‘He was a KING who lived life by his own rules. He had a good time and was deeply loved. Hail to Papi.’ – Scott Gimple ‘He had more character in his right toenail than any dog I ever met…He was a legend in his own lifetime and his myth will only grow with every passing year.’ — Andy Lincoln ‘He was such a good boy’ – Denise Huth ‘He will always be my son!’ – Vince Gideon I lost Papi in April, haven’t quite felt up to sharing it till now. His impact on everyone who encountered him shows just how unique this small legend was. He indeed was a king. Had to rename him Papi the minute I saw that little swagger. Not sure who rescued who! 💔💔💔 Thank you to everyone who loved and cared for him. And in Andy’s case: grappled with him (and lost!) Mary Ann of Tails of a City 🙏🏿🙏🏿🙏🏿
‘He was a KING who lived life by his own rules. He had a good time and was deeply loved. Hail to Papi.’ – Scott Gimple ‘He had more character in his right toenail than any dog I ever met…He was a legend in his own lifetime and his myth will only grow with every passing year.’ — Andy Lincoln ‘He was such a good boy’ – Denise Huth ‘He will always be my son!’ – Vince Gideon I lost Papi in April, haven’t quite felt up to sharing it till now. His impact on everyone who encountered him shows just how unique this small legend was. He indeed was a king. Had to rename him Papi the minute I saw that little swagger. Not sure who rescued who! 💔💔💔 Thank you to everyone who loved and cared for him. And in Andy’s case: grappled with him (and lost!) Mary Ann of Tails of a City 🙏🏿🙏🏿🙏🏿
‘He was a KING who lived life by his own rules. He had a good time and was deeply loved. Hail to Papi.’ – Scott Gimple ‘He had more character in his right toenail than any dog I ever met…He was a legend in his own lifetime and his myth will only grow with every passing year.’ — Andy Lincoln ‘He was such a good boy’ – Denise Huth ‘He will always be my son!’ – Vince Gideon I lost Papi in April, haven’t quite felt up to sharing it till now. His impact on everyone who encountered him shows just how unique this small legend was. He indeed was a king. Had to rename him Papi the minute I saw that little swagger. Not sure who rescued who! 💔💔💔 Thank you to everyone who loved and cared for him. And in Andy’s case: grappled with him (and lost!) Mary Ann of Tails of a City 🙏🏿🙏🏿🙏🏿
‘He was a KING who lived life by his own rules. He had a good time and was deeply loved. Hail to Papi.’ – Scott Gimple ‘He had more character in his right toenail than any dog I ever met…He was a legend in his own lifetime and his myth will only grow with every passing year.’ — Andy Lincoln ‘He was such a good boy’ – Denise Huth ‘He will always be my son!’ – Vince Gideon I lost Papi in April, haven’t quite felt up to sharing it till now. His impact on everyone who encountered him shows just how unique this small legend was. He indeed was a king. Had to rename him Papi the minute I saw that little swagger. Not sure who rescued who! 💔💔💔 Thank you to everyone who loved and cared for him. And in Andy’s case: grappled with him (and lost!) Mary Ann of Tails of a City 🙏🏿🙏🏿🙏🏿
‘He was a KING who lived life by his own rules. He had a good time and was deeply loved. Hail to Papi.’ – Scott Gimple ‘He had more character in his right toenail than any dog I ever met…He was a legend in his own lifetime and his myth will only grow with every passing year.’ — Andy Lincoln ‘He was such a good boy’ – Denise Huth ‘He will always be my son!’ – Vince Gideon I lost Papi in April, haven’t quite felt up to sharing it till now. His impact on everyone who encountered him shows just how unique this small legend was. He indeed was a king. Had to rename him Papi the minute I saw that little swagger. Not sure who rescued who! 💔💔💔 Thank you to everyone who loved and cared for him. And in Andy’s case: grappled with him (and lost!) Mary Ann of Tails of a City 🙏🏿🙏🏿🙏🏿
‘He was a KING who lived life by his own rules. He had a good time and was deeply loved. Hail to Papi.’ – Scott Gimple ‘He had more character in his right toenail than any dog I ever met…He was a legend in his own lifetime and his myth will only grow with every passing year.’ — Andy Lincoln ‘He was such a good boy’ – Denise Huth ‘He will always be my son!’ – Vince Gideon I lost Papi in April, haven’t quite felt up to sharing it till now. His impact on everyone who encountered him shows just how unique this small legend was. He indeed was a king. Had to rename him Papi the minute I saw that little swagger. Not sure who rescued who! 💔💔💔 Thank you to everyone who loved and cared for him. And in Andy’s case: grappled with him (and lost!) Mary Ann of Tails of a City 🙏🏿🙏🏿🙏🏿
Looking back on an enchanting evening at the Musée du Louvre’s inaugural “Le Grand Dîner” with the incredibly talented @irisvanherpen. Merci beaucoup! #GrandDinerLouvre
Looking back on an enchanting evening at the Musée du Louvre’s inaugural “Le Grand Dîner” with the incredibly talented @irisvanherpen. Merci beaucoup! #GrandDinerLouvre
Looking back on an enchanting evening at the Musée du Louvre’s inaugural “Le Grand Dîner” with the incredibly talented @irisvanherpen. Merci beaucoup! #GrandDinerLouvre
Looking back on an enchanting evening at the Musée du Louvre’s inaugural “Le Grand Dîner” with the incredibly talented @irisvanherpen. Merci beaucoup! #GrandDinerLouvre
Looking back on an enchanting evening at the Musée du Louvre’s inaugural “Le Grand Dîner” with the incredibly talented @irisvanherpen. Merci beaucoup! #GrandDinerLouvre
Looking back on an enchanting evening at the Musée du Louvre’s inaugural “Le Grand Dîner” with the incredibly talented @irisvanherpen. Merci beaucoup! #GrandDinerLouvre
In awe of my brothers Ryan and Michael B right now. Just awe. If you haven’t seen SINNERS yet. What. Are. You. Waiting for? This is a true cinematic EVENT. I’m happy to say it was so hard to get a ticket that Ryan helped a sista out and hooked me up with a screening. Kindest man I know. Not to mention the most talented! I’m going another three times because this is not a movie you only indulge in one time! Congratulations to the entire team, Ludwig, Ruth, Autumn, Hannah, I’m in absolute awe. Thank you! You all knocked this one so far out the park. And set yet another standard. 🙏🏿✊🏿🍾🫶🏿🤯
“The thing about the golden ages of theater is, that they never last and we never know when we’re in one. You’re in one and you’re in one at the start. Take advantage of it and lean into it. It’s by talking to each other in that honest, real voice that you start to hold up a mirror to your own culture and country; that’s what makes it translate to the rest of the world and that’s what makes the rest of the world sit up and take notice.“ — Oskar Eustis I love this statement. It’s incredible. And I felt it deeply during our 12th year of programming in 2024. Zimbabwe has entered its Golden Age of theater. We here at Almasi seek to allow African artists a platform to reach their fullest potential through education, access, and opportunity. Our collaboration with American artists and artistic institutions was deeply realized this year. With three incredible American artists visiting Zimbabwe, including Oskar Eustis, the head of the renowned Public Theater, we were able to bring invaluable training and opportunity while nurturing the talent of the next great global storytellers. While also building new audiences and local support for the arts. Some highlights of the year are: – Creative Director for the Public Theater, Oskar Eustis, joined us for our annual Playwrights Conference, which resulted in the staged readings of 5 new Zimbabwean plays. – Tony Award Winner for Best Costume Design in a Play (Eclipsed), Clint Ramos, led artists through a Production Design Workshop. – Gideon Wabvuta’s “Family Riots” came alive on the stage in a full-scale production that was co-directed by French-American director Lucie Tiberghien and Zimbabwean director Makomborero Theresa Muchemwa. In 2024 we kicked off our golden age of theater and we are just getting started. Almasi Arts is entering a new phase of production, training, and international exchange which will match the incredible moment we are in. Don’t miss out, see how you can support this new era of African voices. Visit http://AlmasiArts.org to learn more. Thank you to all who continue to support this mission. Happy New Year from all of us at #AlmasiCollaborativeArts!
“The thing about the golden ages of theater is, that they never last and we never know when we’re in one. You’re in one and you’re in one at the start. Take advantage of it and lean into it. It’s by talking to each other in that honest, real voice that you start to hold up a mirror to your own culture and country; that’s what makes it translate to the rest of the world and that’s what makes the rest of the world sit up and take notice.“ — Oskar Eustis I love this statement. It’s incredible. And I felt it deeply during our 12th year of programming in 2024. Zimbabwe has entered its Golden Age of theater. We here at Almasi seek to allow African artists a platform to reach their fullest potential through education, access, and opportunity. Our collaboration with American artists and artistic institutions was deeply realized this year. With three incredible American artists visiting Zimbabwe, including Oskar Eustis, the head of the renowned Public Theater, we were able to bring invaluable training and opportunity while nurturing the talent of the next great global storytellers. While also building new audiences and local support for the arts. Some highlights of the year are: – Creative Director for the Public Theater, Oskar Eustis, joined us for our annual Playwrights Conference, which resulted in the staged readings of 5 new Zimbabwean plays. – Tony Award Winner for Best Costume Design in a Play (Eclipsed), Clint Ramos, led artists through a Production Design Workshop. – Gideon Wabvuta’s “Family Riots” came alive on the stage in a full-scale production that was co-directed by French-American director Lucie Tiberghien and Zimbabwean director Makomborero Theresa Muchemwa. In 2024 we kicked off our golden age of theater and we are just getting started. Almasi Arts is entering a new phase of production, training, and international exchange which will match the incredible moment we are in. Don’t miss out, see how you can support this new era of African voices. Visit http://AlmasiArts.org to learn more. Thank you to all who continue to support this mission. Happy New Year from all of us at #AlmasiCollaborativeArts!
“The thing about the golden ages of theater is, that they never last and we never know when we’re in one. You’re in one and you’re in one at the start. Take advantage of it and lean into it. It’s by talking to each other in that honest, real voice that you start to hold up a mirror to your own culture and country; that’s what makes it translate to the rest of the world and that’s what makes the rest of the world sit up and take notice.“ — Oskar Eustis I love this statement. It’s incredible. And I felt it deeply during our 12th year of programming in 2024. Zimbabwe has entered its Golden Age of theater. We here at Almasi seek to allow African artists a platform to reach their fullest potential through education, access, and opportunity. Our collaboration with American artists and artistic institutions was deeply realized this year. With three incredible American artists visiting Zimbabwe, including Oskar Eustis, the head of the renowned Public Theater, we were able to bring invaluable training and opportunity while nurturing the talent of the next great global storytellers. While also building new audiences and local support for the arts. Some highlights of the year are: – Creative Director for the Public Theater, Oskar Eustis, joined us for our annual Playwrights Conference, which resulted in the staged readings of 5 new Zimbabwean plays. – Tony Award Winner for Best Costume Design in a Play (Eclipsed), Clint Ramos, led artists through a Production Design Workshop. – Gideon Wabvuta’s “Family Riots” came alive on the stage in a full-scale production that was co-directed by French-American director Lucie Tiberghien and Zimbabwean director Makomborero Theresa Muchemwa. In 2024 we kicked off our golden age of theater and we are just getting started. Almasi Arts is entering a new phase of production, training, and international exchange which will match the incredible moment we are in. Don’t miss out, see how you can support this new era of African voices. Visit http://AlmasiArts.org to learn more. Thank you to all who continue to support this mission. Happy New Year from all of us at #AlmasiCollaborativeArts!
“The thing about the golden ages of theater is, that they never last and we never know when we’re in one. You’re in one and you’re in one at the start. Take advantage of it and lean into it. It’s by talking to each other in that honest, real voice that you start to hold up a mirror to your own culture and country; that’s what makes it translate to the rest of the world and that’s what makes the rest of the world sit up and take notice.“ — Oskar Eustis I love this statement. It’s incredible. And I felt it deeply during our 12th year of programming in 2024. Zimbabwe has entered its Golden Age of theater. We here at Almasi seek to allow African artists a platform to reach their fullest potential through education, access, and opportunity. Our collaboration with American artists and artistic institutions was deeply realized this year. With three incredible American artists visiting Zimbabwe, including Oskar Eustis, the head of the renowned Public Theater, we were able to bring invaluable training and opportunity while nurturing the talent of the next great global storytellers. While also building new audiences and local support for the arts. Some highlights of the year are: – Creative Director for the Public Theater, Oskar Eustis, joined us for our annual Playwrights Conference, which resulted in the staged readings of 5 new Zimbabwean plays. – Tony Award Winner for Best Costume Design in a Play (Eclipsed), Clint Ramos, led artists through a Production Design Workshop. – Gideon Wabvuta’s “Family Riots” came alive on the stage in a full-scale production that was co-directed by French-American director Lucie Tiberghien and Zimbabwean director Makomborero Theresa Muchemwa. In 2024 we kicked off our golden age of theater and we are just getting started. Almasi Arts is entering a new phase of production, training, and international exchange which will match the incredible moment we are in. Don’t miss out, see how you can support this new era of African voices. Visit http://AlmasiArts.org to learn more. Thank you to all who continue to support this mission. Happy New Year from all of us at #AlmasiCollaborativeArts!
“The thing about the golden ages of theater is, that they never last and we never know when we’re in one. You’re in one and you’re in one at the start. Take advantage of it and lean into it. It’s by talking to each other in that honest, real voice that you start to hold up a mirror to your own culture and country; that’s what makes it translate to the rest of the world and that’s what makes the rest of the world sit up and take notice.“ — Oskar Eustis I love this statement. It’s incredible. And I felt it deeply during our 12th year of programming in 2024. Zimbabwe has entered its Golden Age of theater. We here at Almasi seek to allow African artists a platform to reach their fullest potential through education, access, and opportunity. Our collaboration with American artists and artistic institutions was deeply realized this year. With three incredible American artists visiting Zimbabwe, including Oskar Eustis, the head of the renowned Public Theater, we were able to bring invaluable training and opportunity while nurturing the talent of the next great global storytellers. While also building new audiences and local support for the arts. Some highlights of the year are: – Creative Director for the Public Theater, Oskar Eustis, joined us for our annual Playwrights Conference, which resulted in the staged readings of 5 new Zimbabwean plays. – Tony Award Winner for Best Costume Design in a Play (Eclipsed), Clint Ramos, led artists through a Production Design Workshop. – Gideon Wabvuta’s “Family Riots” came alive on the stage in a full-scale production that was co-directed by French-American director Lucie Tiberghien and Zimbabwean director Makomborero Theresa Muchemwa. In 2024 we kicked off our golden age of theater and we are just getting started. Almasi Arts is entering a new phase of production, training, and international exchange which will match the incredible moment we are in. Don’t miss out, see how you can support this new era of African voices. Visit http://AlmasiArts.org to learn more. Thank you to all who continue to support this mission. Happy New Year from all of us at #AlmasiCollaborativeArts!
“The thing about the golden ages of theater is, that they never last and we never know when we’re in one. You’re in one and you’re in one at the start. Take advantage of it and lean into it. It’s by talking to each other in that honest, real voice that you start to hold up a mirror to your own culture and country; that’s what makes it translate to the rest of the world and that’s what makes the rest of the world sit up and take notice.“ — Oskar Eustis I love this statement. It’s incredible. And I felt it deeply during our 12th year of programming in 2024. Zimbabwe has entered its Golden Age of theater. We here at Almasi seek to allow African artists a platform to reach their fullest potential through education, access, and opportunity. Our collaboration with American artists and artistic institutions was deeply realized this year. With three incredible American artists visiting Zimbabwe, including Oskar Eustis, the head of the renowned Public Theater, we were able to bring invaluable training and opportunity while nurturing the talent of the next great global storytellers. While also building new audiences and local support for the arts. Some highlights of the year are: – Creative Director for the Public Theater, Oskar Eustis, joined us for our annual Playwrights Conference, which resulted in the staged readings of 5 new Zimbabwean plays. – Tony Award Winner for Best Costume Design in a Play (Eclipsed), Clint Ramos, led artists through a Production Design Workshop. – Gideon Wabvuta’s “Family Riots” came alive on the stage in a full-scale production that was co-directed by French-American director Lucie Tiberghien and Zimbabwean director Makomborero Theresa Muchemwa. In 2024 we kicked off our golden age of theater and we are just getting started. Almasi Arts is entering a new phase of production, training, and international exchange which will match the incredible moment we are in. Don’t miss out, see how you can support this new era of African voices. Visit http://AlmasiArts.org to learn more. Thank you to all who continue to support this mission. Happy New Year from all of us at #AlmasiCollaborativeArts!
“The thing about the golden ages of theater is, that they never last and we never know when we’re in one. You’re in one and you’re in one at the start. Take advantage of it and lean into it. It’s by talking to each other in that honest, real voice that you start to hold up a mirror to your own culture and country; that’s what makes it translate to the rest of the world and that’s what makes the rest of the world sit up and take notice.“ — Oskar Eustis I love this statement. It’s incredible. And I felt it deeply during our 12th year of programming in 2024. Zimbabwe has entered its Golden Age of theater. We here at Almasi seek to allow African artists a platform to reach their fullest potential through education, access, and opportunity. Our collaboration with American artists and artistic institutions was deeply realized this year. With three incredible American artists visiting Zimbabwe, including Oskar Eustis, the head of the renowned Public Theater, we were able to bring invaluable training and opportunity while nurturing the talent of the next great global storytellers. While also building new audiences and local support for the arts. Some highlights of the year are: – Creative Director for the Public Theater, Oskar Eustis, joined us for our annual Playwrights Conference, which resulted in the staged readings of 5 new Zimbabwean plays. – Tony Award Winner for Best Costume Design in a Play (Eclipsed), Clint Ramos, led artists through a Production Design Workshop. – Gideon Wabvuta’s “Family Riots” came alive on the stage in a full-scale production that was co-directed by French-American director Lucie Tiberghien and Zimbabwean director Makomborero Theresa Muchemwa. In 2024 we kicked off our golden age of theater and we are just getting started. Almasi Arts is entering a new phase of production, training, and international exchange which will match the incredible moment we are in. Don’t miss out, see how you can support this new era of African voices. Visit http://AlmasiArts.org to learn more. Thank you to all who continue to support this mission. Happy New Year from all of us at #AlmasiCollaborativeArts!
“The thing about the golden ages of theater is, that they never last and we never know when we’re in one. You’re in one and you’re in one at the start. Take advantage of it and lean into it. It’s by talking to each other in that honest, real voice that you start to hold up a mirror to your own culture and country; that’s what makes it translate to the rest of the world and that’s what makes the rest of the world sit up and take notice.“ — Oskar Eustis I love this statement. It’s incredible. And I felt it deeply during our 12th year of programming in 2024. Zimbabwe has entered its Golden Age of theater. We here at Almasi seek to allow African artists a platform to reach their fullest potential through education, access, and opportunity. Our collaboration with American artists and artistic institutions was deeply realized this year. With three incredible American artists visiting Zimbabwe, including Oskar Eustis, the head of the renowned Public Theater, we were able to bring invaluable training and opportunity while nurturing the talent of the next great global storytellers. While also building new audiences and local support for the arts. Some highlights of the year are: – Creative Director for the Public Theater, Oskar Eustis, joined us for our annual Playwrights Conference, which resulted in the staged readings of 5 new Zimbabwean plays. – Tony Award Winner for Best Costume Design in a Play (Eclipsed), Clint Ramos, led artists through a Production Design Workshop. – Gideon Wabvuta’s “Family Riots” came alive on the stage in a full-scale production that was co-directed by French-American director Lucie Tiberghien and Zimbabwean director Makomborero Theresa Muchemwa. In 2024 we kicked off our golden age of theater and we are just getting started. Almasi Arts is entering a new phase of production, training, and international exchange which will match the incredible moment we are in. Don’t miss out, see how you can support this new era of African voices. Visit http://AlmasiArts.org to learn more. Thank you to all who continue to support this mission. Happy New Year from all of us at #AlmasiCollaborativeArts!
“The thing about the golden ages of theater is, that they never last and we never know when we’re in one. You’re in one and you’re in one at the start. Take advantage of it and lean into it. It’s by talking to each other in that honest, real voice that you start to hold up a mirror to your own culture and country; that’s what makes it translate to the rest of the world and that’s what makes the rest of the world sit up and take notice.“ — Oskar Eustis I love this statement. It’s incredible. And I felt it deeply during our 12th year of programming in 2024. Zimbabwe has entered its Golden Age of theater. We here at Almasi seek to allow African artists a platform to reach their fullest potential through education, access, and opportunity. Our collaboration with American artists and artistic institutions was deeply realized this year. With three incredible American artists visiting Zimbabwe, including Oskar Eustis, the head of the renowned Public Theater, we were able to bring invaluable training and opportunity while nurturing the talent of the next great global storytellers. While also building new audiences and local support for the arts. Some highlights of the year are: – Creative Director for the Public Theater, Oskar Eustis, joined us for our annual Playwrights Conference, which resulted in the staged readings of 5 new Zimbabwean plays. – Tony Award Winner for Best Costume Design in a Play (Eclipsed), Clint Ramos, led artists through a Production Design Workshop. – Gideon Wabvuta’s “Family Riots” came alive on the stage in a full-scale production that was co-directed by French-American director Lucie Tiberghien and Zimbabwean director Makomborero Theresa Muchemwa. In 2024 we kicked off our golden age of theater and we are just getting started. Almasi Arts is entering a new phase of production, training, and international exchange which will match the incredible moment we are in. Don’t miss out, see how you can support this new era of African voices. Visit http://AlmasiArts.org to learn more. Thank you to all who continue to support this mission. Happy New Year from all of us at #AlmasiCollaborativeArts!
Celebrating another year around the sun! So thankful to step into a new year of life on this day of love. Looking back at a year of friendship, joy, beauty, community and activism — looking to continue pursuing purpose and my calling with faith, love and courage. Sending love to you all ❤️ “To whom much is given, much will be required” Luke 12.48 #BirthdayJoy #ValentinesDay
Women…you are strong, you are resilient, you are powerful. Don’t ever let anyone take away your power 💪🏿 #InternationalWomensDay 🎥 @unwomen