everyone has a secret. The Housemaid: coming to cinemas Boxing Day.
everyone has a secret. The Housemaid: coming to cinemas Boxing Day.
everyone has a secret. The Housemaid: coming to cinemas Boxing Day.
everyone has a secret. The Housemaid: coming to cinemas Boxing Day.
My sweet boy has stuck with me for the sweetest 16 years and counting. Finn’s brought all the love, warmth and total presence a girl could only dream of…🎈
You keep such an immaculate home, Nina.
Happy anniversary Nina and @aswinchester1.
A beautiful celebration. Global Ambassadors @isabellarossellini, @mingey, @joysunday and @nicoparker dress up to wish Lancôme a happy 90th birthday. 90 years of legacy, beauty, and stories built together! #Lancome #Lancome90Years #LancomexIsabella #LancomexAmanda #LancomexJoy #LancomexNico #LancomeMakeup #MESSWITHLANCOME
Amanda Seyfried stars in Mona Fastvold’s The Testament of Ann Lee. Coming soon to theaters.
Peace of wild things
It’s the start of a new chapter… or should we say three?👀 Introducing the Make It Cute Craft Kits! Available in three styles: the Bookshop, the Bakery, and with the Fairy House! 🏠🍰🧚♀️ Each one is safe, beautiful, and built for endless, imaginative play, with less plastic! Designed to help little hands strengthen fine motor skills and build confidence with a special “I built this!” sticker for the finishing touch! Make, decorate, play & display! Order & preorder NOW at MakeItCuteKids.com 💫 Fairy house is currently preorder only! #newrelease #playdecor #sustainbleplay #sustainblekidstoys #plasticfreeplay #plasticfree #notjustforkids #notjustfortoddlers #makeitcute #craftkits #presale #ordernow
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
