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Ari Wegner Top 100 Instagram Photos and Posts

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Most liked photo of Ari Wegner with over 4.4K likes is the following photo

Most liked Instagram photo of Ari Wegner
We have around 101 most liked photos of Ari Wegner with the thumbnails listed below. Click on any of them to view the full image along with its caption, like count, and a button to download the photo.

Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - What an incredible night!! 🥰 From someone whose natural habitat is behind the camera, thank you so, so much to the dream team who had me feeling so comfortable and glamorous last night! Y’all nailed it!!! The beautiful stylist @benjaminholtrop, custom tux by the incredible @asanchezfashion, vintage cut crystal from @cannonballandtilly, platinum tipped cowboy boots by @marcellvonberlin, make up by the wonderful @leah_rial, and of course hair by the one and only @paolapeach . Cannot thank you enough!! ❤️‍🔥
Ari Wegner Instagram - What an incredible night!! 🥰 From someone whose natural habitat is behind the camera, thank you so, so much to the dream team who had me feeling so comfortable and glamorous last night! Y’all nailed it!!! The beautiful stylist @benjaminholtrop, custom tux by the incredible @asanchezfashion, vintage cut crystal from @cannonballandtilly, platinum tipped cowboy boots by @marcellvonberlin, make up by the wonderful @leah_rial, and of course hair by the one and only @paolapeach . Cannot thank you enough!! ❤️‍🔥
Ari Wegner Instagram - So honoured to be invited to join the @the__asc! Such heartfelt gratitude to everyone at the ASC, especially the wonderful DPs who championed my membership @greigfraser_dp @nancyschreiber_asc @amyvvincent @crescenzonotarile Thank you!! I’m eternally grateful to all of the directors who have entrusted me with their projects, to all the incredible cast and crew who I’ve been blessed to collaborate with and for the everlasting support of my husband @leo_woodhead. Big love to you all! ❤️ A very special day, truly honoured.
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - Honoured to have brought this film to life with the incredible @janicza - You are fucking amazing. In collaboration with @jeremyoharris @taylour @rileykeough @kingofbingo @nicholasbraun @zolarmoon @katie_byron #joimcmillon @a24 @killer.films among many, many others. Love you all, so much!🌹🌹
Ari Wegner Instagram - Ode to Unknown Interior Designer of Pittsburg Airport D Gates - 1992 Refurb. (May your work never be updated, it is perfect.)
Ari Wegner Instagram - Ode to Unknown Interior Designer of Pittsburg Airport D Gates - 1992 Refurb. (May your work never be updated, it is perfect.)
Ari Wegner Instagram - Ode to Unknown Interior Designer of Pittsburg Airport D Gates - 1992 Refurb. (May your work never be updated, it is perfect.)
Ari Wegner Instagram - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park
Ari Wegner Instagram - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park
Ari Wegner Instagram - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park
Ari Wegner Instagram - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park
Ari Wegner Instagram - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park
Ari Wegner Instagram - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park
Ari Wegner Instagram - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park
Ari Wegner Instagram - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Ari Wegner Instagram - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Ari Wegner Instagram - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Ari Wegner Instagram - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Ari Wegner Instagram - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Ari Wegner Instagram - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Ari Wegner Instagram - Summer in the City.
Ari Wegner Instagram - Fiscal Measures.
Ari Wegner Instagram - North America, meet Katherine! She's not always polite but that might be why you'll love her. Out tomorrow in NYC and LA! More screens nationwide from July 20 and July 28th in Canada. 🗡👰🏼⚰️
Ari Wegner Instagram - Lunch Break ☀️🤓🙏🏻
Ari Wegner Instagram - Am always so incredibly proud and in awe of my sister @lydiawegner but especially today. Tonight her new solo show, Shifting Light, opens @arconegallery. Get along! Tonight 6-8pm or over the next month, show runs today thru April 13th. Big love! Your photography always explodes my mind!
Ari Wegner Instagram - Recce Happiness (AKA Don’t Change a Thing.)
Ari Wegner Instagram - The Undeniable Splendour of Squash Courts
Ari Wegner Instagram - Melbourne friends! This Thursday at ACMI, a one-off chance to see STRAY on the big screen in Australia. This film is so dear to me, I wish I could be there. As a DP, so many hours are spent on set looking down a strange little tube at a tiny little image, that image however is quite often designed to be viewed many thousands of times larger and this was certainly the case on STRAY. See it big, you won’t regret it! There’s also a Q&A after with director @dustinfeneley and production designer @whinnies , moderated by the wonderful @glendyn_ivin . Tickets available at the ACMI website. Wish I could make it! @strayfeaturefilm
Ari Wegner Instagram - LA.... You're so hard and yet so soft. ❤
Ari Wegner Instagram - Nice work on the atmos Central Otago ✌🏻️
Ari Wegner Instagram - Hong Kong...You're a pretty cool little town! Thanks for having me @mattdevineagram and @verylittlewing ✌🏻️✌🏻️
Ari Wegner Instagram - Cheeky little sun patch ☺️
Ari Wegner Instagram - LIVE DISCUSSION with Oscar-nominated cinematographer Ari Wegner (THE POWER OF THE DOG, EILEEN, DRIVE-AWAY DOLLS) this Sunday 1/7 at 3PM PT. Whether shooting a film about a 19th-century Englishwoman bristling against the confines of a loveless marriage (William Oldroyd’s LADY MACBETH) or two strippers road-tripping to Florida for a twisted weekend of scheming (Janicza Bravo’s ZOLA), Galerie curator @ariwegner is known for synthesizing the distinct vision of each director with her own meticulous artistry of framing and light. Wegner joins us this Sunday at 3PM PT to break down her distinctive storytelling principles, delving into the importance of prep, and anatomizing scenes from her work, including THE POWER OF THE DOG (for which she became the second woman in history to be nominated for the Academy Award for Best Cinematography) and Sebastián Lelio’s THE WONDER. https://www.galerie.com/discuss/perspective-and-intuition-ari-wegner
Ari Wegner Instagram - A blatant and very rare promo from me! I couldn't resist sharing. I have so much love for this film and team... if you're in the UK, go check out LADY MACBETH, in cinemas from April 28th!
Ari Wegner Instagram - Gypsy Lyf....Hotel morningz... 2016 finish line in sight ☺️
Ari Wegner Instagram - Nothing but beautiful people and beautiful places this week. 🙏🏻
Ari Wegner Instagram - Fresh Snow - Happy Stroll ❄️☺️❄️
Ari Wegner Instagram - Irresistible light patch...
Ari Wegner Instagram - South Island dawn, you never disappoint. 👌🏻😍⚡️
Ari Wegner Instagram - Welcome to the City of Angels 👼🏼
Ari Wegner Instagram - Favourite corner, never can resist stopping for a photo ❤️
Ari Wegner Instagram - London Spook 👻
Ari Wegner Instagram - Penang, workin the colour palette.
Ari Wegner Instagram - London massage, setting the bar high....
Ari Wegner Instagram - Fishy flower
Ari Wegner Instagram - Location scouting often brings the best surprises...
Ari Wegner Instagram - Blinman, South Australia.
Ari Wegner Instagram - Thanks for an unforgettable weekend @sideshowgrant @lulupudding @timotawalsh @danielfoeldes @scott.bradshaw @monstera_sydney @leuke and Zac !! ❤️
Ari Wegner Instagram - Another favourite little corner...
Ari Wegner Instagram - Bates-esque Motel
Ari Wegner Instagram - Sometimes the wrap work lights are better than anything :)
Ari Wegner Instagram - Train ride China POV
Ari Wegner Instagram - Long haul vibes
Ari Wegner Instagram - Bathing Beauties
Ari Wegner Instagram - Good morning Abottsford :)
Ari Wegner Instagram - Tasmanian Minimalist
Ari Wegner Instagram - The Bling (Towel) Ring
Ari Wegner Instagram - Reflection festival
Ari Wegner Instagram -
Ari Wegner Instagram - Another week another spectacular car park. Thanks for the wrap rides @sideshowgrant !!
Ari Wegner Instagram - I swell with love when I see this face.
Ari Wegner Instagram - Dawn chills with @sideshowgrant
Ari Wegner Instagram - Rain sun = Auckland
Ari Wegner Instagram - Blood, sweat and tears. Mostly blood.
Ari Wegner Instagram - Calm before the heat storm
Ari Wegner Instagram - Sea Scouts do a fine wallpaper....
Ari Wegner Instagram - Melbournites! Tomorrow night my brilliant sister and her equally awesome partner open the doors to their first restaurantShop Ramen! Its on Smith St, they make the noodles by hand, it tastes amazing, need I say more?! Get amongst it
Ari Wegner Instagram -
Ari Wegner Instagram -
Ari Wegner Instagram - Sydney winter... Workin' it....
Ari Wegner Instagram - AirBnB dawn
Ari Wegner Instagram -
Ari Wegner Instagram - Daffodils watch on.
Ari Wegner Instagram - Where you at this morning Sydney?
Ari Wegner Instagram - Train ride China with @ficrombie
Ari Wegner Instagram - Waves of the sky
Ari Wegner Instagram -
Ari Wegner Instagram -
Ari Wegner Instagram -
Ari Wegner Instagram -
Ari Wegner Instagram - Work lights workin' it...
Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 2.9K Likes - What an incredible night!! 🥰 From someone whose natural habitat is behind the camera, thank you so, so much to the dream team who had me feeling so comfortable and glamorous last night! Y’all nailed it!!! The beautiful stylist @benjaminholtrop, custom tux by the incredible @asanchezfashion, vintage cut crystal from @cannonballandtilly, platinum tipped cowboy boots by @marcellvonberlin, make up by the wonderful @leah_rial, and of course hair by the one and only @paolapeach . Cannot thank you enough!! ❤️‍🔥

2.9K Likes – Ari Wegner Instagram

Caption : What an incredible night!! 🥰 From someone whose natural habitat is behind the camera, thank you so, so much to the dream team who had me feeling so comfortable and glamorous last night! Y’all nailed it!!! The beautiful stylist @benjaminholtrop, custom tux by the incredible @asanchezfashion, vintage cut crystal from @cannonballandtilly, platinum tipped cowboy boots by @marcellvonberlin, make up by the wonderful @leah_rial, and of course hair by the one and only @paolapeach . Cannot thank you enough!! ❤️‍🔥
Likes : 2889Ari Wegner - 2.9K Likes - What an incredible night!! 🥰 From someone whose natural habitat is behind the camera, thank you so, so much to the dream team who had me feeling so comfortable and glamorous last night! Y’all nailed it!!! The beautiful stylist @benjaminholtrop, custom tux by the incredible @asanchezfashion, vintage cut crystal from @cannonballandtilly, platinum tipped cowboy boots by @marcellvonberlin, make up by the wonderful @leah_rial, and of course hair by the one and only @paolapeach . Cannot thank you enough!! ❤️‍🔥

2.9K Likes – Ari Wegner Instagram

Caption : What an incredible night!! 🥰 From someone whose natural habitat is behind the camera, thank you so, so much to the dream team who had me feeling so comfortable and glamorous last night! Y’all nailed it!!! The beautiful stylist @benjaminholtrop, custom tux by the incredible @asanchezfashion, vintage cut crystal from @cannonballandtilly, platinum tipped cowboy boots by @marcellvonberlin, make up by the wonderful @leah_rial, and of course hair by the one and only @paolapeach . Cannot thank you enough!! ❤️‍🔥
Likes : 2889Ari Wegner - 2.1K Likes - So honoured to be invited to join the @the__asc! Such heartfelt gratitude to everyone at the ASC, especially the wonderful DPs who championed my membership @greigfraser_dp @nancyschreiber_asc @amyvvincent @crescenzonotarile Thank you!! I’m eternally grateful to all of the directors who have entrusted me with their projects, to all the incredible cast and crew who I’ve been blessed to collaborate with and for the everlasting support of my husband @leo_woodhead. Big love to you all! ❤️ A very special day, truly honoured.

2.1K Likes – Ari Wegner Instagram

Caption : So honoured to be invited to join the @the__asc! Such heartfelt gratitude to everyone at the ASC, especially the wonderful DPs who championed my membership @greigfraser_dp @nancyschreiber_asc @amyvvincent @crescenzonotarile Thank you!! I’m eternally grateful to all of the directors who have entrusted me with their projects, to all the incredible cast and crew who I’ve been blessed to collaborate with and for the everlasting support of my husband @leo_woodhead. Big love to you all! ❤️ A very special day, truly honoured.
Likes : 2072Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 1.4K Likes - Honoured to have brought this film to life with the incredible @janicza - You are fucking amazing. In collaboration with @jeremyoharris @taylour @rileykeough @kingofbingo @nicholasbraun @zolarmoon @katie_byron #joimcmillon @a24 @killer.films among many, many others. Love you all, so much!🌹🌹

1.4K Likes – Ari Wegner Instagram

Caption : Honoured to have brought this film to life with the incredible @janicza – You are fucking amazing. In collaboration with @jeremyoharris @taylour @rileykeough @kingofbingo @nicholasbraun @zolarmoon @katie_byron #joimcmillon @a24 @killer.films among many, many others. Love you all, so much!🌹🌹
Likes : 1409Ari Wegner - 1.3K Likes - Ode to Unknown Interior Designer of Pittsburg Airport D Gates - 1992 Refurb. (May your work never be updated, it is perfect.)

1.3K Likes – Ari Wegner Instagram

Caption : Ode to Unknown Interior Designer of Pittsburg Airport D Gates – 1992 Refurb. (May your work never be updated, it is perfect.)
Likes : 1254Ari Wegner - 1.3K Likes - Ode to Unknown Interior Designer of Pittsburg Airport D Gates - 1992 Refurb. (May your work never be updated, it is perfect.)

1.3K Likes – Ari Wegner Instagram

Caption : Ode to Unknown Interior Designer of Pittsburg Airport D Gates – 1992 Refurb. (May your work never be updated, it is perfect.)
Likes : 1254Ari Wegner - 1.3K Likes - Ode to Unknown Interior Designer of Pittsburg Airport D Gates - 1992 Refurb. (May your work never be updated, it is perfect.)

1.3K Likes – Ari Wegner Instagram

Caption : Ode to Unknown Interior Designer of Pittsburg Airport D Gates – 1992 Refurb. (May your work never be updated, it is perfect.)
Likes : 1254Ari Wegner - 1.1K Likes - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park

1.1K Likes – Ari Wegner Instagram

Caption : “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama ‘Eileen’. Hear more from Ari via the link in BC’s bio! Catch ‘Eileen’ in cinemas from 1 December. 📸: Jeong Park
Likes : 1144Ari Wegner - 1.1K Likes - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park

1.1K Likes – Ari Wegner Instagram

Caption : “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama ‘Eileen’. Hear more from Ari via the link in BC’s bio! Catch ‘Eileen’ in cinemas from 1 December. 📸: Jeong Park
Likes : 1144Ari Wegner - 1.1K Likes - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park

1.1K Likes – Ari Wegner Instagram

Caption : “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama ‘Eileen’. Hear more from Ari via the link in BC’s bio! Catch ‘Eileen’ in cinemas from 1 December. 📸: Jeong Park
Likes : 1144Ari Wegner - 1.1K Likes - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park

1.1K Likes – Ari Wegner Instagram

Caption : “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama ‘Eileen’. Hear more from Ari via the link in BC’s bio! Catch ‘Eileen’ in cinemas from 1 December. 📸: Jeong Park
Likes : 1144Ari Wegner - 1.1K Likes - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park

1.1K Likes – Ari Wegner Instagram

Caption : “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama ‘Eileen’. Hear more from Ari via the link in BC’s bio! Catch ‘Eileen’ in cinemas from 1 December. 📸: Jeong Park
Likes : 1144Ari Wegner - 1.1K Likes - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park

1.1K Likes – Ari Wegner Instagram

Caption : “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama ‘Eileen’. Hear more from Ari via the link in BC’s bio! Catch ‘Eileen’ in cinemas from 1 December. 📸: Jeong Park
Likes : 1144Ari Wegner - 1.1K Likes - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park

1.1K Likes – Ari Wegner Instagram

Caption : “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama ‘Eileen’. Hear more from Ari via the link in BC’s bio! Catch ‘Eileen’ in cinemas from 1 December. 📸: Jeong Park
Likes : 1144Ari Wegner - 1.1K Likes - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm

1.1K Likes – Ari Wegner Instagram

Caption : Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Likes : 1069Ari Wegner - 1.1K Likes - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm

1.1K Likes – Ari Wegner Instagram

Caption : Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Likes : 1069Ari Wegner - 1.1K Likes - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm

1.1K Likes – Ari Wegner Instagram

Caption : Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Likes : 1069Ari Wegner - 1.1K Likes - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm

1.1K Likes – Ari Wegner Instagram

Caption : Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Likes : 1069Ari Wegner - 1.1K Likes - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm

1.1K Likes – Ari Wegner Instagram

Caption : Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Likes : 1069Ari Wegner - 1.1K Likes - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm

1.1K Likes – Ari Wegner Instagram

Caption : Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Likes : 1069Ari Wegner - 1K Likes - Summer in the City.

1K Likes – Ari Wegner Instagram

Caption : Summer in the City.
Likes : 986Ari Wegner - 830 Likes - Fiscal Measures.

830 Likes – Ari Wegner Instagram

Caption : Fiscal Measures.
Likes : 830Ari Wegner - 728 Likes - North America, meet Katherine! She's not always polite but that might be why you'll love her. Out tomorrow in NYC and LA! More screens nationwide from July 20 and July 28th in Canada. 🗡👰🏼⚰️

728 Likes – Ari Wegner Instagram

Caption : North America, meet Katherine! She’s not always polite but that might be why you’ll love her. Out tomorrow in NYC and LA! More screens nationwide from July 20 and July 28th in Canada. 🗡👰🏼⚰️
Likes : 728Ari Wegner - 726 Likes - Lunch Break ☀️🤓🙏🏻

726 Likes – Ari Wegner Instagram

Caption : Lunch Break ☀️🤓🙏🏻
Likes : 726Ari Wegner - 663 Likes - Am always so incredibly proud and in awe of my sister @lydiawegner but especially today. Tonight her new solo show, Shifting Light, opens @arconegallery. Get along! Tonight 6-8pm or over the next month, show runs today thru April 13th. Big love! Your photography always explodes my mind!

663 Likes – Ari Wegner Instagram

Caption : Am always so incredibly proud and in awe of my sister @lydiawegner but especially today. Tonight her new solo show, Shifting Light, opens @arconegallery. Get along! Tonight 6-8pm or over the next month, show runs today thru April 13th. Big love! Your photography always explodes my mind!
Likes : 663Ari Wegner - 539 Likes - Recce Happiness (AKA Don’t Change a Thing.)

539 Likes – Ari Wegner Instagram

Caption : Recce Happiness (AKA Don’t Change a Thing.)
Likes : 539Ari Wegner - 532 Likes - The Undeniable Splendour of Squash Courts

532 Likes – Ari Wegner Instagram

Caption : The Undeniable Splendour of Squash Courts
Likes : 532Ari Wegner - 502 Likes - Melbourne friends! This Thursday at ACMI, a one-off chance to see STRAY on the big screen in Australia. This film is so dear to me, I wish I could be there. As a DP, so many hours are spent on set looking down a strange little tube at a tiny little image, that image however is quite often designed to be viewed many thousands of times larger and this was certainly the case on STRAY. See it big, you won’t regret it! There’s also a Q&A after with director @dustinfeneley and production designer @whinnies , moderated by the wonderful @glendyn_ivin . Tickets available at the ACMI website. Wish I could make it! @strayfeaturefilm

502 Likes – Ari Wegner Instagram

Caption : Melbourne friends! This Thursday at ACMI, a one-off chance to see STRAY on the big screen in Australia. This film is so dear to me, I wish I could be there. As a DP, so many hours are spent on set looking down a strange little tube at a tiny little image, that image however is quite often designed to be viewed many thousands of times larger and this was certainly the case on STRAY. See it big, you won’t regret it! There’s also a Q&A after with director @dustinfeneley and production designer @whinnies , moderated by the wonderful @glendyn_ivin . Tickets available at the ACMI website. Wish I could make it! @strayfeaturefilm
Likes : 502Ari Wegner - 377 Likes - LA.... You're so hard and yet so soft. ❤

377 Likes – Ari Wegner Instagram

Caption : LA…. You’re so hard and yet so soft. ❤
Likes : 377Ari Wegner - 365 Likes - Nice work on the atmos Central Otago ✌🏻️

365 Likes – Ari Wegner Instagram

Caption : Nice work on the atmos Central Otago ✌🏻️
Likes : 365Ari Wegner - 342 Likes - Hong Kong...You're a pretty cool little town! Thanks for having me @mattdevineagram and @verylittlewing ✌🏻️✌🏻️

342 Likes – Ari Wegner Instagram

Caption : Hong Kong…You’re a pretty cool little town! Thanks for having me @mattdevineagram and @verylittlewing ✌🏻️✌🏻️
Likes : 342Ari Wegner - 342 Likes - Cheeky little sun patch ☺️

342 Likes – Ari Wegner Instagram

Caption : Cheeky little sun patch ☺️
Likes : 342Ari Wegner - 326 Likes - LIVE DISCUSSION with Oscar-nominated cinematographer Ari Wegner (THE POWER OF THE DOG, EILEEN, DRIVE-AWAY DOLLS) this Sunday 1/7 at 3PM PT. Whether shooting a film about a 19th-century Englishwoman bristling against the confines of a loveless marriage (William Oldroyd’s LADY MACBETH) or two strippers road-tripping to Florida for a twisted weekend of scheming (Janicza Bravo’s ZOLA), Galerie curator @ariwegner is known for synthesizing the distinct vision of each director with her own meticulous artistry of framing and light. Wegner joins us this Sunday at 3PM PT to break down her distinctive storytelling principles, delving into the importance of prep, and anatomizing scenes from her work, including THE POWER OF THE DOG (for which she became the second woman in history to be nominated for the Academy Award for Best Cinematography) and Sebastián Lelio’s THE WONDER. https://www.galerie.com/discuss/perspective-and-intuition-ari-wegner

326 Likes – Ari Wegner Instagram

Caption : LIVE DISCUSSION with Oscar-nominated cinematographer Ari Wegner (THE POWER OF THE DOG, EILEEN, DRIVE-AWAY DOLLS) this Sunday 1/7 at 3PM PT. Whether shooting a film about a 19th-century Englishwoman bristling against the confines of a loveless marriage (William Oldroyd’s LADY MACBETH) or two strippers road-tripping to Florida for a twisted weekend of scheming (Janicza Bravo’s ZOLA), Galerie curator @ariwegner is known for synthesizing the distinct vision of each director with her own meticulous artistry of framing and light. Wegner joins us this Sunday at 3PM PT to break down her distinctive storytelling principles, delving into the importance of prep, and anatomizing scenes from her work, including THE POWER OF THE DOG (for which she became the second woman in history to be nominated for the Academy Award for Best Cinematography) and Sebastián Lelio’s THE WONDER. https://www.galerie.com/discuss/perspective-and-intuition-ari-wegner
Likes : 326Ari Wegner - 317 Likes - A blatant and very rare promo from me! I couldn't resist sharing. I have so much love for this film and team... if you're in the UK, go check out LADY MACBETH, in cinemas from April 28th!

317 Likes – Ari Wegner Instagram

Caption : A blatant and very rare promo from me! I couldn’t resist sharing. I have so much love for this film and team… if you’re in the UK, go check out LADY MACBETH, in cinemas from April 28th!
Likes : 317Ari Wegner - 309 Likes - Gypsy Lyf....Hotel morningz... 2016 finish line in sight ☺️

309 Likes – Ari Wegner Instagram

Caption : Gypsy Lyf….Hotel morningz… 2016 finish line in sight ☺️
Likes : 309Ari Wegner - 282 Likes - Nothing but beautiful people and beautiful places this week. 🙏🏻

282 Likes – Ari Wegner Instagram

Caption : Nothing but beautiful people and beautiful places this week. 🙏🏻
Likes : 282Ari Wegner - 254 Likes - Fresh Snow - Happy Stroll ❄️☺️❄️

254 Likes – Ari Wegner Instagram

Caption : Fresh Snow – Happy Stroll ❄️☺️❄️
Likes : 254Ari Wegner - 247 Likes - Irresistible light patch...

247 Likes – Ari Wegner Instagram

Caption : Irresistible light patch…
Likes : 247Ari Wegner - 221 Likes - South Island dawn, you never disappoint. 👌🏻😍⚡️

221 Likes – Ari Wegner Instagram

Caption : South Island dawn, you never disappoint. 👌🏻😍⚡️
Likes : 221Ari Wegner - 219 Likes - Welcome to the City of Angels 👼🏼

219 Likes – Ari Wegner Instagram

Caption : Welcome to the City of Angels 👼🏼
Likes : 219Ari Wegner - 211 Likes - Favourite corner, never can resist stopping for a photo ❤️

211 Likes – Ari Wegner Instagram

Caption : Favourite corner, never can resist stopping for a photo ❤️
Likes : 211Ari Wegner - 201 Likes - London Spook 👻

201 Likes – Ari Wegner Instagram

Caption : London Spook 👻
Likes : 201Ari Wegner - 199 Likes - Penang, workin the colour palette.

199 Likes – Ari Wegner Instagram

Caption : Penang, workin the colour palette.
Likes : 199Ari Wegner - 160 Likes - London massage, setting the bar high....

160 Likes – Ari Wegner Instagram

Caption : London massage, setting the bar high….
Likes : 160Ari Wegner - 154 Likes - Fishy flower

154 Likes – Ari Wegner Instagram

Caption : Fishy flower
Likes : 154Ari Wegner - 136 Likes - Location scouting often brings the best surprises...

136 Likes – Ari Wegner Instagram

Caption : Location scouting often brings the best surprises…
Likes : 136Ari Wegner - 127 Likes - Blinman, South Australia.

127 Likes – Ari Wegner Instagram

Caption : Blinman, South Australia.
Likes : 127Ari Wegner - 126 Likes - Thanks for an unforgettable weekend @sideshowgrant @lulupudding @timotawalsh @danielfoeldes @scott.bradshaw @monstera_sydney @leuke and Zac !! ❤️

126 Likes – Ari Wegner Instagram

Caption : Thanks for an unforgettable weekend @sideshowgrant @lulupudding @timotawalsh @danielfoeldes @scott.bradshaw @monstera_sydney @leuke and Zac !! ❤️
Likes : 126Ari Wegner - 117 Likes - Another favourite little corner...

117 Likes – Ari Wegner Instagram

Caption : Another favourite little corner…
Likes : 117Ari Wegner - 117 Likes - Bates-esque Motel

117 Likes – Ari Wegner Instagram

Caption : Bates-esque Motel
Likes : 117Ari Wegner - 110 Likes - Sometimes the wrap work lights are better than anything :)

110 Likes – Ari Wegner Instagram

Caption : Sometimes the wrap work lights are better than anything 🙂
Likes : 110Ari Wegner - 97 Likes - Train ride China POV

97 Likes – Ari Wegner Instagram

Caption : Train ride China POV
Likes : 97Ari Wegner - 88 Likes - Long haul vibes

88 Likes – Ari Wegner Instagram

Caption : Long haul vibes
Likes : 88Ari Wegner - 81 Likes - Bathing Beauties

81 Likes – Ari Wegner Instagram

Caption : Bathing Beauties
Likes : 81Ari Wegner - 80 Likes - Good morning Abottsford :)

80 Likes – Ari Wegner Instagram

Caption : Good morning Abottsford 🙂
Likes : 80Ari Wegner - 76 Likes - Tasmanian Minimalist

76 Likes – Ari Wegner Instagram

Caption : Tasmanian Minimalist
Likes : 76Ari Wegner - 73 Likes - The Bling (Towel) Ring

73 Likes – Ari Wegner Instagram

Caption : The Bling (Towel) Ring
Likes : 73Ari Wegner - 72 Likes - Reflection festival

72 Likes – Ari Wegner Instagram

Caption : Reflection festival
Likes : 72Ari Wegner - 66 Likes -

66 Likes – Ari Wegner Instagram

Caption :
Likes : 66Ari Wegner - 65 Likes - Another week another spectacular car park. Thanks for the wrap rides @sideshowgrant !!

65 Likes – Ari Wegner Instagram

Caption : Another week another spectacular car park. Thanks for the wrap rides @sideshowgrant !!
Likes : 65Ari Wegner - 65 Likes - I swell with love when I see this face.

65 Likes – Ari Wegner Instagram

Caption : I swell with love when I see this face.
Likes : 65Ari Wegner - 65 Likes - Dawn chills with @sideshowgrant

65 Likes – Ari Wegner Instagram

Caption : Dawn chills with @sideshowgrant
Likes : 65Ari Wegner - 63 Likes - Rain sun = Auckland

63 Likes – Ari Wegner Instagram

Caption : Rain sun = Auckland
Likes : 63Ari Wegner - 62 Likes - Blood, sweat and tears. Mostly blood.

62 Likes – Ari Wegner Instagram

Caption : Blood, sweat and tears. Mostly blood.
Likes : 62Ari Wegner - 61 Likes - Calm before the heat storm

61 Likes – Ari Wegner Instagram

Caption : Calm before the heat storm
Likes : 61Ari Wegner - 60 Likes - Sea Scouts do a fine wallpaper....

60 Likes – Ari Wegner Instagram

Caption : Sea Scouts do a fine wallpaper….
Likes : 60Ari Wegner - 59 Likes - Melbournites! Tomorrow night my brilliant sister and her equally awesome partner open the doors to their first restaurantShop Ramen! Its on Smith St, they make the noodles by hand, it tastes amazing, need I say more?! Get amongst it

59 Likes – Ari Wegner Instagram

Caption : Melbournites! Tomorrow night my brilliant sister and her equally awesome partner open the doors to their first restaurantShop Ramen! Its on Smith St, they make the noodles by hand, it tastes amazing, need I say more?! Get amongst it
Likes : 59Ari Wegner - 59 Likes -

59 Likes – Ari Wegner Instagram

Caption :
Likes : 59Ari Wegner - 58 Likes -

58 Likes – Ari Wegner Instagram

Caption :
Likes : 58Ari Wegner - 56 Likes - Sydney winter... Workin' it....

56 Likes – Ari Wegner Instagram

Caption : Sydney winter… Workin’ it….
Likes : 56Ari Wegner - 56 Likes - AirBnB dawn

56 Likes – Ari Wegner Instagram

Caption : AirBnB dawn
Likes : 56Ari Wegner - 54 Likes -

54 Likes – Ari Wegner Instagram

Caption :
Likes : 54Ari Wegner - 52 Likes - Daffodils watch on.

52 Likes – Ari Wegner Instagram

Caption : Daffodils watch on.
Likes : 52Ari Wegner - 52 Likes - Where you at this morning Sydney?

52 Likes – Ari Wegner Instagram

Caption : Where you at this morning Sydney?
Likes : 52Ari Wegner - 51 Likes - Train ride China with @ficrombie

51 Likes – Ari Wegner Instagram

Caption : Train ride China with @ficrombie
Likes : 51Ari Wegner - 48 Likes - Waves of the sky

48 Likes – Ari Wegner Instagram

Caption : Waves of the sky
Likes : 48Ari Wegner - 45 Likes -

45 Likes – Ari Wegner Instagram

Caption :
Likes : 45Ari Wegner - 44 Likes -

44 Likes – Ari Wegner Instagram

Caption :
Likes : 44Ari Wegner - 44 Likes -

44 Likes – Ari Wegner Instagram

Caption :
Likes : 44Ari Wegner - 43 Likes -

43 Likes – Ari Wegner Instagram

Caption :
Likes : 43Ari Wegner - 40 Likes - Work lights workin' it...

40 Likes – Ari Wegner Instagram

Caption : Work lights workin’ it…
Likes : 40
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