@taraneh_alidoosti the brave actress of Iran got arrested. This photo is taken in July 2008 just before I left Iran for good. Is the last time I saw her. #ترانه_عليدوستى_را_آزاد_كنيد
Today the 3 years anniversary of #ps752 and yesterday The Islamic Republic executed #MohammadmahdiKarami & #MohammadHosseini
No due process. One of them did not have a lawyer. Another was on hunger strike.
The criminals behind these crimes, will be taken to the court of justice sooner than anyone can imagine. Women and men of Iran are done with this regime. Now It’s only the matter of time.
The lier is us, the thieve is us, everything bad that has happened is our fault, millions, trillions are stolen from this country, it’s all us. People are selling their kidneys from poverty, it’s us, young people are unemployed, poor, can’t even afford bread to eat, they don’t have any future. It’s all our fault…
For children of Iran, we won’t stop.
خدا نور است
خدا مهساست
خدا سلطان قلب نیکاست
خدا تو کوچه ها امروز
شهامت در وجود ماست…
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خدانور
صدا و ملودی: @ardihatami
تنظیم: @babakaminiofficial
تدوین: @mahyarmortazavi
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#خدانور #مهساامینی #نیکاشاکرمی #یلدا_آقافضلی #سارینا_اسماعیل_زاده #حدیث_نجفی #کیان_پیرفلک #حمیدرضا_روحی #مهران_سماک #حنانه_کیا #مهرشاد_شهیدی #بهنام_لایق_پور #محسن_شکاری #ندا_آقاسلطان #نویدافکاری #پویا_بختیاری #توماج_صالحی #حسین_رونقی #آرمیتا_عباسی
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Merci @qofficiel pour pas lâcher notre Iran. I keep going. We need to engage the people, everywhere we are. To ask the politicians of their counties to ban the Islamic republic from every single deal. From setting foot in free countries like France. From living freely outside of Iran.
What have you done to #Iran in the name of religion?
The people that you see dancing in this video have all been shot, tortured to death or executed.
به یادِ آنها که زندگی را بلد بودند، میرقصیدند و توسط دشمنانِ زندگی به خاک افتادند.
#ps752 the martyrs of Iran danced so beautifully.
Ukraine International Airlines Flight 752 (PS752/AUI752) was a scheduled international civilian passenger flight from Tehran to Kyiv, operated by Ukraine International Airlines. On 8 January 2020, the Boeing 737-800 flying the route was shot down by the Islamic Revolutionary Guard Corps (IRGC) shortly after takeoff, killing all 176 passengers and crew aboard. Missiles were fired at the aircraft by the IRGC amidst heightened tensions between Iran and the United States. The incident occurred five days after the United States carried out the assassination of #ghasemsolemani and some hours after Iran retaliated with Operation Martyr Soleimani, in which the IRGC fired dozens of ballistic missiles on American-led coalition forces; both the assassination and the missile strikes took place in Iraq.
#Iran
همه با هم، در داخل و خارجِ ايران،
به دور از هر اندیشه و نگرش سیاسی
براى رسيدن به آزادى
با هم همدل و یکصدا هستيم.
کنار هم میایستیم و سکوت نخواهیم کرد.
#زن_زندگی_آزادی
They mostly execute innocent protestors with the call for the prayer (Azan) in the morning. Every call for the prayer brings us so much anxiety and sometimes eventually endless sadness. Every night has become sleepless for our nation. We need a sleepless world to be able to make it through this fight. This fight is for women life and freedom. Free Life of all women and men of this world.
#stopexecutionsiniran
Grab a pen and paper. Write #stopexecutionsiniran and post it. Thousands of innocent protestors are in prisons. And some supposed to be executed. Some has already been executed. The news about Iran can not be normalized. Every second passes is about peoples lives being in danger. Stand with Iranian people. Their fight is your fight. The fight for freedom is the fight for all humanity.
#Repost @voguemagazine
・・・
“The women of Iran, the young people protesting on the street, are saying, ‘We don’t even want reform. We want an end to this dictatorship.’” So declares Iranian-born, New York-based artist Shirin Neshat (@shirin__neshat) in “Women, Life, Freedom,” a new Vogue-commissioned short by Roxy Rezvany, the British Malaysian-Chinese-Iranian filmmaker behind 2018’s “Little Pyongyang.”
Conceived against the backdrop of Iran’s roiling protests—which began in September after the death of Mahsa “Jina” Amini, a 22-year-old visitor to Tehran from the city of Saqqez who was detained by police for allegedly wearing her headscarf incorrectly—the film engages three leading Iranian creatives, actor @golfarahani, Neshat, and designer @pariafarzaneh, in a moving conversation about oppression, bravery, and hope. Framed portraits of Sarina Esmailzadeh, Asra Panahi, Hadis Najafi, Hananeh Kia, Minoo Majidi, Mahsa Mougouyi, and Nika Shakarami, meanwhile, pay tribute to the many who have been killed since demonstrations began.
At the link in our bio, director Roxy Rezvany reflects on the meaning behind the project and the protests in support of #mahsaamini.
Many leaders of the islamic republic of Iran and their families, live abroad and love their lifestyle and business outside of Iran. They have built very comfortable lives for themselves with the money they have stolen from our nation, while keeping Iranians in poverty for decades.
We should not let the leaders of the Islamic Republic escape justice outside the country while holding Iranians hostage.
“Be the voice of Iran »
I spent a month in the summer writing about the sense of belonging in exile. It was poetic, personal and not political. It was before Sep 13. Then I told @nytimes that I had to change it. It felt wrong to publish something that personal after what happened. I felt I had a different duty. To myself, my conscience and the people of Iran especially our own Generation Z. Then, again and again, the revolution kept getting more and more intense. So, I had to rewrite the article one more time. Every day, every week I could write a new article based on what is happening in Iran. This version was submitted 4 weeks ago. Yet it’s still accurate. I called out @michelleobama @oprah and all the feminists of the world, especially in the USA, for being too silent. My sisters fighting for freedom in the streets of Iran need your voices! They need the voice of the whole world.
I spent a month in the summer writing about the sense of belonging in exile. It was poetic, personal and not political. It was before Sep 13. Then I told @nytimes that I had to change it. It felt wrong to publish something that personal after what happened. I felt I had a different duty. To myself, my conscience and the people of Iran especially our own Generation Z. Then, again and again, the revolution kept getting more and more intense. So, I had to rewrite the article one more time. Every day, every week I could write a new article based on what is happening in Iran. This version was submitted 4 weeks ago. Yet it’s still accurate. I called out @michelleobama @oprah and all the feminists of the world, especially in the USA, for being too silent. My sisters fighting for freedom in the streets of Iran need your voices! They need the voice of the whole world.
I spent a month in the summer writing about the sense of belonging in exile. It was poetic, personal and not political. It was before Sep 13. Then I told @nytimes that I had to change it. It felt wrong to publish something that personal after what happened. I felt I had a different duty. To myself, my conscience and the people of Iran especially our own Generation Z. Then, again and again, the revolution kept getting more and more intense. So, I had to rewrite the article one more time. Every day, every week I could write a new article based on what is happening in Iran. This version was submitted 4 weeks ago. Yet it’s still accurate. I called out @michelleobama @oprah and all the feminists of the world, especially in the USA, for being too silent. My sisters fighting for freedom in the streets of Iran need your voices! They need the voice of the whole world.
I spent a month in the summer writing about the sense of belonging in exile. It was poetic, personal and not political. It was before Sep 13. Then I told @nytimes that I had to change it. It felt wrong to publish something that personal after what happened. I felt I had a different duty. To myself, my conscience and the people of Iran especially our own Generation Z. Then, again and again, the revolution kept getting more and more intense. So, I had to rewrite the article one more time. Every day, every week I could write a new article based on what is happening in Iran. This version was submitted 4 weeks ago. Yet it’s still accurate. I called out @michelleobama @oprah and all the feminists of the world, especially in the USA, for being too silent. My sisters fighting for freedom in the streets of Iran need your voices! They need the voice of the whole world.
I spent a month in the summer writing about the sense of belonging in exile. It was poetic, personal and not political. It was before Sep 13. Then I told @nytimes that I had to change it. It felt wrong to publish something that personal after what happened. I felt I had a different duty. To myself, my conscience and the people of Iran especially our own Generation Z. Then, again and again, the revolution kept getting more and more intense. So, I had to rewrite the article one more time. Every day, every week I could write a new article based on what is happening in Iran. This version was submitted 4 weeks ago. Yet it’s still accurate. I called out @michelleobama @oprah and all the feminists of the world, especially in the USA, for being too silent. My sisters fighting for freedom in the streets of Iran need your voices! They need the voice of the whole world.
I spent a month in the summer writing about the sense of belonging in exile. It was poetic, personal and not political. It was before Sep 13. Then I told @nytimes that I had to change it. It felt wrong to publish something that personal after what happened. I felt I had a different duty. To myself, my conscience and the people of Iran especially our own Generation Z. Then, again and again, the revolution kept getting more and more intense. So, I had to rewrite the article one more time. Every day, every week I could write a new article based on what is happening in Iran. This version was submitted 4 weeks ago. Yet it’s still accurate. I called out @michelleobama @oprah and all the feminists of the world, especially in the USA, for being too silent. My sisters fighting for freedom in the streets of Iran need your voices! They need the voice of the whole world.
I spent a month in the summer writing about the sense of belonging in exile. It was poetic, personal and not political. It was before Sep 13. Then I told @nytimes that I had to change it. It felt wrong to publish something that personal after what happened. I felt I had a different duty. To myself, my conscience and the people of Iran especially our own Generation Z. Then, again and again, the revolution kept getting more and more intense. So, I had to rewrite the article one more time. Every day, every week I could write a new article based on what is happening in Iran. This version was submitted 4 weeks ago. Yet it’s still accurate. I called out @michelleobama @oprah and all the feminists of the world, especially in the USA, for being too silent. My sisters fighting for freedom in the streets of Iran need your voices! They need the voice of the whole world.
I spent a month in the summer writing about the sense of belonging in exile. It was poetic, personal and not political. It was before Sep 13. Then I told @nytimes that I had to change it. It felt wrong to publish something that personal after what happened. I felt I had a different duty. To myself, my conscience and the people of Iran especially our own Generation Z. Then, again and again, the revolution kept getting more and more intense. So, I had to rewrite the article one more time. Every day, every week I could write a new article based on what is happening in Iran. This version was submitted 4 weeks ago. Yet it’s still accurate. I called out @michelleobama @oprah and all the feminists of the world, especially in the USA, for being too silent. My sisters fighting for freedom in the streets of Iran need your voices! They need the voice of the whole world.
I spent a month in the summer writing about the sense of belonging in exile. It was poetic, personal and not political. It was before Sep 13. Then I told @nytimes that I had to change it. It felt wrong to publish something that personal after what happened. I felt I had a different duty. To myself, my conscience and the people of Iran especially our own Generation Z. Then, again and again, the revolution kept getting more and more intense. So, I had to rewrite the article one more time. Every day, every week I could write a new article based on what is happening in Iran. This version was submitted 4 weeks ago. Yet it’s still accurate. I called out @michelleobama @oprah and all the feminists of the world, especially in the USA, for being too silent. My sisters fighting for freedom in the streets of Iran need your voices! They need the voice of the whole world.
I spent a month in the summer writing about the sense of belonging in exile. It was poetic, personal and not political. It was before Sep 13. Then I told @nytimes that I had to change it. It felt wrong to publish something that personal after what happened. I felt I had a different duty. To myself, my conscience and the people of Iran especially our own Generation Z. Then, again and again, the revolution kept getting more and more intense. So, I had to rewrite the article one more time. Every day, every week I could write a new article based on what is happening in Iran. This version was submitted 4 weeks ago. Yet it’s still accurate. I called out @michelleobama @oprah and all the feminists of the world, especially in the USA, for being too silent. My sisters fighting for freedom in the streets of Iran need your voices! They need the voice of the whole world.
