Syd just needs a smoke break. Lol. MONSTERS The Lyle and Erik Mendez Story was an incredible set experince to be apart of. I could gush… I will gush. From seeing the intricacies of the wardrobe team- building around their inspiration boards. To the fitting- and the millions of different collar options, down to right buttons..every detail mattered. Every detail should be period appropriate and serve the story. That energy- and attention to detail was in every dept thereafter/ from makeup, curling the (thousands) of individual strands in the hair trailer, to shoes and belts. The teamsters gluing the threads together and arriving on location to the entire crews masterpiece. An absolutely stunning display of light, props, art, world building and sound we got to play within. Cinematography by @jason_mccormick who painted these frames with such precision Post production (lead female editor Peggy Tachdjian) polishing the stone. Ugh. I love this work. Was so grateful for this scene, this puzzle piece to the bigger story. Carl Franklin immediately created a safe and approachable set to be apart of. He was a joy to work with, as were my scene partners. There was a palpable life, thickness in the air that Nicholas Chavez and Cooper Koch built together, and within themselves individually. I’m so excited to see their work in the rest of the series. Thank you to casting ( Tiffany Little Canfield,Josh Einsohn, Bernard Telsey) @thetelseyoffice @josheinsohn @danagaier My powerhouse of a manager @citizenskull.liz And Ryan Murphy @ryanmurphyproductions Ian Brennan for creating projects like these for us all to be apart of! 🪄and of course the magic is always there. I ran into several friends who were apart of crew, or apart of the show! Ahhh! There’s no feeling like it. Lemme keep doing this, infront and behind camera and I’ll be happy 🥰💫
Syd just needs a smoke break. Lol. MONSTERS The Lyle and Erik Mendez Story was an incredible set experince to be apart of. I could gush… I will gush. From seeing the intricacies of the wardrobe team- building around their inspiration boards. To the fitting- and the millions of different collar options, down to right buttons..every detail mattered. Every detail should be period appropriate and serve the story. That energy- and attention to detail was in every dept thereafter/ from makeup, curling the (thousands) of individual strands in the hair trailer, to shoes and belts. The teamsters gluing the threads together and arriving on location to the entire crews masterpiece. An absolutely stunning display of light, props, art, world building and sound we got to play within. Cinematography by @jason_mccormick who painted these frames with such precision Post production (lead female editor Peggy Tachdjian) polishing the stone. Ugh. I love this work. Was so grateful for this scene, this puzzle piece to the bigger story. Carl Franklin immediately created a safe and approachable set to be apart of. He was a joy to work with, as were my scene partners. There was a palpable life, thickness in the air that Nicholas Chavez and Cooper Koch built together, and within themselves individually. I’m so excited to see their work in the rest of the series. Thank you to casting ( Tiffany Little Canfield,Josh Einsohn, Bernard Telsey) @thetelseyoffice @josheinsohn @danagaier My powerhouse of a manager @citizenskull.liz And Ryan Murphy @ryanmurphyproductions Ian Brennan for creating projects like these for us all to be apart of! 🪄and of course the magic is always there. I ran into several friends who were apart of crew, or apart of the show! Ahhh! There’s no feeling like it. Lemme keep doing this, infront and behind camera and I’ll be happy 🥰💫
Syd just needs a smoke break. Lol. MONSTERS The Lyle and Erik Mendez Story was an incredible set experince to be apart of. I could gush… I will gush. From seeing the intricacies of the wardrobe team- building around their inspiration boards. To the fitting- and the millions of different collar options, down to right buttons..every detail mattered. Every detail should be period appropriate and serve the story. That energy- and attention to detail was in every dept thereafter/ from makeup, curling the (thousands) of individual strands in the hair trailer, to shoes and belts. The teamsters gluing the threads together and arriving on location to the entire crews masterpiece. An absolutely stunning display of light, props, art, world building and sound we got to play within. Cinematography by @jason_mccormick who painted these frames with such precision Post production (lead female editor Peggy Tachdjian) polishing the stone. Ugh. I love this work. Was so grateful for this scene, this puzzle piece to the bigger story. Carl Franklin immediately created a safe and approachable set to be apart of. He was a joy to work with, as were my scene partners. There was a palpable life, thickness in the air that Nicholas Chavez and Cooper Koch built together, and within themselves individually. I’m so excited to see their work in the rest of the series. Thank you to casting ( Tiffany Little Canfield,Josh Einsohn, Bernard Telsey) @thetelseyoffice @josheinsohn @danagaier My powerhouse of a manager @citizenskull.liz And Ryan Murphy @ryanmurphyproductions Ian Brennan for creating projects like these for us all to be apart of! 🪄and of course the magic is always there. I ran into several friends who were apart of crew, or apart of the show! Ahhh! There’s no feeling like it. Lemme keep doing this, infront and behind camera and I’ll be happy 🥰💫
Syd just needs a smoke break. Lol. MONSTERS The Lyle and Erik Mendez Story was an incredible set experince to be apart of. I could gush… I will gush. From seeing the intricacies of the wardrobe team- building around their inspiration boards. To the fitting- and the millions of different collar options, down to right buttons..every detail mattered. Every detail should be period appropriate and serve the story. That energy- and attention to detail was in every dept thereafter/ from makeup, curling the (thousands) of individual strands in the hair trailer, to shoes and belts. The teamsters gluing the threads together and arriving on location to the entire crews masterpiece. An absolutely stunning display of light, props, art, world building and sound we got to play within. Cinematography by @jason_mccormick who painted these frames with such precision Post production (lead female editor Peggy Tachdjian) polishing the stone. Ugh. I love this work. Was so grateful for this scene, this puzzle piece to the bigger story. Carl Franklin immediately created a safe and approachable set to be apart of. He was a joy to work with, as were my scene partners. There was a palpable life, thickness in the air that Nicholas Chavez and Cooper Koch built together, and within themselves individually. I’m so excited to see their work in the rest of the series. Thank you to casting ( Tiffany Little Canfield,Josh Einsohn, Bernard Telsey) @thetelseyoffice @josheinsohn @danagaier My powerhouse of a manager @citizenskull.liz And Ryan Murphy @ryanmurphyproductions Ian Brennan for creating projects like these for us all to be apart of! 🪄and of course the magic is always there. I ran into several friends who were apart of crew, or apart of the show! Ahhh! There’s no feeling like it. Lemme keep doing this, infront and behind camera and I’ll be happy 🥰💫
Syd just needs a smoke break. Lol. MONSTERS The Lyle and Erik Mendez Story was an incredible set experince to be apart of. I could gush… I will gush. From seeing the intricacies of the wardrobe team- building around their inspiration boards. To the fitting- and the millions of different collar options, down to right buttons..every detail mattered. Every detail should be period appropriate and serve the story. That energy- and attention to detail was in every dept thereafter/ from makeup, curling the (thousands) of individual strands in the hair trailer, to shoes and belts. The teamsters gluing the threads together and arriving on location to the entire crews masterpiece. An absolutely stunning display of light, props, art, world building and sound we got to play within. Cinematography by @jason_mccormick who painted these frames with such precision Post production (lead female editor Peggy Tachdjian) polishing the stone. Ugh. I love this work. Was so grateful for this scene, this puzzle piece to the bigger story. Carl Franklin immediately created a safe and approachable set to be apart of. He was a joy to work with, as were my scene partners. There was a palpable life, thickness in the air that Nicholas Chavez and Cooper Koch built together, and within themselves individually. I’m so excited to see their work in the rest of the series. Thank you to casting ( Tiffany Little Canfield,Josh Einsohn, Bernard Telsey) @thetelseyoffice @josheinsohn @danagaier My powerhouse of a manager @citizenskull.liz And Ryan Murphy @ryanmurphyproductions Ian Brennan for creating projects like these for us all to be apart of! 🪄and of course the magic is always there. I ran into several friends who were apart of crew, or apart of the show! Ahhh! There’s no feeling like it. Lemme keep doing this, infront and behind camera and I’ll be happy 🥰💫
Syd just needs a smoke break. Lol. MONSTERS The Lyle and Erik Mendez Story was an incredible set experince to be apart of. I could gush… I will gush. From seeing the intricacies of the wardrobe team- building around their inspiration boards. To the fitting- and the millions of different collar options, down to right buttons..every detail mattered. Every detail should be period appropriate and serve the story. That energy- and attention to detail was in every dept thereafter/ from makeup, curling the (thousands) of individual strands in the hair trailer, to shoes and belts. The teamsters gluing the threads together and arriving on location to the entire crews masterpiece. An absolutely stunning display of light, props, art, world building and sound we got to play within. Cinematography by @jason_mccormick who painted these frames with such precision Post production (lead female editor Peggy Tachdjian) polishing the stone. Ugh. I love this work. Was so grateful for this scene, this puzzle piece to the bigger story. Carl Franklin immediately created a safe and approachable set to be apart of. He was a joy to work with, as were my scene partners. There was a palpable life, thickness in the air that Nicholas Chavez and Cooper Koch built together, and within themselves individually. I’m so excited to see their work in the rest of the series. Thank you to casting ( Tiffany Little Canfield,Josh Einsohn, Bernard Telsey) @thetelseyoffice @josheinsohn @danagaier My powerhouse of a manager @citizenskull.liz And Ryan Murphy @ryanmurphyproductions Ian Brennan for creating projects like these for us all to be apart of! 🪄and of course the magic is always there. I ran into several friends who were apart of crew, or apart of the show! Ahhh! There’s no feeling like it. Lemme keep doing this, infront and behind camera and I’ll be happy 🥰💫
Syd just needs a smoke break. Lol. MONSTERS The Lyle and Erik Mendez Story was an incredible set experince to be apart of. I could gush… I will gush. From seeing the intricacies of the wardrobe team- building around their inspiration boards. To the fitting- and the millions of different collar options, down to right buttons..every detail mattered. Every detail should be period appropriate and serve the story. That energy- and attention to detail was in every dept thereafter/ from makeup, curling the (thousands) of individual strands in the hair trailer, to shoes and belts. The teamsters gluing the threads together and arriving on location to the entire crews masterpiece. An absolutely stunning display of light, props, art, world building and sound we got to play within. Cinematography by @jason_mccormick who painted these frames with such precision Post production (lead female editor Peggy Tachdjian) polishing the stone. Ugh. I love this work. Was so grateful for this scene, this puzzle piece to the bigger story. Carl Franklin immediately created a safe and approachable set to be apart of. He was a joy to work with, as were my scene partners. There was a palpable life, thickness in the air that Nicholas Chavez and Cooper Koch built together, and within themselves individually. I’m so excited to see their work in the rest of the series. Thank you to casting ( Tiffany Little Canfield,Josh Einsohn, Bernard Telsey) @thetelseyoffice @josheinsohn @danagaier My powerhouse of a manager @citizenskull.liz And Ryan Murphy @ryanmurphyproductions Ian Brennan for creating projects like these for us all to be apart of! 🪄and of course the magic is always there. I ran into several friends who were apart of crew, or apart of the show! Ahhh! There’s no feeling like it. Lemme keep doing this, infront and behind camera and I’ll be happy 🥰💫
Syd just needs a smoke break. Lol. MONSTERS The Lyle and Erik Mendez Story was an incredible set experince to be apart of. I could gush… I will gush. From seeing the intricacies of the wardrobe team- building around their inspiration boards. To the fitting- and the millions of different collar options, down to right buttons..every detail mattered. Every detail should be period appropriate and serve the story. That energy- and attention to detail was in every dept thereafter/ from makeup, curling the (thousands) of individual strands in the hair trailer, to shoes and belts. The teamsters gluing the threads together and arriving on location to the entire crews masterpiece. An absolutely stunning display of light, props, art, world building and sound we got to play within. Cinematography by @jason_mccormick who painted these frames with such precision Post production (lead female editor Peggy Tachdjian) polishing the stone. Ugh. I love this work. Was so grateful for this scene, this puzzle piece to the bigger story. Carl Franklin immediately created a safe and approachable set to be apart of. He was a joy to work with, as were my scene partners. There was a palpable life, thickness in the air that Nicholas Chavez and Cooper Koch built together, and within themselves individually. I’m so excited to see their work in the rest of the series. Thank you to casting ( Tiffany Little Canfield,Josh Einsohn, Bernard Telsey) @thetelseyoffice @josheinsohn @danagaier My powerhouse of a manager @citizenskull.liz And Ryan Murphy @ryanmurphyproductions Ian Brennan for creating projects like these for us all to be apart of! 🪄and of course the magic is always there. I ran into several friends who were apart of crew, or apart of the show! Ahhh! There’s no feeling like it. Lemme keep doing this, infront and behind camera and I’ll be happy 🥰💫
Syd just needs a smoke break. Lol. MONSTERS The Lyle and Erik Mendez Story was an incredible set experince to be apart of. I could gush… I will gush. From seeing the intricacies of the wardrobe team- building around their inspiration boards. To the fitting- and the millions of different collar options, down to right buttons..every detail mattered. Every detail should be period appropriate and serve the story. That energy- and attention to detail was in every dept thereafter/ from makeup, curling the (thousands) of individual strands in the hair trailer, to shoes and belts. The teamsters gluing the threads together and arriving on location to the entire crews masterpiece. An absolutely stunning display of light, props, art, world building and sound we got to play within. Cinematography by @jason_mccormick who painted these frames with such precision Post production (lead female editor Peggy Tachdjian) polishing the stone. Ugh. I love this work. Was so grateful for this scene, this puzzle piece to the bigger story. Carl Franklin immediately created a safe and approachable set to be apart of. He was a joy to work with, as were my scene partners. There was a palpable life, thickness in the air that Nicholas Chavez and Cooper Koch built together, and within themselves individually. I’m so excited to see their work in the rest of the series. Thank you to casting ( Tiffany Little Canfield,Josh Einsohn, Bernard Telsey) @thetelseyoffice @josheinsohn @danagaier My powerhouse of a manager @citizenskull.liz And Ryan Murphy @ryanmurphyproductions Ian Brennan for creating projects like these for us all to be apart of! 🪄and of course the magic is always there. I ran into several friends who were apart of crew, or apart of the show! Ahhh! There’s no feeling like it. Lemme keep doing this, infront and behind camera and I’ll be happy 🥰💫
@kaelynreneart and I got to build a forest for @stephenglickman ‘s “Paralyzed” MV out now – ty to the mastermind @locustgarden for letting us play with dirt for the day! and I loved working with this incredible crew 🥲❤️ DP/Director @locustgarden 1st AC @stammerheadshark Gaffer @nickwgarcia Key Grip @dir_artemio Unreal Engine & Virtual Wall VFX Design @mangoquaffer Wardrobe @rubiescostumecompany Art Director & Propmaster @propstohistory Prop assist @heygude Art & Best Boy @sparksss Art @kaelynreneart MUA @nicoleashermua @g.palm.makeup Filter @cinepacks.filters SPLIT I & HALF CRYSTAL
@kaelynreneart and I got to build a forest for @stephenglickman ‘s “Paralyzed” MV out now – ty to the mastermind @locustgarden for letting us play with dirt for the day! and I loved working with this incredible crew 🥲❤️ DP/Director @locustgarden 1st AC @stammerheadshark Gaffer @nickwgarcia Key Grip @dir_artemio Unreal Engine & Virtual Wall VFX Design @mangoquaffer Wardrobe @rubiescostumecompany Art Director & Propmaster @propstohistory Prop assist @heygude Art & Best Boy @sparksss Art @kaelynreneart MUA @nicoleashermua @g.palm.makeup Filter @cinepacks.filters SPLIT I & HALF CRYSTAL
@kaelynreneart and I got to build a forest for @stephenglickman ‘s “Paralyzed” MV out now – ty to the mastermind @locustgarden for letting us play with dirt for the day! and I loved working with this incredible crew 🥲❤️ DP/Director @locustgarden 1st AC @stammerheadshark Gaffer @nickwgarcia Key Grip @dir_artemio Unreal Engine & Virtual Wall VFX Design @mangoquaffer Wardrobe @rubiescostumecompany Art Director & Propmaster @propstohistory Prop assist @heygude Art & Best Boy @sparksss Art @kaelynreneart MUA @nicoleashermua @g.palm.makeup Filter @cinepacks.filters SPLIT I & HALF CRYSTAL
@kaelynreneart and I got to build a forest for @stephenglickman ‘s “Paralyzed” MV out now – ty to the mastermind @locustgarden for letting us play with dirt for the day! and I loved working with this incredible crew 🥲❤️ DP/Director @locustgarden 1st AC @stammerheadshark Gaffer @nickwgarcia Key Grip @dir_artemio Unreal Engine & Virtual Wall VFX Design @mangoquaffer Wardrobe @rubiescostumecompany Art Director & Propmaster @propstohistory Prop assist @heygude Art & Best Boy @sparksss Art @kaelynreneart MUA @nicoleashermua @g.palm.makeup Filter @cinepacks.filters SPLIT I & HALF CRYSTAL
@kaelynreneart and I got to build a forest for @stephenglickman ‘s “Paralyzed” MV out now – ty to the mastermind @locustgarden for letting us play with dirt for the day! and I loved working with this incredible crew 🥲❤️ DP/Director @locustgarden 1st AC @stammerheadshark Gaffer @nickwgarcia Key Grip @dir_artemio Unreal Engine & Virtual Wall VFX Design @mangoquaffer Wardrobe @rubiescostumecompany Art Director & Propmaster @propstohistory Prop assist @heygude Art & Best Boy @sparksss Art @kaelynreneart MUA @nicoleashermua @g.palm.makeup Filter @cinepacks.filters SPLIT I & HALF CRYSTAL
@kaelynreneart and I got to build a forest for @stephenglickman ‘s “Paralyzed” MV out now – ty to the mastermind @locustgarden for letting us play with dirt for the day! and I loved working with this incredible crew 🥲❤️ DP/Director @locustgarden 1st AC @stammerheadshark Gaffer @nickwgarcia Key Grip @dir_artemio Unreal Engine & Virtual Wall VFX Design @mangoquaffer Wardrobe @rubiescostumecompany Art Director & Propmaster @propstohistory Prop assist @heygude Art & Best Boy @sparksss Art @kaelynreneart MUA @nicoleashermua @g.palm.makeup Filter @cinepacks.filters SPLIT I & HALF CRYSTAL
@kaelynreneart and I got to build a forest for @stephenglickman ‘s “Paralyzed” MV out now – ty to the mastermind @locustgarden for letting us play with dirt for the day! and I loved working with this incredible crew 🥲❤️ DP/Director @locustgarden 1st AC @stammerheadshark Gaffer @nickwgarcia Key Grip @dir_artemio Unreal Engine & Virtual Wall VFX Design @mangoquaffer Wardrobe @rubiescostumecompany Art Director & Propmaster @propstohistory Prop assist @heygude Art & Best Boy @sparksss Art @kaelynreneart MUA @nicoleashermua @g.palm.makeup Filter @cinepacks.filters SPLIT I & HALF CRYSTAL
@kaelynreneart and I got to build a forest for @stephenglickman ‘s “Paralyzed” MV out now – ty to the mastermind @locustgarden for letting us play with dirt for the day! and I loved working with this incredible crew 🥲❤️ DP/Director @locustgarden 1st AC @stammerheadshark Gaffer @nickwgarcia Key Grip @dir_artemio Unreal Engine & Virtual Wall VFX Design @mangoquaffer Wardrobe @rubiescostumecompany Art Director & Propmaster @propstohistory Prop assist @heygude Art & Best Boy @sparksss Art @kaelynreneart MUA @nicoleashermua @g.palm.makeup Filter @cinepacks.filters SPLIT I & HALF CRYSTAL
@kaelynreneart and I got to build a forest for @stephenglickman ‘s “Paralyzed” MV out now – ty to the mastermind @locustgarden for letting us play with dirt for the day! and I loved working with this incredible crew 🥲❤️ DP/Director @locustgarden 1st AC @stammerheadshark Gaffer @nickwgarcia Key Grip @dir_artemio Unreal Engine & Virtual Wall VFX Design @mangoquaffer Wardrobe @rubiescostumecompany Art Director & Propmaster @propstohistory Prop assist @heygude Art & Best Boy @sparksss Art @kaelynreneart MUA @nicoleashermua @g.palm.makeup Filter @cinepacks.filters SPLIT I & HALF CRYSTAL
@kaelynreneart and I got to build a forest for @stephenglickman ‘s “Paralyzed” MV out now – ty to the mastermind @locustgarden for letting us play with dirt for the day! and I loved working with this incredible crew 🥲❤️ DP/Director @locustgarden 1st AC @stammerheadshark Gaffer @nickwgarcia Key Grip @dir_artemio Unreal Engine & Virtual Wall VFX Design @mangoquaffer Wardrobe @rubiescostumecompany Art Director & Propmaster @propstohistory Prop assist @heygude Art & Best Boy @sparksss Art @kaelynreneart MUA @nicoleashermua @g.palm.makeup Filter @cinepacks.filters SPLIT I & HALF CRYSTAL
@callofduty x @killermike music video inspired by #blackops6 now live #songsforsinnersandsaints #CODnext Thank you to the team for this, the humvee would be great to have in the apocalypse @citizenskull.liz @danielhoffagency stylists @beingaugust @naomiarrietta @commakaze_ makeup @makeupbykandirose Spfx makeup @alondraexcene
@callofduty x @killermike music video inspired by #blackops6 now live #songsforsinnersandsaints #CODnext Thank you to the team for this, the humvee would be great to have in the apocalypse @citizenskull.liz @danielhoffagency stylists @beingaugust @naomiarrietta @commakaze_ makeup @makeupbykandirose Spfx makeup @alondraexcene
@callofduty x @killermike music video inspired by #blackops6 now live #songsforsinnersandsaints #CODnext Thank you to the team for this, the humvee would be great to have in the apocalypse @citizenskull.liz @danielhoffagency stylists @beingaugust @naomiarrietta @commakaze_ makeup @makeupbykandirose Spfx makeup @alondraexcene
@callofduty x @killermike music video inspired by #blackops6 now live #songsforsinnersandsaints #CODnext Thank you to the team for this, the humvee would be great to have in the apocalypse @citizenskull.liz @danielhoffagency stylists @beingaugust @naomiarrietta @commakaze_ makeup @makeupbykandirose Spfx makeup @alondraexcene
@callofduty x @killermike music video inspired by #blackops6 now live #songsforsinnersandsaints #CODnext Thank you to the team for this, the humvee would be great to have in the apocalypse @citizenskull.liz @danielhoffagency stylists @beingaugust @naomiarrietta @commakaze_ makeup @makeupbykandirose Spfx makeup @alondraexcene
