Anvtoly Vasiliev’s play, demonstrating something that none of the Russian actresses could ever do. In acting and presence, of course) There is no less radicalism in this performance – if only in its rejection of the entire Theater and all of it tools. At the Odeon @theatreodeon , Krystian Lupa (theater Bela Tar) stages a performance consisting of silence and very beautiful film fragments. My admiration for the theater @theatreodeon that makes such art possible. And the Branly Museum has a good exhibition about ayahuasca. Those who haven’t tried it may understand something, but those who have tried it will compare. Everything was different for me. It’s interesting how this happened with Burroughs and Ginsberg in the 50s… Why ask – just read “The Naked Breakfast”. In any case, I can go to this museum endlessly with or without a reason.

Working weekend in Paris. The magic of Valérie Dreville in the equally magical space of the Théâtre Buffes du Nord, created by Peter Brook as a preserved picturesque ruin. The text about the Father, which this actress pronounces, is full of poetry and severity, as is her laconic but lively and expressive presence on stage. In my past life, i saw her playing Heiner Müller’s Medea naked in Anvtoly Vasiliev’s play, demonstrating something that none of the Russian actresses could ever do. In acting and presence, of course) There is no less radicalism in this performance – if only in its rejection of the entire Theater and all of it tools. At the Odeon @theatreodeon , Krystian Lupa (theater Bela Tar) stages a performance consisting of silence and very beautiful film fragments. My admiration for the theater @theatreodeon that makes such art possible. And the Branly Museum has a good exhibition about ayahuasca. Those who haven’t tried it may understand something, but those who have tried it will compare. Everything was different for me. It’s interesting how this happened with Burroughs and Ginsberg in the 50s… Why ask – just read “The Naked Breakfast”. In any case, I can go to this museum endlessly with or without a reason.

Working weekend in Paris. The magic of Valérie Dreville in the equally magical space of the Théâtre Buffes du Nord, created by Peter Brook as a preserved picturesque ruin. The text about the Father, which this actress pronounces, is full of poetry and severity, as is her laconic but lively and expressive presence on stage. In my past life, i saw her playing Heiner Müller’s Medea naked in Anvtoly Vasiliev’s play, demonstrating something that none of the Russian actresses could ever do. In acting and presence, of course) There is no less radicalism in this performance – if only in its rejection of the entire Theater and all of it tools. At the Odeon @theatreodeon , Krystian Lupa (theater Bela Tar) stages a performance consisting of silence and very beautiful film fragments. My admiration for the theater @theatreodeon that makes such art possible. And the Branly Museum has a good exhibition about ayahuasca. Those who haven’t tried it may understand something, but those who have tried it will compare. Everything was different for me. It’s interesting how this happened with Burroughs and Ginsberg in the 50s… Why ask – just read “The Naked Breakfast”. In any case, I can go to this museum endlessly with or without a reason.

Working weekend in Paris. The magic of Valérie Dreville in the equally magical space of the Théâtre Buffes du Nord, created by Peter Brook as a preserved picturesque ruin. The text about the Father, which this actress pronounces, is full of poetry and severity, as is her laconic but lively and expressive presence on stage. In my past life, i saw her playing Heiner Müller’s Medea naked in Anvtoly Vasiliev’s play, demonstrating something that none of the Russian actresses could ever do. In acting and presence, of course) There is no less radicalism in this performance – if only in its rejection of the entire Theater and all of it tools. At the Odeon @theatreodeon , Krystian Lupa (theater Bela Tar) stages a performance consisting of silence and very beautiful film fragments. My admiration for the theater @theatreodeon that makes such art possible. And the Branly Museum has a good exhibition about ayahuasca. Those who haven’t tried it may understand something, but those who have tried it will compare. Everything was different for me. It’s interesting how this happened with Burroughs and Ginsberg in the 50s… Why ask – just read “The Naked Breakfast”. In any case, I can go to this museum endlessly with or without a reason.

Working weekend in Paris. The magic of Valérie Dreville in the equally magical space of the Théâtre Buffes du Nord, created by Peter Brook as a preserved picturesque ruin. The text about the Father, which this actress pronounces, is full of poetry and severity, as is her laconic but lively and expressive presence on stage. In my past life, i saw her playing Heiner Müller’s Medea naked in Anvtoly Vasiliev’s play, demonstrating something that none of the Russian actresses could ever do. In acting and presence, of course) There is no less radicalism in this performance – if only in its rejection of the entire Theater and all of it tools. At the Odeon @theatreodeon , Krystian Lupa (theater Bela Tar) stages a performance consisting of silence and very beautiful film fragments. My admiration for the theater @theatreodeon that makes such art possible. And the Branly Museum has a good exhibition about ayahuasca. Those who haven’t tried it may understand something, but those who have tried it will compare. Everything was different for me. It’s interesting how this happened with Burroughs and Ginsberg in the 50s… Why ask – just read “The Naked Breakfast”. In any case, I can go to this museum endlessly with or without a reason.

THE PORTRAIT by @freudeisenstein Witchcraft and Prophecy

The PORTRAIT by @bulatarslanov

Am 17. August feiert die Neuproduktion „LEGENDE“ von Kirill Serebrennikov bei der @ruhrtriennale Uraufführung. Ab November ist „LEGENDE“ dann im @thaliatheater zu sehen. 📷 Wir haben heute schon exklusiv vorab die ersten Fotos aus den Proben für euch. „LEGENDE“ erzählt von der Welt des ebenso berühmten wie im Westen nahezu unbekannten Filmregisseurs Sergey Paradjanov, der in diesem Jahr seinen 100. Geburtstag feiern würde. Seine Werke sind von faszinierender Vielfalt und surrealer Phantastik. Bei Serebrennikov wird Paradjanov mit Poesie und Witz zur allegorischen Figur eines Künstlers, eines Dichters, eines Wanderers, eines Kämpfers, eines Rebellen. So entsteht das Kaleidoskop eines Lebens zwischen Leidenschaft, Exzentrik, Schönheit und Unterdrückung. In zehn Legenden entsteht ein unendliches Metaversum der Kulturen, in dem jeder einzelne Mensch in seiner Einzigartigkeit Bestand haben darf. 🎫 Der Vorverkauf für „LEGENDE“ ist gestartet – für alle Termine vom 17. Bis 23. August gibt es Tickets auf ruhr3.com/legende – Tickets für die Vorstellungen ab November im Thalia Theater gibt es auf thalia-theater.de. #ruhrtriennale #thaliatheater #legende #kirillserebrennikov #paradjanov @kirillandfriends_ @kirillserebrennikov @ruhrtriennale @thaliatheater © @frolme

New opera project in production. #DonCarlo