Photo dump it is or life it is? Whatever it is, it is just is… Or It is what it is 😎 #naeemabutt #lifemoments Blue dress by @minahasanofficial 👗
Photo dump it is or life it is? Whatever it is, it is just is… Or It is what it is 😎 #naeemabutt #lifemoments Blue dress by @minahasanofficial 👗
Photo dump it is or life it is? Whatever it is, it is just is… Or It is what it is 😎 #naeemabutt #lifemoments Blue dress by @minahasanofficial 👗
Photo dump it is or life it is? Whatever it is, it is just is… Or It is what it is 😎 #naeemabutt #lifemoments Blue dress by @minahasanofficial 👗
Koi bohat poraana qissa hon mein Kisi unchay muqaam se phisla hon mein Apni Kahani ka tou pata nahi Kisi qabar ki khaak ka hissa hon mein #naeemabutt ✍️ #randomthoughts Too soon, too late, does it even matter mate? 😌 #bts #work #life #shit #okay #bye 👋✌️✋😘 Make up by @soniarazzaq.mua Saari by @sarahrazaofficial
Koi bohat poraana qissa hon mein Kisi unchay muqaam se phisla hon mein Apni Kahani ka tou pata nahi Kisi qabar ki khaak ka hissa hon mein #naeemabutt ✍️ #randomthoughts Too soon, too late, does it even matter mate? 😌 #bts #work #life #shit #okay #bye 👋✌️✋😘 Make up by @soniarazzaq.mua Saari by @sarahrazaofficial
Eyes carry a lot of water and that water has alot of depth and that depth has alot of pain and that pain has a lot of meaning and that meaning has a lot of purpose and that purpose has a lot of suffering and that suffering has a lot of blessing. So, we are blessed! 😇 #naeemabutt First picture edited by: @pixelpunk16 😇
Eyes carry a lot of water and that water has alot of depth and that depth has alot of pain and that pain has a lot of meaning and that meaning has a lot of purpose and that purpose has a lot of suffering and that suffering has a lot of blessing. So, we are blessed! 😇 #naeemabutt First picture edited by: @pixelpunk16 😇
Eyes carry a lot of water and that water has alot of depth and that depth has alot of pain and that pain has a lot of meaning and that meaning has a lot of purpose and that purpose has a lot of suffering and that suffering has a lot of blessing. So, we are blessed! 😇 #naeemabutt First picture edited by: @pixelpunk16 😇
Eyes carry a lot of water and that water has alot of depth and that depth has alot of pain and that pain has a lot of meaning and that meaning has a lot of purpose and that purpose has a lot of suffering and that suffering has a lot of blessing. So, we are blessed! 😇 #naeemabutt First picture edited by: @pixelpunk16 😇
Eyes carry a lot of water and that water has alot of depth and that depth has alot of pain and that pain has a lot of meaning and that meaning has a lot of purpose and that purpose has a lot of suffering and that suffering has a lot of blessing. So, we are blessed! 😇 #naeemabutt First picture edited by: @pixelpunk16 😇
Mjhe nahi pata 🤷♀️ #idk What is this? 🌝 Wearing @sanoberazfar 👗 #naeemabutt #waseembadami #herlamhapurjosh #talkshow #random
A night in Istanbul.. @naeemabutt @alyykhanofficial @noorulhassanmuhammad @kashifnisar26frames @mr.qaiserali @officialnashpatiprime
A night in Istanbul.. @naeemabutt @alyykhanofficial @noorulhassanmuhammad @kashifnisar26frames @mr.qaiserali @officialnashpatiprime
Behind the stage? @naeemabutt
Behind the stage? @naeemabutt
Stills from The Huntress The Huntress is a film based on the Brazilian folktale, The Curupira, commissioned by Leo Kuelbs Collection for “Digital Fairytales” Public art projections on the Manhattan Bridge and on public spaces in Berlin, Athens and Toronto. In our cinematic retelling, our Huntress is left confused and lost in the forest due to the Forest Protectors enraged cry at her ruthless slaying of the forest creatures. Upon waking from her stupor, she unbraids her braided hair, ( in the folktale, a hunter unknots the surrounding vines to escape the Protectors wrath) and willingly hands over her knives: the cause of so much pain and suffering in the forest. Once the knives are in hand, the Protector stands upright- his more animalistic gestures lost to human ones, and with a profound understanding crossing his expression, he becomes the Hunter, and the Huntress becomes the Protector. The film is about balance: an exploration of human and animal nature crossing and intertwining . It contemplates the ultimate dichotomy we face, for we are creatures who are equally destroyers and protectors, dangerous and gentle; and ultimately, we see that there is a Huntress and Protector within each one of us. Directed by Alexis Karl and Adam Torkel Naeema Butt as The Huntress Nobuya Nagahama as The Forest Protector Cinematography by Alexis Karl and Adam Torkel Edited by Alexis Karl and Adam Torkel Assitant camera and unit photographer – Claire Hansen Makeup Design – Kymmie Sacks Sound Design – Alexis Karl Vocal Morphegenics -Al Zlogar Costume Design- Alexis Karl Sponsored by Leo Kuelbs Collection for “ Digital Fairytales”
Stills from The Huntress The Huntress is a film based on the Brazilian folktale, The Curupira, commissioned by Leo Kuelbs Collection for “Digital Fairytales” Public art projections on the Manhattan Bridge and on public spaces in Berlin, Athens and Toronto. In our cinematic retelling, our Huntress is left confused and lost in the forest due to the Forest Protectors enraged cry at her ruthless slaying of the forest creatures. Upon waking from her stupor, she unbraids her braided hair, ( in the folktale, a hunter unknots the surrounding vines to escape the Protectors wrath) and willingly hands over her knives: the cause of so much pain and suffering in the forest. Once the knives are in hand, the Protector stands upright- his more animalistic gestures lost to human ones, and with a profound understanding crossing his expression, he becomes the Hunter, and the Huntress becomes the Protector. The film is about balance: an exploration of human and animal nature crossing and intertwining . It contemplates the ultimate dichotomy we face, for we are creatures who are equally destroyers and protectors, dangerous and gentle; and ultimately, we see that there is a Huntress and Protector within each one of us. Directed by Alexis Karl and Adam Torkel Naeema Butt as The Huntress Nobuya Nagahama as The Forest Protector Cinematography by Alexis Karl and Adam Torkel Edited by Alexis Karl and Adam Torkel Assitant camera and unit photographer – Claire Hansen Makeup Design – Kymmie Sacks Sound Design – Alexis Karl Vocal Morphegenics -Al Zlogar Costume Design- Alexis Karl Sponsored by Leo Kuelbs Collection for “ Digital Fairytales”
Stills from The Huntress The Huntress is a film based on the Brazilian folktale, The Curupira, commissioned by Leo Kuelbs Collection for “Digital Fairytales” Public art projections on the Manhattan Bridge and on public spaces in Berlin, Athens and Toronto. In our cinematic retelling, our Huntress is left confused and lost in the forest due to the Forest Protectors enraged cry at her ruthless slaying of the forest creatures. Upon waking from her stupor, she unbraids her braided hair, ( in the folktale, a hunter unknots the surrounding vines to escape the Protectors wrath) and willingly hands over her knives: the cause of so much pain and suffering in the forest. Once the knives are in hand, the Protector stands upright- his more animalistic gestures lost to human ones, and with a profound understanding crossing his expression, he becomes the Hunter, and the Huntress becomes the Protector. The film is about balance: an exploration of human and animal nature crossing and intertwining . It contemplates the ultimate dichotomy we face, for we are creatures who are equally destroyers and protectors, dangerous and gentle; and ultimately, we see that there is a Huntress and Protector within each one of us. Directed by Alexis Karl and Adam Torkel Naeema Butt as The Huntress Nobuya Nagahama as The Forest Protector Cinematography by Alexis Karl and Adam Torkel Edited by Alexis Karl and Adam Torkel Assitant camera and unit photographer – Claire Hansen Makeup Design – Kymmie Sacks Sound Design – Alexis Karl Vocal Morphegenics -Al Zlogar Costume Design- Alexis Karl Sponsored by Leo Kuelbs Collection for “ Digital Fairytales”
I attended the Islamabad Film Festival here in Istanbul… my first solo deployment for @trtworld and my first time covering a film festival. I had the chance to speak with some incredible artists and storytellers from Pakistan’s entertainment sector, as well as Turkish content creators who are pushing for greater collaboration. Thank you @naeemabutt @alyykhanofficial @iamhassaanimtiaz @noorulhassanmuhammad @turkanpk for the opportunity to interview you. The big question: can Pakistan’s cinema step out from under Bollywood’s shadow? Pakistani entertainers say it’s time to explore new avenues for growth and collaboration, something that allows them to look beyond Bollywood. Huge thanks to @suad.fazlic for shooting this story and for sticking with me throughout the process.
Naeema Butt, known for her roles in ‘Ehd-e-Wafa’ and ‘Fraud’, graces the Islamabad International Film Festival Season 2 red carpet, embodying both talent and advocacy of Pakistani Cinema. @naeemabutt
Naeema Butt, known for her roles in ‘Ehd-e-Wafa’ and ‘Fraud’, graces the Islamabad International Film Festival Season 2 red carpet, embodying both talent and advocacy of Pakistani Cinema. @naeemabutt
Naeema Butt, known for her roles in ‘Ehd-e-Wafa’ and ‘Fraud’, graces the Islamabad International Film Festival Season 2 red carpet, embodying both talent and advocacy of Pakistani Cinema. @naeemabutt
Naeema Butt, known for her roles in ‘Ehd-e-Wafa’ and ‘Fraud’, graces the Islamabad International Film Festival Season 2 red carpet, embodying both talent and advocacy of Pakistani Cinema. @naeemabutt
