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Lulu Wang Top 100 Instagram Photos and Posts

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Most liked photo of Lulu Wang with over 18K likes is the following photo

Most liked Instagram photo of Lulu Wang
We have around 101 most liked photos of Lulu Wang with the thumbnails listed below. Click on any of them to view the full image along with its caption, like count, and a button to download the photo.

Lulu Wang Instagram - One year since we spontaneously eloped. We thought it was just a random Monday, but later, @tajpaxton GASPED at the timestamp on the first frame of her video when the ceremony began. She realized the divine timing because (of course) she had the super blue moon calendar saved on her phone. 💙🌑
Lulu Wang Instagram - One year since we spontaneously eloped. We thought it was just a random Monday, but later, @tajpaxton GASPED at the timestamp on the first frame of her video when the ceremony began. She realized the divine timing because (of course) she had the super blue moon calendar saved on her phone. 💙🌑
Lulu Wang Instagram - One year since we spontaneously eloped. We thought it was just a random Monday, but later, @tajpaxton GASPED at the timestamp on the first frame of her video when the ceremony began. She realized the divine timing because (of course) she had the super blue moon calendar saved on her phone. 💙🌑
Lulu Wang Instagram - One year since we spontaneously eloped. We thought it was just a random Monday, but later, @tajpaxton GASPED at the timestamp on the first frame of her video when the ceremony began. She realized the divine timing because (of course) she had the super blue moon calendar saved on her phone. 💙🌑
Lulu Wang Instagram - One year since we spontaneously eloped. We thought it was just a random Monday, but later, @tajpaxton GASPED at the timestamp on the first frame of her video when the ceremony began. She realized the divine timing because (of course) she had the super blue moon calendar saved on her phone. 💙🌑
Lulu Wang Instagram - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Lulu Wang Instagram - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Lulu Wang Instagram - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Lulu Wang Instagram - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Lulu Wang Instagram - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Lulu Wang Instagram - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Lulu Wang Instagram - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Lulu Wang Instagram - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Lulu Wang Instagram - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Lulu Wang Instagram - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Lulu Wang Instagram - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Lulu Wang Instagram - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Lulu Wang Instagram - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Lulu Wang Instagram - A home video for a home wedding. Happy one year. 🎊 A @aimeepham @kaisampadian production 📹
Lulu Wang Instagram - The colors of Expats tell a story. 🎨 @colorpalette.cinema
Lulu Wang Instagram - We have a first poster! As Dani (@deteem) says, this is a show where life gets life-y… and we can’t wait for you to enter the world of #Expats with us. Coming January 26, 2024 on @primevideo
Lulu Wang Instagram - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Lulu Wang Instagram - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Lulu Wang Instagram - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Lulu Wang Instagram - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Lulu Wang Instagram - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Lulu Wang Instagram - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Lulu Wang Instagram - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Lulu Wang Instagram - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Lulu Wang Instagram - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Lulu Wang Instagram - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Lulu Wang Instagram - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Lulu Wang Instagram - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Lulu Wang Instagram - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Lulu Wang Instagram - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Lulu Wang Instagram - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Lulu Wang Instagram - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Lulu Wang Instagram - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Lulu Wang Instagram - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Lulu Wang Instagram - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Lulu Wang Instagram - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Lulu Wang Instagram - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Lulu Wang Instagram - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Lulu Wang Instagram - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Lulu Wang Instagram - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Lulu Wang Instagram - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Lulu Wang Instagram - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Lulu Wang Instagram - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Lulu Wang Instagram - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Lulu Wang Instagram - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Lulu Wang Instagram - Rice porridge for the tiny table courtesy of Lulu Wang
Lulu Wang Instagram - That moment when I recorded “We’re All Alone” for @thumbelulu’s hit @primevideo series - #Expats starring @nicolekidman Go watch as my vocals close out Episode 5 only on @primevideo 📺
Lulu Wang Instagram - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Lulu Wang Instagram - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Lulu Wang Instagram - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Lulu Wang Instagram - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Lulu Wang Instagram - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Lulu Wang Instagram - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Lulu Wang Instagram - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Lulu Wang Instagram - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Lulu Wang Instagram - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Lulu Wang Instagram - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Lulu Wang Instagram - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Lulu Wang Instagram - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Lulu Wang Instagram - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Lulu Wang Instagram - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Lulu Wang Instagram - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Lulu Wang Instagram - All eyes on #Expats. Catch a new episode tomorrow, only on @primevideo.
Lulu Wang Instagram - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Lulu Wang Instagram - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Lulu Wang Instagram - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Lulu Wang Instagram - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Lulu Wang Instagram - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Lulu Wang Instagram - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Lulu Wang Instagram - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Lulu Wang Instagram - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Lulu Wang Instagram - Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead
Lulu Wang Instagram - Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead
Lulu Wang Instagram - Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead
Lulu Wang Instagram - Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead
Lulu Wang Instagram - Pablo Larraín with Barry Jenkins and Lulu Wang at the MARIA screening in LA.
Lulu Wang Instagram - When @thumbelulu was growing up, her family was certain of two things: She was destined to become a piano prodigy, and she needed to be grateful for the sacrifices her parents made to give her that opportunity. In today’s episode, creator of #Expats and writer and director of @thefarewell tells the story of how she found her own space away from the expectations of her future, and in doing so, unlocked the joy of making her own discoveries. Listen to Lulu Wang’s @meditativestory at the link in our bio.
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Lulu Wang Instagram - Monster project Lulu Wang, Film director and her Alter Ego There is a Monster lurking within! It’s the mental block, the blank page, the dark place we visit when we flex our creative muscle. In this ongoing project we collaborate with our brave companion creatives who are willing to look for their Monsters and reveal them to us. Post-Production @shaman_studio_paris #contemporaryphotography #nicketchloe #thumbelulu #artworks #regardsuspendu
Lulu Wang Instagram - On May 13, join us and @@backstagecast for a special Expats screening and Q&A. Our @kateyrichtalking will interview @thumbelulu and @sarayublue about the series’ subtle shifts between blame and accountability through stories of grief and loss. Tickets are at the link in bio.
Lulu Wang Instagram - NICK & CHLOÉ Monster project Lulu Wang, Film director and her Alter Ego There is a Monster lurking within! It’s the mental block, the blank page, the dark place we visit when we flex our creative muscle. In this ongoing project we collaborate with our brave companion creatives who are willing to look for their Monsters and reveal them to us. #contemporaryphotography #nicketchloe #thumbelulu #artworks #regardsuspendu
Lulu Wang Instagram - Monster project Lulu Wang, Film director and her Alter Ego There is a Monster lurking within! It’s the mental block, the blank page, the dark place we visit when we flex our creative muscle. In this ongoing project we collaborate with our brave companion creatives who are willing to look for their Monsters and reveal them to us. Post-Production @shaman_studio_paris #contemporaryphotography #nicketchloe #thumbelulu #artworks #regardsuspendu
Lulu Wang Instagram - Meet the speakers bringing our conversation about Borders to life on November 10th in LA: 🌶️ Sana Javeri Kadri (@diasporaco) grew up in Mumbai in a family where food was the great unifier. Now, she's building a spice company that honors that spirit—working directly with 140 regenerative farms across India and Sri Lanka, proving that the most delicious supply chain is also the most equitable one. 🌿 Lulu Wang (@thumbelulu) tells stories about identity and belonging—what it means to be caught between worlds, to carry multiple homes inside you, to find yourself in the in-between spaces where culture and memory meet. 💥 Anthony Wang (@firstborn.la) was born in Miami, trained in Boston, and found his voice in LA's Chinatown. At firstborn, he cooks Chinese American cuisine that follows the rhythm of a family dinner: childhood memories, California produce, and classical technique on the same plate. ⚡️ Javier Cabral (@lataco) is a 2x James Beard Award-winning journalist and punk who leads L.A. TACO, a chronicle of Los Angeles' kaleidoscopic food landscape. His work blends social justice advocacy with a fierce love for the city's immigrant foodways. This event is sold out, but you can join the waitlist at the link in our bio. ☀️ This MAD Monday is made possible by the generous support of @yeti and @blackbird, and shaped in collaboration with our curatorial partner, @careofchan.
Lulu Wang Instagram - Meet the speakers bringing our conversation about Borders to life on November 10th in LA: 🌶️ Sana Javeri Kadri (@diasporaco) grew up in Mumbai in a family where food was the great unifier. Now, she's building a spice company that honors that spirit—working directly with 140 regenerative farms across India and Sri Lanka, proving that the most delicious supply chain is also the most equitable one. 🌿 Lulu Wang (@thumbelulu) tells stories about identity and belonging—what it means to be caught between worlds, to carry multiple homes inside you, to find yourself in the in-between spaces where culture and memory meet. 💥 Anthony Wang (@firstborn.la) was born in Miami, trained in Boston, and found his voice in LA's Chinatown. At firstborn, he cooks Chinese American cuisine that follows the rhythm of a family dinner: childhood memories, California produce, and classical technique on the same plate. ⚡️ Javier Cabral (@lataco) is a 2x James Beard Award-winning journalist and punk who leads L.A. TACO, a chronicle of Los Angeles' kaleidoscopic food landscape. His work blends social justice advocacy with a fierce love for the city's immigrant foodways. This event is sold out, but you can join the waitlist at the link in our bio. ☀️ This MAD Monday is made possible by the generous support of @yeti and @blackbird, and shaped in collaboration with our curatorial partner, @careofchan.
Lulu Wang Instagram - Meet the speakers bringing our conversation about Borders to life on November 10th in LA: 🌶️ Sana Javeri Kadri (@diasporaco) grew up in Mumbai in a family where food was the great unifier. Now, she's building a spice company that honors that spirit—working directly with 140 regenerative farms across India and Sri Lanka, proving that the most delicious supply chain is also the most equitable one. 🌿 Lulu Wang (@thumbelulu) tells stories about identity and belonging—what it means to be caught between worlds, to carry multiple homes inside you, to find yourself in the in-between spaces where culture and memory meet. 💥 Anthony Wang (@firstborn.la) was born in Miami, trained in Boston, and found his voice in LA's Chinatown. At firstborn, he cooks Chinese American cuisine that follows the rhythm of a family dinner: childhood memories, California produce, and classical technique on the same plate. ⚡️ Javier Cabral (@lataco) is a 2x James Beard Award-winning journalist and punk who leads L.A. TACO, a chronicle of Los Angeles' kaleidoscopic food landscape. His work blends social justice advocacy with a fierce love for the city's immigrant foodways. This event is sold out, but you can join the waitlist at the link in our bio. ☀️ This MAD Monday is made possible by the generous support of @yeti and @blackbird, and shaped in collaboration with our curatorial partner, @careofchan.
Lulu Wang Instagram - Meet the speakers bringing our conversation about Borders to life on November 10th in LA: 🌶️ Sana Javeri Kadri (@diasporaco) grew up in Mumbai in a family where food was the great unifier. Now, she's building a spice company that honors that spirit—working directly with 140 regenerative farms across India and Sri Lanka, proving that the most delicious supply chain is also the most equitable one. 🌿 Lulu Wang (@thumbelulu) tells stories about identity and belonging—what it means to be caught between worlds, to carry multiple homes inside you, to find yourself in the in-between spaces where culture and memory meet. 💥 Anthony Wang (@firstborn.la) was born in Miami, trained in Boston, and found his voice in LA's Chinatown. At firstborn, he cooks Chinese American cuisine that follows the rhythm of a family dinner: childhood memories, California produce, and classical technique on the same plate. ⚡️ Javier Cabral (@lataco) is a 2x James Beard Award-winning journalist and punk who leads L.A. TACO, a chronicle of Los Angeles' kaleidoscopic food landscape. His work blends social justice advocacy with a fierce love for the city's immigrant foodways. This event is sold out, but you can join the waitlist at the link in our bio. ☀️ This MAD Monday is made possible by the generous support of @yeti and @blackbird, and shaped in collaboration with our curatorial partner, @careofchan.
Lulu Wang - 18K Likes - One year since we spontaneously eloped. We thought it was just a random Monday, but later, @tajpaxton GASPED at the timestamp on the first frame of her video when the ceremony began. She realized the divine timing because (of course) she had the super blue moon calendar saved on her phone. 💙🌑

18K Likes – Lulu Wang Instagram

Caption : One year since we spontaneously eloped. We thought it was just a random Monday, but later, @tajpaxton GASPED at the timestamp on the first frame of her video when the ceremony began. She realized the divine timing because (of course) she had the super blue moon calendar saved on her phone. 💙🌑
Likes : 17991Lulu Wang - 18K Likes - One year since we spontaneously eloped. We thought it was just a random Monday, but later, @tajpaxton GASPED at the timestamp on the first frame of her video when the ceremony began. She realized the divine timing because (of course) she had the super blue moon calendar saved on her phone. 💙🌑

18K Likes – Lulu Wang Instagram

Caption : One year since we spontaneously eloped. We thought it was just a random Monday, but later, @tajpaxton GASPED at the timestamp on the first frame of her video when the ceremony began. She realized the divine timing because (of course) she had the super blue moon calendar saved on her phone. 💙🌑
Likes : 17991Lulu Wang - 18K Likes - One year since we spontaneously eloped. We thought it was just a random Monday, but later, @tajpaxton GASPED at the timestamp on the first frame of her video when the ceremony began. She realized the divine timing because (of course) she had the super blue moon calendar saved on her phone. 💙🌑

18K Likes – Lulu Wang Instagram

Caption : One year since we spontaneously eloped. We thought it was just a random Monday, but later, @tajpaxton GASPED at the timestamp on the first frame of her video when the ceremony began. She realized the divine timing because (of course) she had the super blue moon calendar saved on her phone. 💙🌑
Likes : 17991Lulu Wang - 18K Likes - One year since we spontaneously eloped. We thought it was just a random Monday, but later, @tajpaxton GASPED at the timestamp on the first frame of her video when the ceremony began. She realized the divine timing because (of course) she had the super blue moon calendar saved on her phone. 💙🌑

18K Likes – Lulu Wang Instagram

Caption : One year since we spontaneously eloped. We thought it was just a random Monday, but later, @tajpaxton GASPED at the timestamp on the first frame of her video when the ceremony began. She realized the divine timing because (of course) she had the super blue moon calendar saved on her phone. 💙🌑
Likes : 17991Lulu Wang - 18K Likes - One year since we spontaneously eloped. We thought it was just a random Monday, but later, @tajpaxton GASPED at the timestamp on the first frame of her video when the ceremony began. She realized the divine timing because (of course) she had the super blue moon calendar saved on her phone. 💙🌑

18K Likes – Lulu Wang Instagram

Caption : One year since we spontaneously eloped. We thought it was just a random Monday, but later, @tajpaxton GASPED at the timestamp on the first frame of her video when the ceremony began. She realized the divine timing because (of course) she had the super blue moon calendar saved on her phone. 💙🌑
Likes : 17991Lulu Wang - 12K Likes - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.

12K Likes – Lulu Wang Instagram

Caption : Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Likes : 12022Lulu Wang - 12K Likes - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.

12K Likes – Lulu Wang Instagram

Caption : Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Likes : 12022Lulu Wang - 12K Likes - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.

12K Likes – Lulu Wang Instagram

Caption : Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Likes : 12022Lulu Wang - 12K Likes - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.

12K Likes – Lulu Wang Instagram

Caption : Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Likes : 12022Lulu Wang - 12K Likes - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.

12K Likes – Lulu Wang Instagram

Caption : Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Likes : 12022Lulu Wang - 12K Likes - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.

12K Likes – Lulu Wang Instagram

Caption : Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Likes : 12022Lulu Wang - 12K Likes - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.

12K Likes – Lulu Wang Instagram

Caption : Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Likes : 12022Lulu Wang - 12K Likes - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.

12K Likes – Lulu Wang Instagram

Caption : Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Likes : 12022Lulu Wang - 12K Likes - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.

12K Likes – Lulu Wang Instagram

Caption : Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Likes : 12022Lulu Wang - 12K Likes - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.

12K Likes – Lulu Wang Instagram

Caption : Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Likes : 12022Lulu Wang - 12K Likes - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.

12K Likes – Lulu Wang Instagram

Caption : Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Likes : 12022Lulu Wang - 12K Likes - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.

12K Likes – Lulu Wang Instagram

Caption : Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Likes : 12022Lulu Wang - 12K Likes - Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.

12K Likes – Lulu Wang Instagram

Caption : Our dear and talented friend @de.luca.gabi took these film images of a very special time in a very special place.
Likes : 12022Lulu Wang - 10K Likes - A home video for a home wedding. Happy one year. 🎊 A @aimeepham @kaisampadian production 📹

10K Likes – Lulu Wang Instagram

Caption : A home video for a home wedding. Happy one year. 🎊 A @aimeepham @kaisampadian production 📹
Likes : 9968Lulu Wang - 9.6K Likes - The colors of Expats tell a story. 🎨 @colorpalette.cinema

9.6K Likes – Lulu Wang Instagram

Caption : The colors of Expats tell a story. 🎨 @colorpalette.cinema
Likes : 9619Lulu Wang - 6.8K Likes - We have a first poster! As Dani (@deteem) says, this is a show where life gets life-y… and we can’t wait for you to enter the world of #Expats with us. Coming January 26, 2024 on @primevideo

6.8K Likes – Lulu Wang Instagram

Caption : We have a first poster! As Dani (@deteem) says, this is a show where life gets life-y… and we can’t wait for you to enter the world of #Expats with us. Coming January 26, 2024 on @primevideo
Likes : 6817Lulu Wang - 3.8K Likes - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.

3.8K Likes – Lulu Wang Instagram

Caption : “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Likes : 3842Lulu Wang - 3.8K Likes - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.

3.8K Likes – Lulu Wang Instagram

Caption : “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Likes : 3842Lulu Wang - 3.8K Likes - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.

3.8K Likes – Lulu Wang Instagram

Caption : “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Likes : 3842Lulu Wang - 3.8K Likes - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.

3.8K Likes – Lulu Wang Instagram

Caption : “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Likes : 3842Lulu Wang - 3.8K Likes - “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.

3.8K Likes – Lulu Wang Instagram

Caption : “There’s a sense of longing to escape, to leave, in this image. I think about the people on that plane as much as I think about the kids that are watching the plane. I think about the people what they’re leaving behind. It’s about regrets. It’s about sacrifice. I don’t know, maybe they’re much more scared than they are hopeful in that moment,” @thumbelulu tells CULTURED. The filmmaker behind ‘The Farewell’ released the first two episodes of ‘Expats’ last Friday. The limited series unspools the lives and losses of a group of affluent foreigners living in Hong Kong. Starring Nicole Kidman, Sarayu Blue, and Ji-young Yoo, the show is an aching and atmospheric dive into how we carry collateral damage, and what happens when it starts to define us. Ahead of the third episode’s drop tomorrow, Wang called CULTURED to talk about a photograph by Singaporean photographer @_nguan_, which hangs in her Los Angeles home and influenced the visual language of both projects. Link in bio to read our interview. Nguan, Untitled, 2012, from ”Singapore” series. Behind the scenes and ‘Expats’ stills courtesy of Amazon MGM Studios.
Likes : 3842Lulu Wang - 3.6K Likes - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️

3.6K Likes – Lulu Wang Instagram

Caption : OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Likes : 3578Lulu Wang - 3.6K Likes - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️

3.6K Likes – Lulu Wang Instagram

Caption : OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Likes : 3578Lulu Wang - 3.6K Likes - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️

3.6K Likes – Lulu Wang Instagram

Caption : OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Likes : 3578Lulu Wang - 3.6K Likes - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️

3.6K Likes – Lulu Wang Instagram

Caption : OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Likes : 3578Lulu Wang - 3.6K Likes - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️

3.6K Likes – Lulu Wang Instagram

Caption : OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Likes : 3578Lulu Wang - 3.6K Likes - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️

3.6K Likes – Lulu Wang Instagram

Caption : OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Likes : 3578Lulu Wang - 3.6K Likes - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️

3.6K Likes – Lulu Wang Instagram

Caption : OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Likes : 3578Lulu Wang - 3.6K Likes - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️

3.6K Likes – Lulu Wang Instagram

Caption : OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Likes : 3578Lulu Wang - 3.6K Likes - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️

3.6K Likes – Lulu Wang Instagram

Caption : OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Likes : 3578Lulu Wang - 3.6K Likes - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️

3.6K Likes – Lulu Wang Instagram

Caption : OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Likes : 3578Lulu Wang - 3.6K Likes - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️

3.6K Likes – Lulu Wang Instagram

Caption : OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Likes : 3578Lulu Wang - 3.6K Likes - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️

3.6K Likes – Lulu Wang Instagram

Caption : OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Likes : 3578Lulu Wang - 3.6K Likes - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️

3.6K Likes – Lulu Wang Instagram

Caption : OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Likes : 3578Lulu Wang - 3.6K Likes - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️

3.6K Likes – Lulu Wang Instagram

Caption : OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Likes : 3578Lulu Wang - 3.6K Likes - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️

3.6K Likes – Lulu Wang Instagram

Caption : OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Likes : 3578Lulu Wang - 3.6K Likes - OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️

3.6K Likes – Lulu Wang Instagram

Caption : OH BOY. Snapshots from the Wang-Jenkins baby shower, a lovely afternoon of given and chosen family. @chaunceywangjenkins’ baby brother is a lucky boy to be brought into this world surrounded by such a loving community. Love to you both, @thumbelulu and @bandrybarry ❤️
Likes : 3578Lulu Wang - 3.3K Likes - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse

3.3K Likes – Lulu Wang Instagram

Caption : Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Likes : 3319Lulu Wang - 3.3K Likes - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse

3.3K Likes – Lulu Wang Instagram

Caption : Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Likes : 3319Lulu Wang - 3.3K Likes - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse

3.3K Likes – Lulu Wang Instagram

Caption : Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Likes : 3319Lulu Wang - 3.3K Likes - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse

3.3K Likes – Lulu Wang Instagram

Caption : Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Likes : 3319Lulu Wang - 3.3K Likes - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse

3.3K Likes – Lulu Wang Instagram

Caption : Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Likes : 3319Lulu Wang - 3.3K Likes - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse

3.3K Likes – Lulu Wang Instagram

Caption : Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Likes : 3319Lulu Wang - 3.3K Likes - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse

3.3K Likes – Lulu Wang Instagram

Caption : Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Likes : 3319Lulu Wang - 3.3K Likes - Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse

3.3K Likes – Lulu Wang Instagram

Caption : Back when #Expats showrunner and director Lulu Wang (@thumbelulu) was an indie filmmaker promoting #TheFarewell, her agent reached out to her. @nicolekidman wanted to know if Wang was interested in adapting “The Expatriates,” @janiceyklee’s novel about three American women living in Hong Kong, into a series for @primevideo. Wang politely declined. “It wasn’t because I didn’t want to work with Nicole or that I wasn’t excited — I love the book,” Wang says. Part of what gave her pause was scaling up so dramatically after the narrow purview of “The Farewell’s” 24-day shoot and shoestring $3-million budget. This would involve tackling a big-budget studio project that required shooting in both Hong Kong and Los Angeles. Then came Kidman’s make-it-happen campaign. It began with dinner, just the two of them. “What do you need?” Kidman asked her. “I just felt like I was daydreaming out loud — not really pitching,” Wang says. Except Kidman assured Wang that it was all doable. The team behind the critically acclaimed series opens up about how they made it in the latest Envelope cover story. Read more at the link in @latimes_entertainment’s bio. 📸 @therealchristinahouse
Likes : 3319Lulu Wang - 2.6K Likes - Rice porridge for the tiny table courtesy of Lulu Wang

2.6K Likes – Lulu Wang Instagram

Caption : Rice porridge for the tiny table courtesy of Lulu Wang
Likes : 2640Lulu Wang - 2.6K Likes - That moment when I recorded “We’re All Alone” for @thumbelulu’s hit @primevideo series - #Expats starring @nicolekidman Go watch as my vocals close out Episode 5 only on @primevideo 📺

2.6K Likes – Lulu Wang Instagram

Caption : That moment when I recorded “We’re All Alone” for @thumbelulu’s hit @primevideo series – #Expats starring @nicolekidman Go watch as my vocals close out Episode 5 only on @primevideo 📺
Likes : 2631Lulu Wang - 1.8K Likes - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto

1.8K Likes – Lulu Wang Instagram

Caption : After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Likes : 1796Lulu Wang - 1.8K Likes - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto

1.8K Likes – Lulu Wang Instagram

Caption : After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Likes : 1796Lulu Wang - 1.8K Likes - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto

1.8K Likes – Lulu Wang Instagram

Caption : After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Likes : 1796Lulu Wang - 1.8K Likes - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto

1.8K Likes – Lulu Wang Instagram

Caption : After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Likes : 1796Lulu Wang - 1.8K Likes - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto

1.8K Likes – Lulu Wang Instagram

Caption : After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Likes : 1796Lulu Wang - 1.8K Likes - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto

1.8K Likes – Lulu Wang Instagram

Caption : After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Likes : 1796Lulu Wang - 1.8K Likes - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto

1.8K Likes – Lulu Wang Instagram

Caption : After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Likes : 1796Lulu Wang - 1.8K Likes - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto

1.8K Likes – Lulu Wang Instagram

Caption : After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Likes : 1796Lulu Wang - 1.8K Likes - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto

1.8K Likes – Lulu Wang Instagram

Caption : After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Likes : 1796Lulu Wang - 1.8K Likes - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto

1.8K Likes – Lulu Wang Instagram

Caption : After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Likes : 1796Lulu Wang - 1.8K Likes - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto

1.8K Likes – Lulu Wang Instagram

Caption : After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Likes : 1796Lulu Wang - 1.8K Likes - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto

1.8K Likes – Lulu Wang Instagram

Caption : After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Likes : 1796Lulu Wang - 1.8K Likes - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto

1.8K Likes – Lulu Wang Instagram

Caption : After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Likes : 1796Lulu Wang - 1.8K Likes - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto

1.8K Likes – Lulu Wang Instagram

Caption : After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Likes : 1796Lulu Wang - 1.8K Likes - After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto

1.8K Likes – Lulu Wang Instagram

Caption : After years of devouring Anthony’s food and watching him blossom, it’s so exciting to finally share his talents with the public. @firstborn.la is an extension of our home, our family and all the joy and love we have for our Los Angeles community. Firstborn is open now. Can’t wait to see y’all there! ♥️😋 Words: @rebeccaroland Images: @wonhophoto
Likes : 1796Lulu Wang - 1.2K Likes - All eyes on #Expats. Catch a new episode tomorrow, only on @primevideo.

1.2K Likes – Lulu Wang Instagram

Caption : All eyes on #Expats. Catch a new episode tomorrow, only on @primevideo.
Likes : 1176Lulu Wang - 1.1K Likes - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”

1.1K Likes – Lulu Wang Instagram

Caption : #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Likes : 1082Lulu Wang - 1.1K Likes - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”

1.1K Likes – Lulu Wang Instagram

Caption : #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Likes : 1082Lulu Wang - 1.1K Likes - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”

1.1K Likes – Lulu Wang Instagram

Caption : #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Likes : 1082Lulu Wang - 1.1K Likes - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”

1.1K Likes – Lulu Wang Instagram

Caption : #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Likes : 1082Lulu Wang - 1.1K Likes - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”

1.1K Likes – Lulu Wang Instagram

Caption : #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Likes : 1082Lulu Wang - 1.1K Likes - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”

1.1K Likes – Lulu Wang Instagram

Caption : #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Likes : 1082Lulu Wang - 1.1K Likes - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”

1.1K Likes – Lulu Wang Instagram

Caption : #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Likes : 1082Lulu Wang - 1.1K Likes - #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”

1.1K Likes – Lulu Wang Instagram

Caption : #Director Lulu Wang (@thumbelulu) and #DOP Anna Franquesa-Solano AEC (@annafranquesasolano) take us #behindthescenes of #Expats, shot with #Panaspeed lenses and serviced by #Panavision Woodland Hills. Anna begins: “We wanted to capture a sense of restraint, since the three protagonists are constantly making an effort to not let go or surrender to their emotions, knowing that if they do, they will get lost. It is this attempt to keep control over their lives that influenced much of the visual look—subdued and constrained.” Lulu continues: “Anna and I watched films together and also referenced photographers Michael Wolf and Christopher Anderson. We discussed how we’d visually represent this wound, this unseen thing. We also talked a lot about the contrast of the different worlds and spending a lot of time on the ground in Hong Kong gave us a lot of inspiration.” Anna continues: “The reason why I went to Panavision for this project is because they have some of the best glass in the world and they were open to work with me to develop and find the look. The Panaspeeds gave us the control over the image that felt appropriate for the look. After performing some tests, Dan Sasaki modified them to be less sharp, softening the bokeh, controlling the flare to a minimum, and having very subtle glare around highlights, so we didn’t need any filtration during the shoot. We kept the look very clean, with no aberrations or flares to soften the reality that these women have to go through.” Lulu concludes: “The scale of EXPATS was far greater than anything I’ve done before, and it gave us a ton of runway to play with different visual languages and thematic ideas. It was important for us to be expansive without losing the intimacy or specificity for each character and their particular world. I became a director because I wanted to tell stories that transport you to another world and into another perspective. What keeps me inspired these days is collaboration. I love how collaboration expands my worldview and it helps me to continue learning and growing.”
Likes : 1082Lulu Wang - 877 Likes - Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead

877 Likes – Lulu Wang Instagram

Caption : Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead
Likes : 877Lulu Wang - 877 Likes - Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead

877 Likes – Lulu Wang Instagram

Caption : Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead
Likes : 877Lulu Wang - 877 Likes - Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead

877 Likes – Lulu Wang Instagram

Caption : Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead
Likes : 877Lulu Wang - 877 Likes - Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead

877 Likes – Lulu Wang Instagram

Caption : Breaking news! Lulu Wang, Mimi Leder, La La Anthony and More to Speak at our 2024 Women in Entertainment Summit. Check out our exclusive in @variety for more details on this full-day of empowering programming, and be sure to register for tickets now at the link in our bio. More star speakers TBA! ✨ #womensupportingwomen #womeninentertainment #womeninfilm #inspiration #empower #WIEsummit #starztakethelead
Likes : 877Lulu Wang - 602 Likes - Pablo Larraín with Barry Jenkins and Lulu Wang at the MARIA screening in LA.

602 Likes – Lulu Wang Instagram

Caption : Pablo Larraín with Barry Jenkins and Lulu Wang at the MARIA screening in LA.
Likes : 602Lulu Wang - 540 Likes - When @thumbelulu was growing up, her family was certain of two things: She was destined to become a piano prodigy, and she needed to be grateful for the sacrifices her parents made to give her that opportunity. In today’s episode, creator of #Expats and writer and director of @thefarewell tells the story of how she found her own space away from the expectations of her future, and in doing so, unlocked the joy of making her own discoveries. Listen to Lulu Wang’s @meditativestory at the link in our bio.

540 Likes – Lulu Wang Instagram

Caption : When @thumbelulu was growing up, her family was certain of two things: She was destined to become a piano prodigy, and she needed to be grateful for the sacrifices her parents made to give her that opportunity. In today’s episode, creator of #Expats and writer and director of @thefarewell tells the story of how she found her own space away from the expectations of her future, and in doing so, unlocked the joy of making her own discoveries. Listen to Lulu Wang’s @meditativestory at the link in our bio.
Likes : 540Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 494 Likes - Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu

494 Likes – Lulu Wang Instagram

Caption : Ahead of director Lulu Wang joining us in person at Film at Lincoln Center on Feb. 15 to discuss her work on the new @PrimeVideo series EXPATS, check out the filmmaker’s curated @letterboxd list of influential movies that served as personal and thematic inspiration, all screening at FLC from Feb. 13-15: boxd.it/sGga4 View full schedule and get 🎟️: filmlinc.org/lulu
Likes : 494Lulu Wang - 433 Likes - Monster project Lulu Wang, Film director and her Alter Ego There is a Monster lurking within! It’s the mental block, the blank page, the dark place we visit when we flex our creative muscle. In this ongoing project we collaborate with our brave companion creatives who are willing to look for their Monsters and reveal them to us. Post-Production @shaman_studio_paris #contemporaryphotography #nicketchloe #thumbelulu #artworks #regardsuspendu

433 Likes – Lulu Wang Instagram

Caption : Monster project Lulu Wang, Film director and her Alter Ego There is a Monster lurking within! It’s the mental block, the blank page, the dark place we visit when we flex our creative muscle. In this ongoing project we collaborate with our brave companion creatives who are willing to look for their Monsters and reveal them to us. Post-Production @shaman_studio_paris #contemporaryphotography #nicketchloe #thumbelulu #artworks #regardsuspendu
Likes : 433Lulu Wang - 370 Likes - On May 13, join us and @@backstagecast for a special Expats screening and Q&A. Our @kateyrichtalking will interview @thumbelulu and @sarayublue about the series’ subtle shifts between blame and accountability through stories of grief and loss. Tickets are at the link in bio.

370 Likes – Lulu Wang Instagram

Caption : On May 13, join us and @@backstagecast for a special Expats screening and Q&A. Our @kateyrichtalking will interview @thumbelulu and @sarayublue about the series’ subtle shifts between blame and accountability through stories of grief and loss. Tickets are at the link in bio.
Likes : 370Lulu Wang - 310 Likes - NICK & CHLOÉ Monster project Lulu Wang, Film director and her Alter Ego There is a Monster lurking within! It’s the mental block, the blank page, the dark place we visit when we flex our creative muscle. In this ongoing project we collaborate with our brave companion creatives who are willing to look for their Monsters and reveal them to us. #contemporaryphotography #nicketchloe #thumbelulu #artworks #regardsuspendu

310 Likes – Lulu Wang Instagram

Caption : NICK & CHLOÉ Monster project Lulu Wang, Film director and her Alter Ego There is a Monster lurking within! It’s the mental block, the blank page, the dark place we visit when we flex our creative muscle. In this ongoing project we collaborate with our brave companion creatives who are willing to look for their Monsters and reveal them to us. #contemporaryphotography #nicketchloe #thumbelulu #artworks #regardsuspendu
Likes : 310Lulu Wang - 297 Likes - Monster project Lulu Wang, Film director and her Alter Ego There is a Monster lurking within! It’s the mental block, the blank page, the dark place we visit when we flex our creative muscle. In this ongoing project we collaborate with our brave companion creatives who are willing to look for their Monsters and reveal them to us. Post-Production @shaman_studio_paris #contemporaryphotography #nicketchloe #thumbelulu #artworks #regardsuspendu

297 Likes – Lulu Wang Instagram

Caption : Monster project Lulu Wang, Film director and her Alter Ego There is a Monster lurking within! It’s the mental block, the blank page, the dark place we visit when we flex our creative muscle. In this ongoing project we collaborate with our brave companion creatives who are willing to look for their Monsters and reveal them to us. Post-Production @shaman_studio_paris #contemporaryphotography #nicketchloe #thumbelulu #artworks #regardsuspendu
Likes : 297Lulu Wang - 251 Likes - Meet the speakers bringing our conversation about Borders to life on November 10th in LA: 🌶️ Sana Javeri Kadri (@diasporaco) grew up in Mumbai in a family where food was the great unifier. Now, she's building a spice company that honors that spirit—working directly with 140 regenerative farms across India and Sri Lanka, proving that the most delicious supply chain is also the most equitable one. 🌿 Lulu Wang (@thumbelulu) tells stories about identity and belonging—what it means to be caught between worlds, to carry multiple homes inside you, to find yourself in the in-between spaces where culture and memory meet. 💥 Anthony Wang (@firstborn.la) was born in Miami, trained in Boston, and found his voice in LA's Chinatown. At firstborn, he cooks Chinese American cuisine that follows the rhythm of a family dinner: childhood memories, California produce, and classical technique on the same plate. ⚡️ Javier Cabral (@lataco) is a 2x James Beard Award-winning journalist and punk who leads L.A. TACO, a chronicle of Los Angeles' kaleidoscopic food landscape. His work blends social justice advocacy with a fierce love for the city's immigrant foodways. This event is sold out, but you can join the waitlist at the link in our bio. ☀️ This MAD Monday is made possible by the generous support of @yeti and @blackbird, and shaped in collaboration with our curatorial partner, @careofchan.

251 Likes – Lulu Wang Instagram

Caption : Meet the speakers bringing our conversation about Borders to life on November 10th in LA: 🌶️ Sana Javeri Kadri (@diasporaco) grew up in Mumbai in a family where food was the great unifier. Now, she’s building a spice company that honors that spirit—working directly with 140 regenerative farms across India and Sri Lanka, proving that the most delicious supply chain is also the most equitable one. 🌿 Lulu Wang (@thumbelulu) tells stories about identity and belonging—what it means to be caught between worlds, to carry multiple homes inside you, to find yourself in the in-between spaces where culture and memory meet. 💥 Anthony Wang (@firstborn.la) was born in Miami, trained in Boston, and found his voice in LA’s Chinatown. At firstborn, he cooks Chinese American cuisine that follows the rhythm of a family dinner: childhood memories, California produce, and classical technique on the same plate. ⚡️ Javier Cabral (@lataco) is a 2x James Beard Award-winning journalist and punk who leads L.A. TACO, a chronicle of Los Angeles’ kaleidoscopic food landscape. His work blends social justice advocacy with a fierce love for the city’s immigrant foodways. This event is sold out, but you can join the waitlist at the link in our bio. ☀️ This MAD Monday is made possible by the generous support of @yeti and @blackbird, and shaped in collaboration with our curatorial partner, @careofchan.
Likes : 251Lulu Wang - 251 Likes - Meet the speakers bringing our conversation about Borders to life on November 10th in LA: 🌶️ Sana Javeri Kadri (@diasporaco) grew up in Mumbai in a family where food was the great unifier. Now, she's building a spice company that honors that spirit—working directly with 140 regenerative farms across India and Sri Lanka, proving that the most delicious supply chain is also the most equitable one. 🌿 Lulu Wang (@thumbelulu) tells stories about identity and belonging—what it means to be caught between worlds, to carry multiple homes inside you, to find yourself in the in-between spaces where culture and memory meet. 💥 Anthony Wang (@firstborn.la) was born in Miami, trained in Boston, and found his voice in LA's Chinatown. At firstborn, he cooks Chinese American cuisine that follows the rhythm of a family dinner: childhood memories, California produce, and classical technique on the same plate. ⚡️ Javier Cabral (@lataco) is a 2x James Beard Award-winning journalist and punk who leads L.A. TACO, a chronicle of Los Angeles' kaleidoscopic food landscape. His work blends social justice advocacy with a fierce love for the city's immigrant foodways. This event is sold out, but you can join the waitlist at the link in our bio. ☀️ This MAD Monday is made possible by the generous support of @yeti and @blackbird, and shaped in collaboration with our curatorial partner, @careofchan.

251 Likes – Lulu Wang Instagram

Caption : Meet the speakers bringing our conversation about Borders to life on November 10th in LA: 🌶️ Sana Javeri Kadri (@diasporaco) grew up in Mumbai in a family where food was the great unifier. Now, she’s building a spice company that honors that spirit—working directly with 140 regenerative farms across India and Sri Lanka, proving that the most delicious supply chain is also the most equitable one. 🌿 Lulu Wang (@thumbelulu) tells stories about identity and belonging—what it means to be caught between worlds, to carry multiple homes inside you, to find yourself in the in-between spaces where culture and memory meet. 💥 Anthony Wang (@firstborn.la) was born in Miami, trained in Boston, and found his voice in LA’s Chinatown. At firstborn, he cooks Chinese American cuisine that follows the rhythm of a family dinner: childhood memories, California produce, and classical technique on the same plate. ⚡️ Javier Cabral (@lataco) is a 2x James Beard Award-winning journalist and punk who leads L.A. TACO, a chronicle of Los Angeles’ kaleidoscopic food landscape. His work blends social justice advocacy with a fierce love for the city’s immigrant foodways. This event is sold out, but you can join the waitlist at the link in our bio. ☀️ This MAD Monday is made possible by the generous support of @yeti and @blackbird, and shaped in collaboration with our curatorial partner, @careofchan.
Likes : 251Lulu Wang - 251 Likes - Meet the speakers bringing our conversation about Borders to life on November 10th in LA: 🌶️ Sana Javeri Kadri (@diasporaco) grew up in Mumbai in a family where food was the great unifier. Now, she's building a spice company that honors that spirit—working directly with 140 regenerative farms across India and Sri Lanka, proving that the most delicious supply chain is also the most equitable one. 🌿 Lulu Wang (@thumbelulu) tells stories about identity and belonging—what it means to be caught between worlds, to carry multiple homes inside you, to find yourself in the in-between spaces where culture and memory meet. 💥 Anthony Wang (@firstborn.la) was born in Miami, trained in Boston, and found his voice in LA's Chinatown. At firstborn, he cooks Chinese American cuisine that follows the rhythm of a family dinner: childhood memories, California produce, and classical technique on the same plate. ⚡️ Javier Cabral (@lataco) is a 2x James Beard Award-winning journalist and punk who leads L.A. TACO, a chronicle of Los Angeles' kaleidoscopic food landscape. His work blends social justice advocacy with a fierce love for the city's immigrant foodways. This event is sold out, but you can join the waitlist at the link in our bio. ☀️ This MAD Monday is made possible by the generous support of @yeti and @blackbird, and shaped in collaboration with our curatorial partner, @careofchan.

251 Likes – Lulu Wang Instagram

Caption : Meet the speakers bringing our conversation about Borders to life on November 10th in LA: 🌶️ Sana Javeri Kadri (@diasporaco) grew up in Mumbai in a family where food was the great unifier. Now, she’s building a spice company that honors that spirit—working directly with 140 regenerative farms across India and Sri Lanka, proving that the most delicious supply chain is also the most equitable one. 🌿 Lulu Wang (@thumbelulu) tells stories about identity and belonging—what it means to be caught between worlds, to carry multiple homes inside you, to find yourself in the in-between spaces where culture and memory meet. 💥 Anthony Wang (@firstborn.la) was born in Miami, trained in Boston, and found his voice in LA’s Chinatown. At firstborn, he cooks Chinese American cuisine that follows the rhythm of a family dinner: childhood memories, California produce, and classical technique on the same plate. ⚡️ Javier Cabral (@lataco) is a 2x James Beard Award-winning journalist and punk who leads L.A. TACO, a chronicle of Los Angeles’ kaleidoscopic food landscape. His work blends social justice advocacy with a fierce love for the city’s immigrant foodways. This event is sold out, but you can join the waitlist at the link in our bio. ☀️ This MAD Monday is made possible by the generous support of @yeti and @blackbird, and shaped in collaboration with our curatorial partner, @careofchan.
Likes : 251Lulu Wang - 251 Likes - Meet the speakers bringing our conversation about Borders to life on November 10th in LA: 🌶️ Sana Javeri Kadri (@diasporaco) grew up in Mumbai in a family where food was the great unifier. Now, she's building a spice company that honors that spirit—working directly with 140 regenerative farms across India and Sri Lanka, proving that the most delicious supply chain is also the most equitable one. 🌿 Lulu Wang (@thumbelulu) tells stories about identity and belonging—what it means to be caught between worlds, to carry multiple homes inside you, to find yourself in the in-between spaces where culture and memory meet. 💥 Anthony Wang (@firstborn.la) was born in Miami, trained in Boston, and found his voice in LA's Chinatown. At firstborn, he cooks Chinese American cuisine that follows the rhythm of a family dinner: childhood memories, California produce, and classical technique on the same plate. ⚡️ Javier Cabral (@lataco) is a 2x James Beard Award-winning journalist and punk who leads L.A. TACO, a chronicle of Los Angeles' kaleidoscopic food landscape. His work blends social justice advocacy with a fierce love for the city's immigrant foodways. This event is sold out, but you can join the waitlist at the link in our bio. ☀️ This MAD Monday is made possible by the generous support of @yeti and @blackbird, and shaped in collaboration with our curatorial partner, @careofchan.

251 Likes – Lulu Wang Instagram

Caption : Meet the speakers bringing our conversation about Borders to life on November 10th in LA: 🌶️ Sana Javeri Kadri (@diasporaco) grew up in Mumbai in a family where food was the great unifier. Now, she’s building a spice company that honors that spirit—working directly with 140 regenerative farms across India and Sri Lanka, proving that the most delicious supply chain is also the most equitable one. 🌿 Lulu Wang (@thumbelulu) tells stories about identity and belonging—what it means to be caught between worlds, to carry multiple homes inside you, to find yourself in the in-between spaces where culture and memory meet. 💥 Anthony Wang (@firstborn.la) was born in Miami, trained in Boston, and found his voice in LA’s Chinatown. At firstborn, he cooks Chinese American cuisine that follows the rhythm of a family dinner: childhood memories, California produce, and classical technique on the same plate. ⚡️ Javier Cabral (@lataco) is a 2x James Beard Award-winning journalist and punk who leads L.A. TACO, a chronicle of Los Angeles’ kaleidoscopic food landscape. His work blends social justice advocacy with a fierce love for the city’s immigrant foodways. This event is sold out, but you can join the waitlist at the link in our bio. ☀️ This MAD Monday is made possible by the generous support of @yeti and @blackbird, and shaped in collaboration with our curatorial partner, @careofchan.
Likes : 251
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