We are so proud to call you one of our own, @camrynmanheim!💙🙏 * * * * #newvoices #2024newvoices #stopantisemitism #combatantisemitism #endjewhatred #camrynmanheim #lawandorder #goldenglobewinner #emmywinner
After 400 episodes, Jack McCoy is stepping down and making way for a new District Attorney. Tonight is his farewell performance. We love you Sam. You are a national treasure. ⚖️ That’s a wrap!
After 400 episodes, Jack McCoy is stepping down and making way for a new District Attorney. Tonight is his farewell performance. We love you Sam. You are a national treasure. ⚖️ That’s a wrap!
After 400 episodes, Jack McCoy is stepping down and making way for a new District Attorney. Tonight is his farewell performance. We love you Sam. You are a national treasure. ⚖️ That’s a wrap!
After 400 episodes, Jack McCoy is stepping down and making way for a new District Attorney. Tonight is his farewell performance. We love you Sam. You are a national treasure. ⚖️ That’s a wrap!
Watch the Wolf Pack Tonight! 8pm on NBC.
Watch the Wolf Pack Tonight! 8pm on NBC.
Nothing like starting the day off with these two lovely people. Monday Feb 26th at 9am on @abc.
Nothing like starting the day off with these two lovely people. Monday Feb 26th at 9am on @abc.
I took my squad to see the stand-up comedian and political impressionist, Matt Friend at The Gramercy Theater. He is pretty freaking astonishing. On top of being utterly charming and hilarious, I don’t understand how one person can do so many impressions so perfectly. Howard Stern, Jeff Goldblum, Timothée, Chalamet, Paul Giamati, Rami Malek, Alan Alda and Jennifer Coolidge. Not to mention the back-and-forth banter on the golf course between Barack Obama and the other guy I refuse to mention. Matt Friend has rose to stardom with his uncanny impressions of a wide variety of political figures and pop culture icons. Please look him up on YouTube so you can check out his unbelievable talent. This kid is a superstar. ⭐️⭐️⭐️⭐️
If you want to see a smart, complex, funny, frustrating, impassioned play about the impossible conversations we are all having right now, I urge you to see THE ALLY. THE ALLY performed by a stellar cast is a fierce drama, (although often very funny) that gives voice to some of the most contentious and important questions of our time. When a college professor (played brilliantly by Josh Radnor) is asked by a student to sign a social justice manifesto, which seems at first like a simple choice, instead embroils him in an increasingly complex web of conflicting agendas that challenge his allegiance as a progressive liberal, a husband, an artist, an academic, an American, an atheist, and a Jew. With tensions at an all-time high, the professor is forced to confront the age old question: “if I am only for myself, what am I?“ Written by the Tony award-winning playwright Itamar Moses (The Band’s Visit), and directed by the award-winning Lila Neugebauer ( The Wolves), The Ally is a passionate, provocative, and unflinching new play about the vanishing line between the personal and the political. I am a huge fan of Itamar Moses’ writing. He is incredibly sensitive, articulate, precise and surprising. And this play is no different. Written years before October 7th, Moses holds a megaphone up to the complexities and anguish of what’s happening in Israel. THE ALLY plays at the Public Theater through March 17.
If you want to see a smart, complex, funny, frustrating, impassioned play about the impossible conversations we are all having right now, I urge you to see THE ALLY. THE ALLY performed by a stellar cast is a fierce drama, (although often very funny) that gives voice to some of the most contentious and important questions of our time. When a college professor (played brilliantly by Josh Radnor) is asked by a student to sign a social justice manifesto, which seems at first like a simple choice, instead embroils him in an increasingly complex web of conflicting agendas that challenge his allegiance as a progressive liberal, a husband, an artist, an academic, an American, an atheist, and a Jew. With tensions at an all-time high, the professor is forced to confront the age old question: “if I am only for myself, what am I?“ Written by the Tony award-winning playwright Itamar Moses (The Band’s Visit), and directed by the award-winning Lila Neugebauer ( The Wolves), The Ally is a passionate, provocative, and unflinching new play about the vanishing line between the personal and the political. I am a huge fan of Itamar Moses’ writing. He is incredibly sensitive, articulate, precise and surprising. And this play is no different. Written years before October 7th, Moses holds a megaphone up to the complexities and anguish of what’s happening in Israel. THE ALLY plays at the Public Theater through March 17.
If you want to see a smart, complex, funny, frustrating, impassioned play about the impossible conversations we are all having right now, I urge you to see THE ALLY. THE ALLY performed by a stellar cast is a fierce drama, (although often very funny) that gives voice to some of the most contentious and important questions of our time. When a college professor (played brilliantly by Josh Radnor) is asked by a student to sign a social justice manifesto, which seems at first like a simple choice, instead embroils him in an increasingly complex web of conflicting agendas that challenge his allegiance as a progressive liberal, a husband, an artist, an academic, an American, an atheist, and a Jew. With tensions at an all-time high, the professor is forced to confront the age old question: “if I am only for myself, what am I?“ Written by the Tony award-winning playwright Itamar Moses (The Band’s Visit), and directed by the award-winning Lila Neugebauer ( The Wolves), The Ally is a passionate, provocative, and unflinching new play about the vanishing line between the personal and the political. I am a huge fan of Itamar Moses’ writing. He is incredibly sensitive, articulate, precise and surprising. And this play is no different. Written years before October 7th, Moses holds a megaphone up to the complexities and anguish of what’s happening in Israel. THE ALLY plays at the Public Theater through March 17.
If you want to see a smart, complex, funny, frustrating, impassioned play about the impossible conversations we are all having right now, I urge you to see THE ALLY. THE ALLY performed by a stellar cast is a fierce drama, (although often very funny) that gives voice to some of the most contentious and important questions of our time. When a college professor (played brilliantly by Josh Radnor) is asked by a student to sign a social justice manifesto, which seems at first like a simple choice, instead embroils him in an increasingly complex web of conflicting agendas that challenge his allegiance as a progressive liberal, a husband, an artist, an academic, an American, an atheist, and a Jew. With tensions at an all-time high, the professor is forced to confront the age old question: “if I am only for myself, what am I?“ Written by the Tony award-winning playwright Itamar Moses (The Band’s Visit), and directed by the award-winning Lila Neugebauer ( The Wolves), The Ally is a passionate, provocative, and unflinching new play about the vanishing line between the personal and the political. I am a huge fan of Itamar Moses’ writing. He is incredibly sensitive, articulate, precise and surprising. And this play is no different. Written years before October 7th, Moses holds a megaphone up to the complexities and anguish of what’s happening in Israel. THE ALLY plays at the Public Theater through March 17.
If you want to see a smart, complex, funny, frustrating, impassioned play about the impossible conversations we are all having right now, I urge you to see THE ALLY. THE ALLY performed by a stellar cast is a fierce drama, (although often very funny) that gives voice to some of the most contentious and important questions of our time. When a college professor (played brilliantly by Josh Radnor) is asked by a student to sign a social justice manifesto, which seems at first like a simple choice, instead embroils him in an increasingly complex web of conflicting agendas that challenge his allegiance as a progressive liberal, a husband, an artist, an academic, an American, an atheist, and a Jew. With tensions at an all-time high, the professor is forced to confront the age old question: “if I am only for myself, what am I?“ Written by the Tony award-winning playwright Itamar Moses (The Band’s Visit), and directed by the award-winning Lila Neugebauer ( The Wolves), The Ally is a passionate, provocative, and unflinching new play about the vanishing line between the personal and the political. I am a huge fan of Itamar Moses’ writing. He is incredibly sensitive, articulate, precise and surprising. And this play is no different. Written years before October 7th, Moses holds a megaphone up to the complexities and anguish of what’s happening in Israel. THE ALLY plays at the Public Theater through March 17.
If you want to see a smart, complex, funny, frustrating, impassioned play about the impossible conversations we are all having right now, I urge you to see THE ALLY. THE ALLY performed by a stellar cast is a fierce drama, (although often very funny) that gives voice to some of the most contentious and important questions of our time. When a college professor (played brilliantly by Josh Radnor) is asked by a student to sign a social justice manifesto, which seems at first like a simple choice, instead embroils him in an increasingly complex web of conflicting agendas that challenge his allegiance as a progressive liberal, a husband, an artist, an academic, an American, an atheist, and a Jew. With tensions at an all-time high, the professor is forced to confront the age old question: “if I am only for myself, what am I?“ Written by the Tony award-winning playwright Itamar Moses (The Band’s Visit), and directed by the award-winning Lila Neugebauer ( The Wolves), The Ally is a passionate, provocative, and unflinching new play about the vanishing line between the personal and the political. I am a huge fan of Itamar Moses’ writing. He is incredibly sensitive, articulate, precise and surprising. And this play is no different. Written years before October 7th, Moses holds a megaphone up to the complexities and anguish of what’s happening in Israel. THE ALLY plays at the Public Theater through March 17.
If you want to see a smart, complex, funny, frustrating, impassioned play about the impossible conversations we are all having right now, I urge you to see THE ALLY. THE ALLY performed by a stellar cast is a fierce drama, (although often very funny) that gives voice to some of the most contentious and important questions of our time. When a college professor (played brilliantly by Josh Radnor) is asked by a student to sign a social justice manifesto, which seems at first like a simple choice, instead embroils him in an increasingly complex web of conflicting agendas that challenge his allegiance as a progressive liberal, a husband, an artist, an academic, an American, an atheist, and a Jew. With tensions at an all-time high, the professor is forced to confront the age old question: “if I am only for myself, what am I?“ Written by the Tony award-winning playwright Itamar Moses (The Band’s Visit), and directed by the award-winning Lila Neugebauer ( The Wolves), The Ally is a passionate, provocative, and unflinching new play about the vanishing line between the personal and the political. I am a huge fan of Itamar Moses’ writing. He is incredibly sensitive, articulate, precise and surprising. And this play is no different. Written years before October 7th, Moses holds a megaphone up to the complexities and anguish of what’s happening in Israel. THE ALLY plays at the Public Theater through March 17.
Lincoln Center Presents Alonzo King LINES Ballet’s Deep River. I went to the ballet this evening with this group of creative geniuses. It was elegant, graceful, soulful and emotional This moving work from artistic visionary Alonzo King addresses the power of inspiration and hope against seemingly impossible odds. Celebrated American choreographer Alonzo King and his company, LINES Ballet made their Lincoln Center debut with Deep River, a contemplative and high-intensity work of heart-stopping beauty. King has been recognized internationally as one of the most consequential choreographers of his time, and noted by The New York Times as a choreographer with “astonishing originality.” Deep River is a collaboration featuring GRAMMY Award–winning vocalist Lisa Fischer (20 Feet to Stardom and longtime lead backup vocalist for The Rolling Stones.) The ballet melds dance with spiritual music from the Black, Jewish, and Indian traditions, Deep River invites audiences to consider the physical beauty and majesty of humanity as the pinnacle of creation. King says the work is a reminder that “love is the ocean that we rose from, swim in, and will one day return to”—and that love, when deeply cultured, can liberate us.
Lincoln Center Presents Alonzo King LINES Ballet’s Deep River. I went to the ballet this evening with this group of creative geniuses. It was elegant, graceful, soulful and emotional This moving work from artistic visionary Alonzo King addresses the power of inspiration and hope against seemingly impossible odds. Celebrated American choreographer Alonzo King and his company, LINES Ballet made their Lincoln Center debut with Deep River, a contemplative and high-intensity work of heart-stopping beauty. King has been recognized internationally as one of the most consequential choreographers of his time, and noted by The New York Times as a choreographer with “astonishing originality.” Deep River is a collaboration featuring GRAMMY Award–winning vocalist Lisa Fischer (20 Feet to Stardom and longtime lead backup vocalist for The Rolling Stones.) The ballet melds dance with spiritual music from the Black, Jewish, and Indian traditions, Deep River invites audiences to consider the physical beauty and majesty of humanity as the pinnacle of creation. King says the work is a reminder that “love is the ocean that we rose from, swim in, and will one day return to”—and that love, when deeply cultured, can liberate us.
Lincoln Center Presents Alonzo King LINES Ballet’s Deep River. I went to the ballet this evening with this group of creative geniuses. It was elegant, graceful, soulful and emotional This moving work from artistic visionary Alonzo King addresses the power of inspiration and hope against seemingly impossible odds. Celebrated American choreographer Alonzo King and his company, LINES Ballet made their Lincoln Center debut with Deep River, a contemplative and high-intensity work of heart-stopping beauty. King has been recognized internationally as one of the most consequential choreographers of his time, and noted by The New York Times as a choreographer with “astonishing originality.” Deep River is a collaboration featuring GRAMMY Award–winning vocalist Lisa Fischer (20 Feet to Stardom and longtime lead backup vocalist for The Rolling Stones.) The ballet melds dance with spiritual music from the Black, Jewish, and Indian traditions, Deep River invites audiences to consider the physical beauty and majesty of humanity as the pinnacle of creation. King says the work is a reminder that “love is the ocean that we rose from, swim in, and will one day return to”—and that love, when deeply cultured, can liberate us.
Lincoln Center Presents Alonzo King LINES Ballet’s Deep River. I went to the ballet this evening with this group of creative geniuses. It was elegant, graceful, soulful and emotional This moving work from artistic visionary Alonzo King addresses the power of inspiration and hope against seemingly impossible odds. Celebrated American choreographer Alonzo King and his company, LINES Ballet made their Lincoln Center debut with Deep River, a contemplative and high-intensity work of heart-stopping beauty. King has been recognized internationally as one of the most consequential choreographers of his time, and noted by The New York Times as a choreographer with “astonishing originality.” Deep River is a collaboration featuring GRAMMY Award–winning vocalist Lisa Fischer (20 Feet to Stardom and longtime lead backup vocalist for The Rolling Stones.) The ballet melds dance with spiritual music from the Black, Jewish, and Indian traditions, Deep River invites audiences to consider the physical beauty and majesty of humanity as the pinnacle of creation. King says the work is a reminder that “love is the ocean that we rose from, swim in, and will one day return to”—and that love, when deeply cultured, can liberate us.
Lincoln Center Presents Alonzo King LINES Ballet’s Deep River. I went to the ballet this evening with this group of creative geniuses. It was elegant, graceful, soulful and emotional This moving work from artistic visionary Alonzo King addresses the power of inspiration and hope against seemingly impossible odds. Celebrated American choreographer Alonzo King and his company, LINES Ballet made their Lincoln Center debut with Deep River, a contemplative and high-intensity work of heart-stopping beauty. King has been recognized internationally as one of the most consequential choreographers of his time, and noted by The New York Times as a choreographer with “astonishing originality.” Deep River is a collaboration featuring GRAMMY Award–winning vocalist Lisa Fischer (20 Feet to Stardom and longtime lead backup vocalist for The Rolling Stones.) The ballet melds dance with spiritual music from the Black, Jewish, and Indian traditions, Deep River invites audiences to consider the physical beauty and majesty of humanity as the pinnacle of creation. King says the work is a reminder that “love is the ocean that we rose from, swim in, and will one day return to”—and that love, when deeply cultured, can liberate us.
Lincoln Center Presents Alonzo King LINES Ballet’s Deep River. I went to the ballet this evening with this group of creative geniuses. It was elegant, graceful, soulful and emotional This moving work from artistic visionary Alonzo King addresses the power of inspiration and hope against seemingly impossible odds. Celebrated American choreographer Alonzo King and his company, LINES Ballet made their Lincoln Center debut with Deep River, a contemplative and high-intensity work of heart-stopping beauty. King has been recognized internationally as one of the most consequential choreographers of his time, and noted by The New York Times as a choreographer with “astonishing originality.” Deep River is a collaboration featuring GRAMMY Award–winning vocalist Lisa Fischer (20 Feet to Stardom and longtime lead backup vocalist for The Rolling Stones.) The ballet melds dance with spiritual music from the Black, Jewish, and Indian traditions, Deep River invites audiences to consider the physical beauty and majesty of humanity as the pinnacle of creation. King says the work is a reminder that “love is the ocean that we rose from, swim in, and will one day return to”—and that love, when deeply cultured, can liberate us.
Lincoln Center Presents Alonzo King LINES Ballet’s Deep River. I went to the ballet this evening with this group of creative geniuses. It was elegant, graceful, soulful and emotional This moving work from artistic visionary Alonzo King addresses the power of inspiration and hope against seemingly impossible odds. Celebrated American choreographer Alonzo King and his company, LINES Ballet made their Lincoln Center debut with Deep River, a contemplative and high-intensity work of heart-stopping beauty. King has been recognized internationally as one of the most consequential choreographers of his time, and noted by The New York Times as a choreographer with “astonishing originality.” Deep River is a collaboration featuring GRAMMY Award–winning vocalist Lisa Fischer (20 Feet to Stardom and longtime lead backup vocalist for The Rolling Stones.) The ballet melds dance with spiritual music from the Black, Jewish, and Indian traditions, Deep River invites audiences to consider the physical beauty and majesty of humanity as the pinnacle of creation. King says the work is a reminder that “love is the ocean that we rose from, swim in, and will one day return to”—and that love, when deeply cultured, can liberate us.
