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Ari Wegner Most Liked Photos and Posts

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Most liked photo of Ari Wegner with over 4.4K likes is the following photo

Most liked Instagram photo of Ari Wegner
We have around 55 most liked photos of Ari Wegner with the thumbnails listed below. Click on any of them to view the full image along with its caption, like count, and a button to download the photo.

Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Ari Wegner Instagram - What an incredible night!! 🥰 From someone whose natural habitat is behind the camera, thank you so, so much to the dream team who had me feeling so comfortable and glamorous last night! Y’all nailed it!!! The beautiful stylist @benjaminholtrop, custom tux by the incredible @asanchezfashion, vintage cut crystal from @cannonballandtilly, platinum tipped cowboy boots by @marcellvonberlin, make up by the wonderful @leah_rial, and of course hair by the one and only @paolapeach . Cannot thank you enough!! ❤️‍🔥
Ari Wegner Instagram - So honoured to be invited to join the @the__asc! Such heartfelt gratitude to everyone at the ASC, especially the wonderful DPs who championed my membership @greigfraser_dp @nancyschreiber_asc @amyvvincent @crescenzonotarile Thank you!! I’m eternally grateful to all of the directors who have entrusted me with their projects, to all the incredible cast and crew who I’ve been blessed to collaborate with and for the everlasting support of my husband @leo_woodhead. Big love to you all! ❤️ A very special day, truly honoured.
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Ari Wegner Instagram - Ode to Unknown Interior Designer of Pittsburg Airport D Gates - 1992 Refurb. (May your work never be updated, it is perfect.)
Ari Wegner Instagram - Ode to Unknown Interior Designer of Pittsburg Airport D Gates - 1992 Refurb. (May your work never be updated, it is perfect.)
Ari Wegner Instagram - Ode to Unknown Interior Designer of Pittsburg Airport D Gates - 1992 Refurb. (May your work never be updated, it is perfect.)
Ari Wegner Instagram - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park
Ari Wegner Instagram - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park
Ari Wegner Instagram - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park
Ari Wegner Instagram - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park
Ari Wegner Instagram - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park
Ari Wegner Instagram - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park
Ari Wegner Instagram - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park
Ari Wegner Instagram - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Ari Wegner Instagram - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Ari Wegner Instagram - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Ari Wegner Instagram - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Ari Wegner Instagram - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Ari Wegner Instagram - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Ari Wegner Instagram - Summer in the City.
Ari Wegner Instagram - Fiscal Measures.
Ari Wegner Instagram - Lunch Break ☀️🤓🙏🏻
Ari Wegner Instagram - Am always so incredibly proud and in awe of my sister @lydiawegner but especially today. Tonight her new solo show, Shifting Light, opens @arconegallery. Get along! Tonight 6-8pm or over the next month, show runs today thru April 13th. Big love! Your photography always explodes my mind!
Ari Wegner Instagram - Recce Happiness (AKA Don’t Change a Thing.)
Ari Wegner Instagram - The Undeniable Splendour of Squash Courts
Ari Wegner Instagram - Melbourne friends! This Thursday at ACMI, a one-off chance to see STRAY on the big screen in Australia. This film is so dear to me, I wish I could be there. As a DP, so many hours are spent on set looking down a strange little tube at a tiny little image, that image however is quite often designed to be viewed many thousands of times larger and this was certainly the case on STRAY. See it big, you won’t regret it! There’s also a Q&A after with director @dustinfeneley and production designer @whinnies , moderated by the wonderful @glendyn_ivin . Tickets available at the ACMI website. Wish I could make it! @strayfeaturefilm
Ari Wegner Instagram - LA.... You're so hard and yet so soft. ❤
Ari Wegner Instagram - Nice work on the atmos Central Otago ✌🏻️
Ari Wegner Instagram - Hong Kong...You're a pretty cool little town! Thanks for having me @mattdevineagram and @verylittlewing ✌🏻️✌🏻️
Ari Wegner Instagram - Cheeky little sun patch ☺️
Ari Wegner Instagram - Gypsy Lyf....Hotel morningz... 2016 finish line in sight ☺️
Ari Wegner Instagram - Nothing but beautiful people and beautiful places this week. 🙏🏻
Ari Wegner Instagram - Fresh Snow - Happy Stroll ❄️☺️❄️
Ari Wegner Instagram - Irresistible light patch...
Ari Wegner Instagram - South Island dawn, you never disappoint. 👌🏻😍⚡️
Ari Wegner Instagram - Welcome to the City of Angels 👼🏼
Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 4.4K Likes - "We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie." Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.

4.4K Likes – Ari Wegner Instagram

Caption : “We’d initially decided to shoot in the 1.85:1 aspect ratio, but when we started drawing, we found our drawings were going off the edges, and the film was telling us it wanted to be widescreen. At the same time, we both knew we weren’t being drawn towards 2x anamorphic. It felt like too strong of a look for what we wanted. When I mentioned the 1.3x anamorphic to Jane, that was really exciting for us, because it was a bit of the best of both worlds, spherical and anamorphic. Plus, a vintage lens is always a lovely thing to have on a period movie.” Cinematographer @ariwegner recounts her collaboration with director Jane Campion for #ThePoweroftheDog. Serviced by #Panavision Auckland with Ultra Panatar large-format anamorphic optics. Want to know more about inspiration, capturing landscapes, and storytelling through camera movement? Read the interview at the link in our bio.
Likes : 4356Ari Wegner - 2.9K Likes - What an incredible night!! 🥰 From someone whose natural habitat is behind the camera, thank you so, so much to the dream team who had me feeling so comfortable and glamorous last night! Y’all nailed it!!! The beautiful stylist @benjaminholtrop, custom tux by the incredible @asanchezfashion, vintage cut crystal from @cannonballandtilly, platinum tipped cowboy boots by @marcellvonberlin, make up by the wonderful @leah_rial, and of course hair by the one and only @paolapeach . Cannot thank you enough!! ❤️‍🔥

2.9K Likes – Ari Wegner Instagram

Caption : What an incredible night!! 🥰 From someone whose natural habitat is behind the camera, thank you so, so much to the dream team who had me feeling so comfortable and glamorous last night! Y’all nailed it!!! The beautiful stylist @benjaminholtrop, custom tux by the incredible @asanchezfashion, vintage cut crystal from @cannonballandtilly, platinum tipped cowboy boots by @marcellvonberlin, make up by the wonderful @leah_rial, and of course hair by the one and only @paolapeach . Cannot thank you enough!! ❤️‍🔥
Likes : 2889Ari Wegner - 2.1K Likes - So honoured to be invited to join the @the__asc! Such heartfelt gratitude to everyone at the ASC, especially the wonderful DPs who championed my membership @greigfraser_dp @nancyschreiber_asc @amyvvincent @crescenzonotarile Thank you!! I’m eternally grateful to all of the directors who have entrusted me with their projects, to all the incredible cast and crew who I’ve been blessed to collaborate with and for the everlasting support of my husband @leo_woodhead. Big love to you all! ❤️ A very special day, truly honoured.

2.1K Likes – Ari Wegner Instagram

Caption : So honoured to be invited to join the @the__asc! Such heartfelt gratitude to everyone at the ASC, especially the wonderful DPs who championed my membership @greigfraser_dp @nancyschreiber_asc @amyvvincent @crescenzonotarile Thank you!! I’m eternally grateful to all of the directors who have entrusted me with their projects, to all the incredible cast and crew who I’ve been blessed to collaborate with and for the everlasting support of my husband @leo_woodhead. Big love to you all! ❤️ A very special day, truly honoured.
Likes : 2072Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 2K Likes - “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. 'The Wonder' is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of 'The Wonder'. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan - @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies

2K Likes – Ari Wegner Instagram

Caption : “We wanted to find a way to inject colour and life wherever we could, and to avoid the film being too visually depressing. ‘The Wonder’ is also a story about a potential miracle and Lib is very full of life and energy, so we wanted colour to play a big role – such as Lib’s vivid blue dress, the green walls and the vibrance of the fire light. “We also did a lot of planning about curtains, shutters, specific wall colours and how shiny they should be. The sets were designed with these kind of lumpy, shiny green walls so they would appear both green and golden in the parts where they reflected the lamp and firelight.” Ari Wegner ASC ACS on achieving the unique colour palette of ‘The Wonder’. Swipe for BTS and read the full interview via the link in bio. 📸: Netflix/Aidan Monaghan – @ariwegner #FlorencePugh #TheWonder #cinema #film #dop #filmmaking #cinematography #BritishCinematographer #movies
Likes : 1952Ari Wegner - 1.3K Likes - Ode to Unknown Interior Designer of Pittsburg Airport D Gates - 1992 Refurb. (May your work never be updated, it is perfect.)

1.3K Likes – Ari Wegner Instagram

Caption : Ode to Unknown Interior Designer of Pittsburg Airport D Gates – 1992 Refurb. (May your work never be updated, it is perfect.)
Likes : 1254Ari Wegner - 1.3K Likes - Ode to Unknown Interior Designer of Pittsburg Airport D Gates - 1992 Refurb. (May your work never be updated, it is perfect.)

1.3K Likes – Ari Wegner Instagram

Caption : Ode to Unknown Interior Designer of Pittsburg Airport D Gates – 1992 Refurb. (May your work never be updated, it is perfect.)
Likes : 1254Ari Wegner - 1.3K Likes - Ode to Unknown Interior Designer of Pittsburg Airport D Gates - 1992 Refurb. (May your work never be updated, it is perfect.)

1.3K Likes – Ari Wegner Instagram

Caption : Ode to Unknown Interior Designer of Pittsburg Airport D Gates – 1992 Refurb. (May your work never be updated, it is perfect.)
Likes : 1254Ari Wegner - 1.1K Likes - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park

1.1K Likes – Ari Wegner Instagram

Caption : “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama ‘Eileen’. Hear more from Ari via the link in BC’s bio! Catch ‘Eileen’ in cinemas from 1 December. 📸: Jeong Park
Likes : 1144Ari Wegner - 1.1K Likes - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park

1.1K Likes – Ari Wegner Instagram

Caption : “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama ‘Eileen’. Hear more from Ari via the link in BC’s bio! Catch ‘Eileen’ in cinemas from 1 December. 📸: Jeong Park
Likes : 1144Ari Wegner - 1.1K Likes - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park

1.1K Likes – Ari Wegner Instagram

Caption : “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama ‘Eileen’. Hear more from Ari via the link in BC’s bio! Catch ‘Eileen’ in cinemas from 1 December. 📸: Jeong Park
Likes : 1144Ari Wegner - 1.1K Likes - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park

1.1K Likes – Ari Wegner Instagram

Caption : “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama ‘Eileen’. Hear more from Ari via the link in BC’s bio! Catch ‘Eileen’ in cinemas from 1 December. 📸: Jeong Park
Likes : 1144Ari Wegner - 1.1K Likes - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park

1.1K Likes – Ari Wegner Instagram

Caption : “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama ‘Eileen’. Hear more from Ari via the link in BC’s bio! Catch ‘Eileen’ in cinemas from 1 December. 📸: Jeong Park
Likes : 1144Ari Wegner - 1.1K Likes - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park

1.1K Likes – Ari Wegner Instagram

Caption : “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama ‘Eileen’. Hear more from Ari via the link in BC’s bio! Catch ‘Eileen’ in cinemas from 1 December. 📸: Jeong Park
Likes : 1144Ari Wegner - 1.1K Likes - “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama 'Eileen'. Hear more from Ari via the link in BC's bio! Catch 'Eileen' in cinemas from 1 December. 📸: Jeong Park

1.1K Likes – Ari Wegner Instagram

Caption : “From a visual perspective the challenge was to closely track where the audience’s mind is in relation to our main character. You’ve got to help them visually, manipulate them, to fall in love with Eileen knowing you are going to take them to a very challenging place.” Ari Wegner ASC ACS on her work on gripping psycho-drama ‘Eileen’. Hear more from Ari via the link in BC’s bio! Catch ‘Eileen’ in cinemas from 1 December. 📸: Jeong Park
Likes : 1144Ari Wegner - 1.1K Likes - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm

1.1K Likes – Ari Wegner Instagram

Caption : Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Likes : 1069Ari Wegner - 1.1K Likes - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm

1.1K Likes – Ari Wegner Instagram

Caption : Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Likes : 1069Ari Wegner - 1.1K Likes - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm

1.1K Likes – Ari Wegner Instagram

Caption : Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Likes : 1069Ari Wegner - 1.1K Likes - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm

1.1K Likes – Ari Wegner Instagram

Caption : Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Likes : 1069Ari Wegner - 1.1K Likes - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm

1.1K Likes – Ari Wegner Instagram

Caption : Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Likes : 1069Ari Wegner - 1.1K Likes - Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm

1.1K Likes – Ari Wegner Instagram

Caption : Almost 10 years ago I started talking with @dustinfeneley about a film called STRAY. It was the longest and most rewarding journey, via many miracles to get to Day 1 of the shoot so it makes me so damn happy to see this STRAY released in cinemas throughout NZ this weekend.❤️Link in bio for screening details and big, big love especially to everyone in Queenstown who made this crazy dream possible! 🙏🏻🙏🏻🙏🏻 @strayfeaturefilm
Likes : 1069Ari Wegner - 1K Likes - Summer in the City.

1K Likes – Ari Wegner Instagram

Caption : Summer in the City.
Likes : 986Ari Wegner - 830 Likes - Fiscal Measures.

830 Likes – Ari Wegner Instagram

Caption : Fiscal Measures.
Likes : 830Ari Wegner - 726 Likes - Lunch Break ☀️🤓🙏🏻

726 Likes – Ari Wegner Instagram

Caption : Lunch Break ☀️🤓🙏🏻
Likes : 726Ari Wegner - 663 Likes - Am always so incredibly proud and in awe of my sister @lydiawegner but especially today. Tonight her new solo show, Shifting Light, opens @arconegallery. Get along! Tonight 6-8pm or over the next month, show runs today thru April 13th. Big love! Your photography always explodes my mind!

663 Likes – Ari Wegner Instagram

Caption : Am always so incredibly proud and in awe of my sister @lydiawegner but especially today. Tonight her new solo show, Shifting Light, opens @arconegallery. Get along! Tonight 6-8pm or over the next month, show runs today thru April 13th. Big love! Your photography always explodes my mind!
Likes : 663Ari Wegner - 539 Likes - Recce Happiness (AKA Don’t Change a Thing.)

539 Likes – Ari Wegner Instagram

Caption : Recce Happiness (AKA Don’t Change a Thing.)
Likes : 539Ari Wegner - 532 Likes - The Undeniable Splendour of Squash Courts

532 Likes – Ari Wegner Instagram

Caption : The Undeniable Splendour of Squash Courts
Likes : 532Ari Wegner - 502 Likes - Melbourne friends! This Thursday at ACMI, a one-off chance to see STRAY on the big screen in Australia. This film is so dear to me, I wish I could be there. As a DP, so many hours are spent on set looking down a strange little tube at a tiny little image, that image however is quite often designed to be viewed many thousands of times larger and this was certainly the case on STRAY. See it big, you won’t regret it! There’s also a Q&A after with director @dustinfeneley and production designer @whinnies , moderated by the wonderful @glendyn_ivin . Tickets available at the ACMI website. Wish I could make it! @strayfeaturefilm

502 Likes – Ari Wegner Instagram

Caption : Melbourne friends! This Thursday at ACMI, a one-off chance to see STRAY on the big screen in Australia. This film is so dear to me, I wish I could be there. As a DP, so many hours are spent on set looking down a strange little tube at a tiny little image, that image however is quite often designed to be viewed many thousands of times larger and this was certainly the case on STRAY. See it big, you won’t regret it! There’s also a Q&A after with director @dustinfeneley and production designer @whinnies , moderated by the wonderful @glendyn_ivin . Tickets available at the ACMI website. Wish I could make it! @strayfeaturefilm
Likes : 502Ari Wegner - 377 Likes - LA.... You're so hard and yet so soft. ❤

377 Likes – Ari Wegner Instagram

Caption : LA…. You’re so hard and yet so soft. ❤
Likes : 377Ari Wegner - 365 Likes - Nice work on the atmos Central Otago ✌🏻️

365 Likes – Ari Wegner Instagram

Caption : Nice work on the atmos Central Otago ✌🏻️
Likes : 365Ari Wegner - 342 Likes - Hong Kong...You're a pretty cool little town! Thanks for having me @mattdevineagram and @verylittlewing ✌🏻️✌🏻️

342 Likes – Ari Wegner Instagram

Caption : Hong Kong…You’re a pretty cool little town! Thanks for having me @mattdevineagram and @verylittlewing ✌🏻️✌🏻️
Likes : 342Ari Wegner - 342 Likes - Cheeky little sun patch ☺️

342 Likes – Ari Wegner Instagram

Caption : Cheeky little sun patch ☺️
Likes : 342Ari Wegner - 309 Likes - Gypsy Lyf....Hotel morningz... 2016 finish line in sight ☺️

309 Likes – Ari Wegner Instagram

Caption : Gypsy Lyf….Hotel morningz… 2016 finish line in sight ☺️
Likes : 309Ari Wegner - 282 Likes - Nothing but beautiful people and beautiful places this week. 🙏🏻

282 Likes – Ari Wegner Instagram

Caption : Nothing but beautiful people and beautiful places this week. 🙏🏻
Likes : 282Ari Wegner - 254 Likes - Fresh Snow - Happy Stroll ❄️☺️❄️

254 Likes – Ari Wegner Instagram

Caption : Fresh Snow – Happy Stroll ❄️☺️❄️
Likes : 254Ari Wegner - 247 Likes - Irresistible light patch...

247 Likes – Ari Wegner Instagram

Caption : Irresistible light patch…
Likes : 247Ari Wegner - 221 Likes - South Island dawn, you never disappoint. 👌🏻😍⚡️

221 Likes – Ari Wegner Instagram

Caption : South Island dawn, you never disappoint. 👌🏻😍⚡️
Likes : 221Ari Wegner - 219 Likes - Welcome to the City of Angels 👼🏼

219 Likes – Ari Wegner Instagram

Caption : Welcome to the City of Angels 👼🏼
Likes : 219
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