Happy 💘 Day from Mickey and me Some info on Mickey: He could be 13 years old His skin is sensitive to the sun He was named after the Mouse I think he could be a writer He wants a massage
Happy 💘 Day from Mickey and me Some info on Mickey: He could be 13 years old His skin is sensitive to the sun He was named after the Mouse I think he could be a writer He wants a massage
@berlinale with @thetestamentofannlee 🍷
Shady is a cat He’s about 13 years old and has a special ear If he had a job he’d own a bakery His early years are a mystery but I think someone loved him very much He prefers to hang out with my mom He’s not superstitious
Shady is a cat He’s about 13 years old and has a special ear If he had a job he’d own a bakery His early years are a mystery but I think someone loved him very much He prefers to hang out with my mom He’s not superstitious
🪩 @toryburch 🪩
Be part of the family. The Housemaid is available to watch at home now: link in bio.
Be part of the family. The Housemaid is available to watch at home now: link in bio.
Be part of the family. The Housemaid is available to watch at home now: link in bio.
Welcome home, Andrew. 🫏
Get in ladies, we’re saving democracy! Comment “READY” below and we’ll send you a toolkit to help you organize your own Moms Night Out!
„The Testament of Ann Lee“ feiert im Rahmen der 76. Internationalen Filmfestspiele Berlin seine Deutschlandpremiere. Erlebe Amanda Seyfried auf der großen Leinwand. Ein Film von Mona Fastvold, mit der Musik von Oscar®‑Preisträger Daniel Blumberg. Ab 12.03. nur im Kino.
@mingey for Issue 202, Baby It’s Cold Inside “We’re losing power all the time,” says Amanda Seyfried, actor and star of recent film @thetestamentofannlee, asserts. “Like, all the time. We’re losing privacy, and we’re losing our autonomy. So many sacrifices that we’re making [today] are made unconsciously…but I think we still have the power to make waves for ourselves and for each other. We still do.” In the film directed by @fastvold, choreographed by @celiarowlsonhall and scored by @_danielblumberg_, Seyfried embodies the female founder of the American Shaker movement, Ann Lee. Read the full story on flaunt.com! Photographed by @gregswalesart Styled by @mrchriscampbell wearing @balmain @tiffanyandco Written by @4nnle Hair: @hairbyorlandopita Makeup: @genevieveherr Nails: @ohmynailsnyc DP: @shootchevytyler #FlauntMagazine #BabyItsColdInside
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
Inside Club Ciné’s intimate screening of The Testament of Ann Lee – Friday 6 February. Club Ciné-after-dark – A room full of creatives, artists, actors, filmmakers, photographers, designers and writers, gathering for a story few of us had heard before – and leaving quietly fizzed by how radical it felt. Thank you to @giorgioarmani for supporting this season of screenings and independent film. Ann Lee: erased from history, uneducated, uncompromising, visionary. A woman who crossed oceans, defied hierarchy and built one of the most radical utopian communities in American history. Not a biopic. Not a history lesson. Something stranger, bolder, more sensual. Cinema as belief system. The film is rigorous, demanding and deeply timely – but the energy in the room was anything but sombre. Champagne flowing. Hugs in the aisles. Mic drop moments. A deeply sexy bar buzzing before and after. A crowd happy to see one another, argue, flirt, debate, and sit with something that challenged them. Amanda Seyfried slipped next door, quietly taking the front row at a screening of The Housemaid. Fifteen minutes before the end, she jumped up as the credits rolled and surprised the cinema – delighting film fans who had no idea she was sitting among them the whole time. MOTHER. Afterwards, a raw, generous conversation with Mona Fastvold, Amanda Seyfried and Daniel Blumberg – about belief, creativity, sound as cinema, collaboration without rules, and why Ann Lee’s story lands harder now than ever. Feedback cards filled. Glasses clinked. Conversations and drinks spilled into the night. The Testament of Ann Lee is released in the UK and Ireland on February 27. It’s out in the US now. The full screening report lands on CLUBCINE.SUBSTACK.COM later this week. The full Q&A conversation coming soon on YouTube and Instagram Reels. This is what it feels like when cinema becomes a meeting point again. BOOM. Photographs by @oliverholms Thank you @fastvold @mingey @_danielblumberg_ @searchlightuk @theofficialselfridges
