IMPORTANT TO RECALL IT AGAIN AND AGAIN 1. Life isn’t fair, but it’s still good. 2. When in doubt, just take the next small step. 3. Life is too short – enjoy it. 4. Your job won’t take care of you when you are sick. Your friends and family will. 5. Pay off your credit cards every month. 6. You don’t have to win every argument. Stay true to yourself. 7. Cry with someone. It’s more healing than crying alone. 8. Save for retirement starting with your first pay check. 9. Traveling is a way of living 10. Make peace with your past so it won’t screw up the present. 11. Fight for the Beauty 12. Don’t compare your life to others. You have no idea what their journey is all about. 13. If a relationship has to be a secret, you shouldn’t be in it… 14 Take a deep breath. It calms the mind. 15. Get rid of anything that isn’t useful. Clutter weighs you down in many ways. 16. Whatever doesn’t kill you really does make you stronger. 17. It’s never too late to be happy. But it’s all up to you and no one else. 18. When it comes to going after what you love in life, don’t take no for an answer. 19. Don’t save your best clothes for a special occasion. Today is special. 20. Over prepare, then go with the flow. 21. Be eccentric now. Don’t wait for old age to wear purple. 22. The most important sex organ is the brain. 23. No one is in charge of your happiness but you. 24. Frame every so-called disaster with these words ‘In five years, will this matter?’ 25. Always choose life. 26. Forgive but don’t forget. 27. What other people think of you is none of your business. 28. Time heals almost everything. Give time time. 29. However good or bad a situation is, it will change. 30. Don’t take yourself so seriously. No one else does.. 31. Believe in miracles. 32. Don’t audit life. Show up and make the most of it now. 33. Growing old beats the alternative — dying young. 34. All that truly matters in the end is that you loved. 35. Get outside every day. Miracles are waiting everywhere.
A few days in Potsdam, where cinema has been made for almost a century. We were visited by great and beloved people, together we saw an almost finished film. It’s necessary to hear those whose opinion matters to you. And next day – a productive meeting with amazing Olivier Guez. My film is based on his famous novel “The Disappearance od doctor Mengele” What a summer!!!
A few days in Potsdam, where cinema has been made for almost a century. We were visited by great and beloved people, together we saw an almost finished film. It’s necessary to hear those whose opinion matters to you. And next day – a productive meeting with amazing Olivier Guez. My film is based on his famous novel “The Disappearance od doctor Mengele” What a summer!!!
A few days in Potsdam, where cinema has been made for almost a century. We were visited by great and beloved people, together we saw an almost finished film. It’s necessary to hear those whose opinion matters to you. And next day – a productive meeting with amazing Olivier Guez. My film is based on his famous novel “The Disappearance od doctor Mengele” What a summer!!!
A few days in Potsdam, where cinema has been made for almost a century. We were visited by great and beloved people, together we saw an almost finished film. It’s necessary to hear those whose opinion matters to you. And next day – a productive meeting with amazing Olivier Guez. My film is based on his famous novel “The Disappearance od doctor Mengele” What a summer!!!
A few days in Potsdam, where cinema has been made for almost a century. We were visited by great and beloved people, together we saw an almost finished film. It’s necessary to hear those whose opinion matters to you. And next day – a productive meeting with amazing Olivier Guez. My film is based on his famous novel “The Disappearance od doctor Mengele” What a summer!!!
A few days in Potsdam, where cinema has been made for almost a century. We were visited by great and beloved people, together we saw an almost finished film. It’s necessary to hear those whose opinion matters to you. And next day – a productive meeting with amazing Olivier Guez. My film is based on his famous novel “The Disappearance od doctor Mengele” What a summer!!!
The Hamburg Kunsthalle @hamburger.kunsthalle has a wonderful exhibition “THE UNIVERSE OF WILLIAM BLAKE” The rare works of William Blake (1757–1827), which he created around 1800 against the backdrop of crisis, revolution and war in Europe, look frighteningly modern. In general, all of Blake’s prophecies sound disappointing. It turns out that Blake, who never left Britain, was a follower of the German philosopher Jacob Boehme (1575-1674). A lifetime edition of his famous “Aurora” is displayed in a separate room. By an amazing coincidence, this is the first philosophical treatise that I read in my youth. At the exhibition, Blake’s works are side by side with the works of his contemporaries: the “romantic” surrealist Philip Otto Runge (1777–1810), Samuel Palmer (1805–1881) and the great Caspar David Friedrich (1774–1840), star of the Kunsthalle. Their self-portraits (proto-selfies) speak of a monstrous level of anxiety and despair. Well, of course – war, revolution, general crisis. There is something to worry about…
The Hamburg Kunsthalle @hamburger.kunsthalle has a wonderful exhibition “THE UNIVERSE OF WILLIAM BLAKE” The rare works of William Blake (1757–1827), which he created around 1800 against the backdrop of crisis, revolution and war in Europe, look frighteningly modern. In general, all of Blake’s prophecies sound disappointing. It turns out that Blake, who never left Britain, was a follower of the German philosopher Jacob Boehme (1575-1674). A lifetime edition of his famous “Aurora” is displayed in a separate room. By an amazing coincidence, this is the first philosophical treatise that I read in my youth. At the exhibition, Blake’s works are side by side with the works of his contemporaries: the “romantic” surrealist Philip Otto Runge (1777–1810), Samuel Palmer (1805–1881) and the great Caspar David Friedrich (1774–1840), star of the Kunsthalle. Their self-portraits (proto-selfies) speak of a monstrous level of anxiety and despair. Well, of course – war, revolution, general crisis. There is something to worry about…
The Hamburg Kunsthalle @hamburger.kunsthalle has a wonderful exhibition “THE UNIVERSE OF WILLIAM BLAKE” The rare works of William Blake (1757–1827), which he created around 1800 against the backdrop of crisis, revolution and war in Europe, look frighteningly modern. In general, all of Blake’s prophecies sound disappointing. It turns out that Blake, who never left Britain, was a follower of the German philosopher Jacob Boehme (1575-1674). A lifetime edition of his famous “Aurora” is displayed in a separate room. By an amazing coincidence, this is the first philosophical treatise that I read in my youth. At the exhibition, Blake’s works are side by side with the works of his contemporaries: the “romantic” surrealist Philip Otto Runge (1777–1810), Samuel Palmer (1805–1881) and the great Caspar David Friedrich (1774–1840), star of the Kunsthalle. Their self-portraits (proto-selfies) speak of a monstrous level of anxiety and despair. Well, of course – war, revolution, general crisis. There is something to worry about…
The Hamburg Kunsthalle @hamburger.kunsthalle has a wonderful exhibition “THE UNIVERSE OF WILLIAM BLAKE” The rare works of William Blake (1757–1827), which he created around 1800 against the backdrop of crisis, revolution and war in Europe, look frighteningly modern. In general, all of Blake’s prophecies sound disappointing. It turns out that Blake, who never left Britain, was a follower of the German philosopher Jacob Boehme (1575-1674). A lifetime edition of his famous “Aurora” is displayed in a separate room. By an amazing coincidence, this is the first philosophical treatise that I read in my youth. At the exhibition, Blake’s works are side by side with the works of his contemporaries: the “romantic” surrealist Philip Otto Runge (1777–1810), Samuel Palmer (1805–1881) and the great Caspar David Friedrich (1774–1840), star of the Kunsthalle. Their self-portraits (proto-selfies) speak of a monstrous level of anxiety and despair. Well, of course – war, revolution, general crisis. There is something to worry about…
The Hamburg Kunsthalle @hamburger.kunsthalle has a wonderful exhibition “THE UNIVERSE OF WILLIAM BLAKE” The rare works of William Blake (1757–1827), which he created around 1800 against the backdrop of crisis, revolution and war in Europe, look frighteningly modern. In general, all of Blake’s prophecies sound disappointing. It turns out that Blake, who never left Britain, was a follower of the German philosopher Jacob Boehme (1575-1674). A lifetime edition of his famous “Aurora” is displayed in a separate room. By an amazing coincidence, this is the first philosophical treatise that I read in my youth. At the exhibition, Blake’s works are side by side with the works of his contemporaries: the “romantic” surrealist Philip Otto Runge (1777–1810), Samuel Palmer (1805–1881) and the great Caspar David Friedrich (1774–1840), star of the Kunsthalle. Their self-portraits (proto-selfies) speak of a monstrous level of anxiety and despair. Well, of course – war, revolution, general crisis. There is something to worry about…
The Hamburg Kunsthalle @hamburger.kunsthalle has a wonderful exhibition “THE UNIVERSE OF WILLIAM BLAKE” The rare works of William Blake (1757–1827), which he created around 1800 against the backdrop of crisis, revolution and war in Europe, look frighteningly modern. In general, all of Blake’s prophecies sound disappointing. It turns out that Blake, who never left Britain, was a follower of the German philosopher Jacob Boehme (1575-1674). A lifetime edition of his famous “Aurora” is displayed in a separate room. By an amazing coincidence, this is the first philosophical treatise that I read in my youth. At the exhibition, Blake’s works are side by side with the works of his contemporaries: the “romantic” surrealist Philip Otto Runge (1777–1810), Samuel Palmer (1805–1881) and the great Caspar David Friedrich (1774–1840), star of the Kunsthalle. Their self-portraits (proto-selfies) speak of a monstrous level of anxiety and despair. Well, of course – war, revolution, general crisis. There is something to worry about…
The Hamburg Kunsthalle @hamburger.kunsthalle has a wonderful exhibition “THE UNIVERSE OF WILLIAM BLAKE” The rare works of William Blake (1757–1827), which he created around 1800 against the backdrop of crisis, revolution and war in Europe, look frighteningly modern. In general, all of Blake’s prophecies sound disappointing. It turns out that Blake, who never left Britain, was a follower of the German philosopher Jacob Boehme (1575-1674). A lifetime edition of his famous “Aurora” is displayed in a separate room. By an amazing coincidence, this is the first philosophical treatise that I read in my youth. At the exhibition, Blake’s works are side by side with the works of his contemporaries: the “romantic” surrealist Philip Otto Runge (1777–1810), Samuel Palmer (1805–1881) and the great Caspar David Friedrich (1774–1840), star of the Kunsthalle. Their self-portraits (proto-selfies) speak of a monstrous level of anxiety and despair. Well, of course – war, revolution, general crisis. There is something to worry about…
The Hamburg Kunsthalle @hamburger.kunsthalle has a wonderful exhibition “THE UNIVERSE OF WILLIAM BLAKE” The rare works of William Blake (1757–1827), which he created around 1800 against the backdrop of crisis, revolution and war in Europe, look frighteningly modern. In general, all of Blake’s prophecies sound disappointing. It turns out that Blake, who never left Britain, was a follower of the German philosopher Jacob Boehme (1575-1674). A lifetime edition of his famous “Aurora” is displayed in a separate room. By an amazing coincidence, this is the first philosophical treatise that I read in my youth. At the exhibition, Blake’s works are side by side with the works of his contemporaries: the “romantic” surrealist Philip Otto Runge (1777–1810), Samuel Palmer (1805–1881) and the great Caspar David Friedrich (1774–1840), star of the Kunsthalle. Their self-portraits (proto-selfies) speak of a monstrous level of anxiety and despair. Well, of course – war, revolution, general crisis. There is something to worry about…
The Hamburg Kunsthalle @hamburger.kunsthalle has a wonderful exhibition “THE UNIVERSE OF WILLIAM BLAKE” The rare works of William Blake (1757–1827), which he created around 1800 against the backdrop of crisis, revolution and war in Europe, look frighteningly modern. In general, all of Blake’s prophecies sound disappointing. It turns out that Blake, who never left Britain, was a follower of the German philosopher Jacob Boehme (1575-1674). A lifetime edition of his famous “Aurora” is displayed in a separate room. By an amazing coincidence, this is the first philosophical treatise that I read in my youth. At the exhibition, Blake’s works are side by side with the works of his contemporaries: the “romantic” surrealist Philip Otto Runge (1777–1810), Samuel Palmer (1805–1881) and the great Caspar David Friedrich (1774–1840), star of the Kunsthalle. Their self-portraits (proto-selfies) speak of a monstrous level of anxiety and despair. Well, of course – war, revolution, general crisis. There is something to worry about…
The Hamburg Kunsthalle @hamburger.kunsthalle has a wonderful exhibition “THE UNIVERSE OF WILLIAM BLAKE” The rare works of William Blake (1757–1827), which he created around 1800 against the backdrop of crisis, revolution and war in Europe, look frighteningly modern. In general, all of Blake’s prophecies sound disappointing. It turns out that Blake, who never left Britain, was a follower of the German philosopher Jacob Boehme (1575-1674). A lifetime edition of his famous “Aurora” is displayed in a separate room. By an amazing coincidence, this is the first philosophical treatise that I read in my youth. At the exhibition, Blake’s works are side by side with the works of his contemporaries: the “romantic” surrealist Philip Otto Runge (1777–1810), Samuel Palmer (1805–1881) and the great Caspar David Friedrich (1774–1840), star of the Kunsthalle. Their self-portraits (proto-selfies) speak of a monstrous level of anxiety and despair. Well, of course – war, revolution, general crisis. There is something to worry about…
LEGENDE. SOON. RUHRTRIENNALE With the best cast and the best team ever video by @nikita.1502
Друзья, очень хочется поделиться с вами! “Obicna Prica” в театре “Гешер” на фестивале Yaffa Fest. 4 июля – sold out; 5 июля – sold out. И в этой радости есть частичка каждого из вас. Спасибо! Prijatelji, želimo da podelimo sa vama – “Obična priča” je na festivalu Yaffa fest u pozorištu “Gešer”! 4 juli – rasprodato; 5 juli – rasprodato! I svako od vas je doprineo toj radosti. Hvala! @kirillserebrennikov @danymaksi @davorperunovic @dragana.varagic @jskspace @abramovic_ @mariia_poezzhaeva @ira_ejishka @feelavdeev @alexey_agranovich @selezmaria @muzasophie @anntrivia @nadenka_reizman @svetlicaa @thekafka @kirillandfriends_ @anna__shalashova @milosdjukelic @redproduction.tv @innabazhenova_inartibus
